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Khitrova D: Impossible Project

Impossible Project

The Story of Russian Ballet and Its Survival

Unmaking Contact interrogates “contact” through the examination of South Asian aesthetics, bodies, discourses, and philosophies on physical and intersubjective touch and relations within dance, and shifting its conceptualisation beyond contact improvisation.

Choreographing South Asian Touch

Unmaking Contact

The Petersburg Noverre is an account of Marius Petipa's career in Russia that focuses on the description and reception of his ballets.

The Petersburg Noverre is an account of Marius Petipaâ€™s career in Russia that focuses on the description and reception of his ballets.

Marius Petipa in Russia

The Petersburg Noverre, Volume: 1

Dance Humor Politics

Funny Moves

This book offers an inclusive lens through which to study the music and dance of South Asia, its diasporas, and the people who produce and use these cultural expressions. Each chapter's central argument ties into a participatory exercise that provides active ways to understand and engage with cultural meaning.

This book offers an inclusive lens through which to study the music and dance of South Asia, its diasporas, and the people who produce and use these cultural expressions. Each chapter's central argument ties into a participatory exercise that provides active ways to understand and engage with cultural meaning.

Music and Dance as Everyday South Asia

Author Laura E. Kennedy examines the three ballets composed by Dmitri Shostakovich during the early Stalinist period, showing how he aimed to create Soviet ballet until his third ballet was condemned in 1936, when he subsequently abandoned the genre. Throughout the book, she draws on extensive archival materials from St. Petersburg and Moscow--many not previously published--and argues that the three ballets illuminate his interest in the genre, the creative resources available to him, and the artistic and political pressures under which he worked.

Shostakovich's Ballets and the Search for Soviet Dance

The second edition of Frederick Ashton's Ballets: Style, Performance, Choreography adds two further ballets to this ground-breaking study of Frederick Ashton's choreography. It not only examines the contribution these ballets made to twentieth century dance art, but also presents a detailed account of Ashton's work and dances, demonstrating his remarkable choreographic and artistic talent. Having danced with the Royal Ballet Company during the years Ashton was Director, author Geraldine Morris also draws on her years as an academic in the field.

The second edition of Frederick Ashton's Ballets: Style, Performance, Choreography adds two further ballets to this ground-breaking study of Frederick Ashton's choreography. It not only examines the contribution these ballets made to twentieth century dance art, but also presents a detailed account of Ashton's work and dances, demonstrating his remarkable choreographic and artistic talent. Having danced with the Royal Ballet Company during the years Ashton was Director, author, Geraldine Morris also draws on her years as an academic in the field. 

As well as highlighting the dances, the book explores the contribution made by Ashton's collaborators, both designers and musicians. Central is the issue of identity and how style can be retained in dance, despite alterations in training. It considers the problem of how the values of ballet training change, thereby affecting contemporary performances of his works. Through eight works Morris examines the various sources that Ashton used, whether they were dances with words, or those influenced by dancers' movement style, jazz dance, abstraction, mysticism, or narrative. With this new material, the second edition makes a significant contribution to dance scholarship.

Style, Performance, Choreography

Frederick Ashton's Ballets

Straight White Men Can't Dance: American Masculinity in Film and Popular Culture investigates a trope proliferating throughout popular American media over the last half-century: that straight white men can't dance. Addie Tsai traces this reiterative moving image of vaudevillian buffoonery in film, television, and video from the mid-1980s to present-day. During the height of homophobic hysteria in response to the AIDS epidemic, dance began to be used as a marker to scrutinize white men's position within homosexuality and masculinity. Therefore, white men could misperform good dancing to more securely sit within hegemonic masculinity. Tsai establishes how ethnic mimicry within American popular media, even that of white masculinity, is produced and reiterated from the 19th-century theatrical practice of blackface minstrelsy. This history resurfaces in one of the exceptions to the trope: when white men use the hip currency of blackness to affirm their (dancing) masculinity through theft and positionality. By revealing how dance in American popular media reifies and problematizes gendered and racialized economies, Straight White Men Can't Dance demonstrates how the image of the buffoonish white male dancer operates as a smokescreen for the more violent manipulative forces of the reigning figure of white supremacy.

American Masculinity in Film and Popular Culture

Straight White Men Can’t Dance

Revelations on Stage

Bliss and Dance

An exquisite calendar featuring photography from the V&amp;A collections, capturing some of the biggest names in ballet from the early twentieth century. A fine new art calendar from Flame Tree. Enchanting, elegant, and always spectacular, ballet is one of the most beloved forms of entertainment. Every aspect of ballet – from its music and choreography to its costumes and set designs – is celebrated as an art form in its own right. This selection of dramatic black-and-white photographs, drawn from the world-renowned Theatre and Performance Collection at the V&amp;A, offers a captivating glimpse into the work of photographers who have most brilliantly captured the world of ballet. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

V&A: Ballet Wall Calendar 2026 (Art Calendar)

Part travel adventure, part ballet drama, part coming-of-age memoir, this book an unflinching, complex, and compassionate true tale of adversity, ambition, and discovery. The narrative is drawn from more than a decade of reporting, interviews, and research by an award-winning journalist.

An American Ballerina in Russia

Behind the Red Velvet Curtain

Forms of Drama

"Provides a clear guide to Kathakali, exploring the origin, evolution and characteristics of the form today and the ways it has adapted for a 21st-century audience. This introduction to this mode of dance drama traces the distinctive features of Kathakali - which is sometimes tightly structured with fixed conventions and sometimes fluid enough to incorporate flights of fancy. It charts how the form has changed over the centuries and assesses its cultural legacy today. It also includes translations of extracts from poems, plays and performance manuals, as well as interviews with actors and cultural historians"--

Authored by a leading exponent of the form, this book provides a clear guide to Kathakali, exploring its origin, evolution, and characteristics and the ways it has adapted for a 21st-century audience. Kathakali is an introduction to this vibrant mode of dance drama, which comes from Kerala in southwest India and combines poetry, music, rhythm, and dance to represent stories of gods, demons, and humans. Originating in the latter part of the 16th century, today Kathakali commands attention and involves practitioners from around the world. Largely drawing its stories from the Ramayana and the Mahabharata, it integrates music, dance, grand makeup, and costume to evoke the epic universe. This book illuminates how Kathakali combines associated literary texts, performative conventions, and practices from local and pan-Indian contexts. The actors use their whole body—deploying complex dance movements, interpretive gestures, and highly developed facial expressions—as a site to depict, elaborate, and interpret action. Encapsulating the world of Kathakali, its performative grammar, and the aesthetic theories that underpin it, this book examines its history as one of continual change. The book traces the distinctive features of Kathakali, which is sometimes tightly structured with fixed conventions, and sometimes fluid enough to incorporate imaginative flights of fancy. It assesses Kathakali’s cultural legacy and charts how the form has changed over the centuries. It also includes translations of extracts from poems, plays, and performance manuals, as well as interviews with actors and cultural historians.

Tradition, Innovations and Transitions in the Dance Drama of Kerala

Kathakali

Impossible Project

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