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Dabashi H: Imagine a Nation

Imagine a Nation

Six Persian Poets in Search of a Homeland

Recognition and Contestation in the Atomic Age

After Fission

Yale Series of Younger Poets

Thrown Voice

A 10,000 Year History

The Dead Sea

A beautifully illustrated and accessible account of the medieval crusades, which covers areas such as art, literature and legacy that are not found in other introductions to the topic. It written by a team of fifteen experts in the field and is full of surprising insights from the latest research.

The Oxford Illustrated History of the Crusades

A History

Iran and the Revolution

A vivid and musical rendering of the poetry of Catullus, whose passionate verses have captivated readers for centuries &nbsp; “Catullus’s verses still ring true, reminding readers that the habits of the heart haven’t changed in millennia.”—Publishers Weekly &nbsp; In the fourteenth century, a manuscript surfaced in Verona that had been lost for more than a thousand years: the poems of Catullus (c. 84–c. 54 BCE), considered by many to be one of the greatest poets who ever lived. These poems, with their beauty, wit, tenderness, and heartbreak, are still as alive and moving today as they were two thousand years ago. &nbsp; They are dense, subtle, witty, ardent, fearless, deeply uncensored, nasty (sometimes), petty (sometimes), and always beautiful. It’s especially his love poems that have earned readers’ admiration over the centuries; the joy and the savage self-inflicted torments that he underwent in his “miserable, disastrous love affair” have been shaped into poems that for honesty and emotional power have few parallels in world literature. &nbsp; Stephen Mitchell, who is known for bringing ancient texts to vibrant new life, has now translated Catullus’s poems for a new generation of readers. These are the first translations of Catullus to reimagine his rhythms in English and thus to let contemporary readers hear the formal beauty of his verse as well as its content, which Robert Lowell calls “much more raw and direct than anything in English.”

Selected Poems

Catullus

A Cultural History

Colonial Cyprus

The Wickedest

Above Ground

Few countries have had as vexed a political history as Syria. Carved out of the Ottoman empire at the end of the First World War, Syria was then brutally ruled by France. This French 'mandate' carved out new borders with equally provisional neighbours in a process that pulled apart families, trade networks and political assumptions that had already been ravaged by the war. Syria's subsequent history has been a series of attempts to make sense of its borders, including a failed attempt in the late 1950s to unite with Egypt and several humiliations at the hands of Israel's armed forces. The civil war that broke out in 2011 plunged Syria into a nightmarish series of disasters, including the terrible years of Islamic State, ultimately resulting in the reimposition of Bashar al-Assad's dictatorship, which came to an end in 2024. Daniel Neep's remarkable book creates a gripping, intelligent narrative of how Syrians have lived through these events, never losing sight either of the fates of ordinary people or of Syria's rich, complex and diverse society, unwillingly or willingly brought together in such a highly contested space.

A History of Modern Syria

The targeted assassination of Major-General Qasem Soleimani on 3 January 2020 brought into sharp focus the expansion of Iran's irregular warfare capabilities and network of highly capable proxy actors. This network, overseen by the Quds Force of the Islamic Revolutionary Guards Corps (IRGC) and its mysterious and charismatic leader, has become a critical actor in shaping the Middle East. 
Painting the General fills a key gap in our knowledge of this phenomenon by exploring the role, image and framing of the Qods Force leader as a newly omnipotent and all conquering Iranian hero who has propped up the Islamic Republic's waning support internally and acted as a potent foreign policy symbol and rallying point externally. 
 
The book explores the multiple dimensions of Hajj Qasem's image, its construction, use and reception among different audiences. Bridging the gap between a traditional political biography and a work of comparative and regional politics, it places Soleimani within multiple frames of resonance, examining how his image and persona have been shaped by himself, by the regime and by outsiders to create a powerful and increasingly essential narrative which, over time, placed Soleimani as a key powerbroker in Iranian and regional politics. 
 
 Based on a newly developed analytical framework and fieldwork in Iran, Iraq and Lebanon the volume draws extensively on Persian and Arabic sources, as well as detailed exploration of the iconography used to frame Soliemani as a new, more secular Iranian hero who has resonance far beyond Iran's borders.

Over the past two decades Iran's irregular warfare capabilities have expanded dramatically with a network of highly capable proxy actors emerging and consolidating. This network, developed by the Quds Force of the Islamic Revolutionary Guards Corps was expertly directed by its mysterious and charismatic leader Major-General Qasem Soleimani.

Qasem Soleimani, Iranian Propaganda and Shi'a Militia Politics

Painting the General

How are comics and Latin elegy related? Comics tell their stories by placing individual images in a sequence, and Latin elegy builds narrative through sequence, encouraging readers to connect poems in order to reveal narrativity. Despite this, there has yet to be a definitive methodology that inspires readers to examine the function of this narrative tool. Examining Ovid's Amores, Swain argues a comics-based methodology can offer us important new insights into the ancient genre of Latin elegy. This book applies theories such as the gutter (the space that exists between two comics panels), Groensteen's braiding (the interaction of panels outside of a linear sequence), and the comics page-turn, all to release new readings that reveal the narrative found across the three books of this text. By analysing the way that Ovid creates a complex narrative mosaic in which key characters and motifs repeat across poems, this book explores how story segments are connected into a larger unified narrative.

Comics Theory, Elegy, and Segmentary Narrative

Narrative in Ovid's Amores

Imagine a Nation

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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