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S-Rank Party Kara Kaikosareta "Jugushi" [...]

Lagun: Ich crafte die krassesten
Magie-Items, aber sie sind immer verflu

Ich crafte die krassesten Magie-Items, aber sie sind immer verflucht 03

Bd. 11

Conan der Barbar: Classic Collection

Silence

No sex. No kids. No future? When Tom Feiling moved to Tokyo as a student in the early nineties, Japan was a beacon of the future: a rising superpower, a technology giant, a global symbol of prosperity, civility and success. When he returned twenty-four years later, the country was still a sign of things to come-but, he began to realize, it was no longer a beacon. It was a warning. This is a unique account of contemporary Japan, which travels from the quiet of its furthest flung villages to the aspiration and dynamism of its cities. It tells the story of how, from the mid-seventies onwards, Japanese society unknowingly embarked on a vast, silent process of transformation that is still unfolding today. It is still peaceful; it is still prosperous. But the Japanese population is dwindling at an alarming rate. As things stand, Japan's populace will shrink by a third with each new generation; by 2070 it will have lost the equivalent of the entire population outside of Tokyo, Osaka and Nagoya. Travelling through shrines and bars, rice fields and mango farms, coffee shops and old peoples' homes, Feiling meets with those affected by, and driving, this transformation. Through countless interviews and extensive research, he weaves together a powerful account of how and why men and women are ceasing to pair off and have kids. He reveals how sexual appetites and behaviours are both shaped by, and reshaping the evolving economy, and he considers both the dangers and the opportunities of the rise in solo living in Japan-and beyond. For although this is a Japanese story, it will soon be playing out all around the world. A low birth rate, an ageing society, and a shrinking population are visible everywhere from Spain to South Korea. Japan is simply further down the line. So this really is a journey to the future: sex robots and herbivorous men are now Japanese phenomena, but they may soon be coming for us all.

A Journey to the Future

Alone in Japan

SOAS Studies in Modern and Contemporary Japan

Contesting Memorial Spaces of Japan's Empire

Blue Period

Yatora ist als einer der Gewinner aus dem AOJ-Kunstwettbewerb hervorgegangen. Doch so recht freuen kann er sich darüber nicht. Denn als Inspiration diente ihm Sanadas tragische Geschichte - die er als Außenstehender für sich benutzt hat. Geplagt von seinem schlechten Gewissen fragt Yatora sich, ob er jemals "ehrliche" Kunst erschaffen kann ...

Blue Period 16

This book is a history book documenting the CCS-Civil Communication Section - which was created by General Douglas MacAuthur during the occupation of WWII to improve communications in Japan. However, before they could work on improving the quality of communications they found they had to train the major communications companies in American Management. Ultimately this training led to the resurgence and later dominance of the Japanese electronics industry and Japan's economic miracle. Many of the teachings laid the foundation for what we call Lean and Six Sigma today. This book documents the genesis of the CCS and how three engineers helped get the Japanese economy by teaching American management and placing an emphasis on shop-floor leadership.

This book is a history book documenting the CCS-Civil Communication Section – which was created by General Douglas MacAuthur during the occupation of WWII to improve communications in Japan. However, before they could work on improving the quality of communications they found they had to train the major communications companies in American Management. Ultimately this training led to the resurgence and later dominance of the Japanese electronics industry and Japan’s economic miracle. Many of the teachings laid the foundation for what we call Lean and Six Sigma today. This book documents the genesis of the CCS and how three engineers helped get the Japanese economy by teaching American management and placing an emphasis on shop-floor leadership.

A History of the Civil Communication Section and Japanese Management

The Foundations of Lean Management

Hana-Kimi Pearls

Hana-Kimi Pearls 2

I'm Standing on a Million Lives

Mit frischem Elan stellen sich Yusuke und die anderen Helden der Herausforderung, dem Königreich Tardy Oaf den lang ersehnten Frieden zu bringen. Doch das ist leichter gesagt als getan, denn die Konflikte scheinen tiefer zu greifen als erwartet. Während der Adel massenhaft Bernstein abbaut, um sich vor den bedrohlichen Drachen zu schützen, verliert das Volk im Zuge dessen wertvollen Lebensraum. Und als wäre das nicht schon genug, lauert in den Tiefen der umliegenden Wälder ein gefährlicher Feind, der nur darauf wartet, den Helden die neunte Runde der Quest zur Hölle zu machen ...

I'm Standing on a Million Lives 19

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Japanese Architects in a Global World

Beyond Japan

A contemporary textile artist provides a new, unexpected and expansive anthropological perspective on the practices, meanings and heritage of a globally important textile technique.

A contemporary textile artist provides a new, unexpected and expansive anthropological perspective on the practices, meanings and heritage of a globally important textile technique.

Performance, Metaphor and Materiality in Contemporary Cloth

Indigo and Resist Dyeing

Die for me, my Darling 08

Ich crafte die krassesten Magie-Items, aber sie sind immer verflucht ...

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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