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Kendall J: Inarticulacy in Creative
Writing Practice and Translation

Inarticulacy in Creative Writing Practice and Translation

Where Language Thickens

Sentences are alive. Done well, they can help us see the world anew.To create such sentences you need fresh, varied rhythms and imagery. In this creative writing journal, Nina Schuyler, award-winning author of the bestseller How to Write Stunning Sentences, presents 80 new prompts that show the breathtaking stretch of language. With stunning sentences from beloved writers like Toni Morrison, Lauren Groff, Virginia Woolf, and Jesmyn Ward, coupled with Nina’s precise analysis, you will be propelled to create your own striking sentences. This journal will renew your writing skills and allow you to see through any sentence to the bones of style.Sibylline Press is proud to announce its new imprint, Sibyl Writing Craft, dedicated to providing definitive titles on writing craft and the book business for writers.

A Creative Writing Journal with 80 Prompts from Beloved Authors to Improve Your Style

Stunning Sentences

Oral Reading & Public Speaking

A creative masterclass for aspiring and established writers alikeAfter decades of writing award-winning books on subjects ranging from poetry to art to liturgical seasons, celebrated author Marilyn McEntyre turns her attention to the vocation that has shaped her life. Start with a Word: On the Craft and Adventure of Writing is a literary masterclass that eschews drills and formulas in favor of close readings and refreshingly playful advice.A veteran teacher, Marilyn understands that the best writing instruction doesn't come from rigid rules or rote approaches to filling the blank page. Instead, she demonstrates how the writers whose works we have enjoyed can become our tutors. She calls us to move beyond asking "What does this text say?" to a more revealing question: "How does this text work?" This shift in perspective--from passive consumption to active apprenticeship--transforms how we encounter literature and how we create it.More than a how-to manual, Start with a Word is an invitation into a way of being that honors both the precision and the mystery of words. It offers short lessons on essential elements of literary craft, close readings of passages from a range of works, writing prompts, and, above all, encouragement for authors to find their unique path into work only they can create. "Reading and writing keep alive in us the desire to be precise, lively, surprising, generous, inviting, challenging, wise. They make us want to be good, if only in the sense that choosing exact and appropriate words is a matter of choosing the good. . . . I don't think you can be an excellent writer without developing some virtues, if only fidelity to a practice that honors the gift of language."

On the Craft and Adventure of Writing

Start with a Word

Has imaginado una gran novela, tu mente está llena de ideas pero no tienes nada claro por dónde empezar. Las dudas te asaltan: ¿Cómo organizarla? ¿Qué escenas son verdaderamente importantes? ¿Es mejor hacer un esquema antes de comenzar a escribir o simplemente empezar a redactar? Has oído hablar del 'escritor mapa' y el 'escritor brújula', pero ¿en qué consiste cada una de esas categorías? ¿Serás alguno de ellos? La estructura y organización de nuestra historia tienen una gran importancia. Aunque lo primero sea tener personajes sólidos, es necesario que nuestra obra tenga narratividad, que fomente el deseo en los lectores de continuar con su lectura, que no puedan despegarse del libro. Y, por supuesto, el mayor plus es nuestra capacidad para engancharlos a través de todo el suspense y la sorpresa que la ficción requiere. David Vicente, Premio de Novela Breve Ciudad de Barbastro y referencia en el mundo de la escritura creativa, te acerca en este manual a las estructuras narrativas principales para que intentes contar tu novela de la mejor manera posible. Porque no solo importa 'qué cuento', sino también 'cómo lo cuento'. Déjate orientar... y la novela que llevas dentro podrá emerger.'Nadie mejor que David Vicente, reputado novelista y autor de exitosos manuales como El arte de escribir y El arte de narrar, para guiarnos en la forma de elaborar la trama de la novela que muchos tenemos en mente'. Javier Ors, La Razón.

El arte de tramar una historia

Los principios básicos y los formatos en la Literatura Infantil y Juvenil. Los temas y sus personajes. La acción, la estructura, la tensión. El juego como herramienta creativa. Los géneros y los límites. El humor y la fantasía. Aventuras para todas las edades. La realidad vista por los niños.
Estos son solo algunos de los temas que Chiki Fabregat recorre en este manual (acorde al temario de los cursos oficiales de Escuela de Escritores), pensado para quien quiera internarse y obtener las mejores herramientas del fascinante, arriesgado, complejo y hermoso mundo de la Literatura Infantil y Juvenil, además de desterrar los mitos más comunes que circulan sobre ella.
Los niños, los adolescentes, son los lectores más fieles que un escritor puede encontrar, pero también los más críticos. La literatura que se escribe para ellos no admite rebajas en la calidad ni en la dedicación. Y en este manual aprenderemos cómo hacerlo.

Escribir Literatura Infantil y Juvenil

Tema y estructura. Conflicto y cambio. Narradores y personajes. Tiempo y ritmo. Espacio y ambientación. Diálogos y emociones. Planteamientos, desarrollos y clímax. Las estrategias para comenzar y terminar nuestras novelas.Estos son solo algunos de los temas que componen este manual, confeccionado por los profesores de Escuela de Escritores (y acorde al temario de sus cursos oficiales), cuyo objetivo es que cada uno de sus lectores encuentre su propio método y tenga a su alcance toda una enorme caja de herramientas dispuestas para abordar la exigente, inexplicable y maravillosa actividad que supone escribir una novela.Este libro está pensado por quienes creemos que siempre existe una solución técnica para contar una historia.

Escribir novela. Manual para novelistas

24th Poet Laureate of the United States Ada Limón inspires us to see poetry as much more than just words—as a powerful force for healing, a call to action, and a vibrant celebration of humanity’s many voices. Ada Limón—celebrated poet laureate and 2023 MacArthur fellow—takes us on an inspiring journey into a world where poetry is both a soothing balm for the soul and a spark for transformation. With her blend of accessible yet profound prose, Limón delivers a powerful message: poetry has the ability to heal, connect, and remind us of our shared humanity. Limón’s mission to make poetry approachable shines brightly in this slim but impactful book. Recognized as a 2024 Time magazine Woman of the Year for her commitment to bringing poetry into everyday lives, Limón passionately argues that poetry is essential to understanding ourselves—our tenderness, courage, imperfections, and our deep, unshakable worthiness of love. Drawing from her own experiences as the 24th US poet laureate, Limón shares how poetry connects us not only to each other but to the natural world. This theme is at the heart of her project You Are Here, which celebrates the beauty of our environment and our place in it. Her prose, like her poetry, feels like an open invitation—welcoming readers of all backgrounds to explore the richness of human experience through verse. Fans of Robin Wall Kimmerer, Matthew Zapruder, or Jesmyn Ward will find a kindred spirit in Against Breaking—which offers a refuge, a reminder of the resilience and beauty found within us and all around us. As Limón writes with heartfelt clarity, “If you need to remember what makes us human, tender, brave, flawed, and worthy of love, you need poetry.”

On the Power of Poetry

Against Breaking

Make Believe&nbsp;is a book for adults about books for children, a rallying cry for art and imagination, and a celebration of the power of storytelling in all our lives.&nbsp; Mac Barnett, the beloved, bestselling children's author and U.S. National Ambassador for Young People's Literature, urges us to think expansively about the potential of children’s books—and the particular brilliance of young readers: &nbsp; What if children are a great audience for art? What if they are in fact better equipped to engage deeply with stories than adults? What if humans’ ability to appreciate art is, if not innate, awakened early in childhood? &nbsp; Well, then we’d better do our best to make some good kids’ books. &nbsp; Barnett has published more than 60 children’s books, which have been translated into 30+ languages and have sold more than 5 million copies worldwide, winning many international prizes along the way. Make Believe is his incisive, intimate, and timely invitation to approach children’s literature not only as an art form worthy of deep study and criticism, but as a portal into the lives of the children. And at a time when we are faced with a national literacy crisis,&nbsp;he&nbsp;champions the profound joys of literature and the importance of reading for pleasure. &nbsp; Written with humor and academic rigor, Make Believe&nbsp;reads like a letter from one’s smartest and funniest friend.

On Telling Stories to Children

Make Believe

Poetry is part of our lives. Any avid reader of Lorca, Neruda, or Miguel Hernández knows this well, but it is also intuited by those who, out of ignorance or excessive respect, believe that this is a forbidden territory for them. This book by Carmen Ramos aims to demonstrate, on the contrary, that anyone with a minimum of sensitivity and training can write poetry and thus enjoy an extremely enriching experience, capable of transforming us and making us more empathetic and fulfilled people. The author has brought together a series of practical exercises whose effectiveness and usefulness have been demonstrated in numerous workshops. Hence, the language used is simple and informal. The teaching approach contained here is far removed from academicism and literary theories, making the practice of poetry accessible to readers of all levels of education. The aim is simply to help those who are new to writing poetry, but also those who are familiar with it and need a little motivation, because, as Ramos points out, the act of writing does not flow in the same way over time, and periods of great productivity are often followed by less fruitful ones. Both novices and experienced writers will find this book a valuable and inspiring stimulus.

MANUAL DE ESCRITURA POÉTICA

It's not just what you say, but how you say it.Good communicators know this, but it's often easier said than done. Teachers, leaders, and speakers are often left bewildered, wondering why the content that was so carefully planned and delivered seems to fall flat with the audience. The art of communication requires more than the transfer of information; it both connects with and engages the hearer. To communicate well, speakers must understand both their audience and themselves.Speaking by the Numbers offers a strategy that combines communication principles with Enneagram wisdom to help leaders, pastors, and teachers understand how to convey content in ways that both inspire and connect with their audiences. Using the Enneagram wisdom of triads and stances, communicators can learn insight into the ways that various Enneagram numbers receive and process information. Sean Palmer draws from his extensive experience as a public speaker to develop communication strategies that lead to connection, transformation, and mobilization of audiences. Providing real examples of speeches and messages he has given, Palmer shows how he uses the Enneagram to craft a message that connects with his audience. A healthy marriage of Enneagram wisdom and communication skill can help us speak with clarity into the heart of where people live, love, and experience life.

Enneagram Wisdom for Teachers, Pastors, and Communicators

Speaking by the Numbers

"As a young journalist at the Brazil Herald from 1979-81, Stephen G. Bloom spent his early professional years working in Rio's seedy Lapa district, surrounded by fugitives, drug runners, pornographers, and stealth CIA agents. Bloom shares the wild story of this English-language newspaper in The Brazil Chronicles. The expat newspaper was a breeding ground for a different kind of storyteller - audacious risk-takers who told madcap tales of Amazon plantations, Confederate emigres, and lost Indian tribes. Several renown journalists cut their teeth at the Brazil Herald, including acclaimed New York Times correspondent Tad Szulc, Huffington Post CEO Eric Hippeau, and an untamed Gonzo reporter by the name of Hunter S. Thompson. Drawing from extensive archival research and more than 150 interviews with his former colleagues, Bloom's eye-opening narrative dive is both entertaining and academically rigorous. With a backdrop of coups, nonstop political instability, censorship, hyper-inflation, and weekends at sultry Ipanema Beach, The Brazil Chronicles doubles as a coming-of-age memoir, following young Bloom as he embarks on his quest to become a foreign correspondent, relocating to a foreign country to pursue under-the-radar stories and tall tales. His firsthand experience provides an insider, eye-witness account of the newspaper's colorful history, transporting the reader to its sweltering newsroom and delving into the multifarious lives of its eclectic, trailblazing, polyglot staff. Even as Bloom weaves between personal narrative, history, and accounts from journalism luminaries, it's clear who the book's main character is: the one-of-a-kind newspaper itself. "--

The Brazil Chronicles

A Mollusk Without a Shell: Essays on Self-Care for Writers offers multiple perspectives and vital insights on caring for the artist behind the creative work. Julie Brooks Barbour and Mary Biddinger have compiled a reader-friendly collection of brief essays that address challenges faced by many contemporary writers. Each essayist also includes a writing prompt to help spark inspiration for readers. This volume is ideal for writers at various stages in their careers, from beginners to mid-career writers, and to those returning to the page after time away. Contributors to this volume are Kelli Russell Agodon, Abayomi Animashaun, Emily Corwin, Mixby Dickon, Sarah Freligh, Suzanne Frischkorn, Jeannine Hall Gailey, Charles Jensen, Lee Ann Roripaugh, and Jenny Sadre-Orafai.

Essays on Self-Care for Writers

A Mollusk Without a Shell

Inarticulacy in Creative Writing Practice and Translation

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