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Day R: I Think I Like Girls / LF

I Think I Like Girls

'Evocative and exhilarating. Christina Fonthes is a fresh and powerful new writer with a beautiful voice and bold talent' Salena Godden, author of Mrs. Death Misses Death 'A wonderful, vital novel exploring familial legacies and queer lives. Fonthes deftly charts the complex paths of these characters with real verve and authenticity' Irenosen Okojie MBE 'A captivating read from an exciting new voice' Cherie Jones, author of How the One-Armed Sister Sweeps Her House 1980's Kinshasa. Mira is the teenage daughter of a family on the rise. When she falls in love with an impoverished singer, a criminal the eyes of her parents, it sets her on a dramatic path that winds its way across oceans and decades. 2004, London. Bijoux is a young British-Congolese woman living with her silent and flinty Pentecostal aunt, Tantine Mireille. Outwardly she plays the role of the obedient child, going to prayer meetings and following instructions. But Bijoux has a secret; she is in love with a woman. She has been for a year. When her aunt wants her to marry one of the young men from the church, Bijoux has to make a decision. Vividly bringing to life the Congo and its diaspora, Where You Go, I Will Go weaves Bijoux and Mira's stories together across two continents, two generations, through the mess of love and sexuality, and the pull of mother-daughter relationships, to finally bring them to a place of belonging - home.

the emotional and redemptive family saga

Where You Go, I Will Go

"A carnivalesque tale spun in luscious, crackling prose, Freakslaw is the glittery punk offspring of Katherine Dunn's Geek Love and Angela Carter's Nights at the Circus. You know those books you want to roll around in, rub on your skin, and clasp to your heart? Freakslaw is one." --Chelsea G. Summers, author of A Certain Hunger In this riotous horror debut, a traveling carnival of troublemakers arrive in a small Scottish town and perform their favorite pastime: revenge. It is the summer of '97 and the repressed Scottish town of Pitlaw is itching for change. &gt;But beneath it all, these newcomers are harboring a darker desire: revenge. Revenge for being cast out, never allowed to settle, punished for purely existing. And as tensions reach fever pitch between the stoic, unwelcoming locals and the dazzling intruders, a violence that has been bubbling for centuries is about to be unleashed . . . Katherine Dunn's Geek Love meets Angela Carter's Nights at the Circus in this sizzling debut by a writer as captivating as she is incisive, as wild as she is precise. Read this and try not to run away with the Freakslaw. Go on. We dare you.

Freakslaw

Lindsay Gordon Crime Series

Union Jack

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving. Salted with intelligence and empathy' New York Times Book Review 'A page-turner' New Yorker 'Really shines' San Francisco Chronicle 'Gorgeous' Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together - over dinner, beers, pool games - they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- 'A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend' NPR 'Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths' Los Angeles Times 'A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take' Wall Street Journal 'Schwalbe's memoir shines. Written like a true friend' Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Story of An Unlikely Friendship

We Should Not Be Friends

Create Harmony, Change Your Life

Sharp and funny and humane ... Brydie skewers everyone equally, but always with empathy, warmth and wit.' Monica Heisey, author of Really Good, Actually 'A novel that really nails the chaos, panic and joy of being young' Daisy Buchanan, author of Insatiable 'Captures twentysomething chaos ... Very funny' THE TIMES A funny and tender twenty-first century story of family, friendship, and bisexual love - and how getting it wrong is sometimes the only way to get it right. WHO IS ADA? With Sadie she's an Aussie girl in London, a performer, a ball of creativity and a lover of food. With Stuart she's funny and quirky, capable of finding romance in a dinner of crisps on a cold harbour and long train rides. With her family she's the joker, the peacekeeper, the entertainer. But she doesn't have to choose which version of herself to be... right? Ada's answer to most questions is: yes. Every night is an opportunity to be thrilled and every morning a chance to recount it to her friends, so when she falls for Sadie and Stuart at the same time, she sees no reason not to pursue them both. But as the realities of modern life begin to catch up with her, and everyone wants Ada to define herself in relation to them, she feels the weight of the questions: which version of yourself is most true? And do other people enhance your best self, or distort it? Go Lightly is a tribute to party girls who'd rather enjoy the present than fear the future or regret the past, and a love letter to the community you find when you're far from home. 'Funny, perceptive and effortlessly engaging ... I loved this novel' Lily Lindon, author of Double Booked 'Sharp, witty and...astute' THE HERALD

'nails the chaos, panic and joy of being young'

Go Lightly

When There Are Wolves Again

From V. E. Schwab, the No. 1 Sunday Times and New York Times bestselling author of The Invisible Life of Addie LaRue: a new genre-defying, unforgettable novel to sink your teeth into. Santo Domingo de la Calzada, 1532. London, 1837. Boston, 2019. Three young women, their bodies planted in the same soil, their stories tangling like roots. One grows high, and one grows deep, and one grows wild. And all of them grow teeth.

From V. E. Schwab, the No. 1 Sunday Times and New York Times bestselling author of The Invisible Life of Addie LaRue: a new genre-defying, unforgettable novel to sink your teeth into.

Bury Our Bones in the Midnight Soil

The Old Gays’ Guide to the Good Life

It's 1996, and Jeremy has met the British boy of his dreams - just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights, including immigration. The pair snatch time in forests and deserts, London fashion shows, Berlin sex clubs and East Village hotel rooms. Finding no other way to stay together, they shack up illicitly among unlikely allies in San Francisco. Deep House moves through the couple's domiciles while unlocking doors to a lineage of gay men who have come before - smuggling a foreign partner through national checkpoints or going public to stand up for the right to get down in the privacy of their own homes. They include hapless criminals, sexpot bartenders, friars, pirates, government workers who subvert the system and activists who go all the way to the Supreme Court. Juxtaposing disclosures of undocumented domesticity with courtroom drama to explore myriad forms of intimacy, Deep House is at once a historical kaleidoscope and the innermost tale of two boyfriends who made a home in the shadows of a turbulent civil rights battle.

The Gayest Love Story Ever Told

Deep House

<div><div>Audible's Best of the Year in Well-Being YOU ARE ENOUGH EXACTLY AS YOU ARE. ​&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;From the time we’re born, a litany of do’s and don’ts are placed on us by our families, our communities, and society. We’re required to fit into boxes based on our race, gender, sexuality, and other parts of our identities, being told by others how we should behave, who we should date, or what we should be interested in. For so many of us, those boxes begin to feel like shackles when we realize they don’t fit our unique shape, yet we keep trying because we crave acceptance and validation. But is “fitting in” worth the time, energy, and suffering? Actor, writer, and activist Brandon Kyle Goodman says, Hell no it ain’t! &nbsp; As a Black nonbinary, queer person in a dark-skinned 6’1”, 180-pound male body born into a religious immigrant household, Brandon knows the pain of having to hide one’s true self, the work of learning to love that true self, and the freedom of finally being your true self. &nbsp; In You Gotta Be You, Brandon affectionately challenges you to consider, “Who would I be if society never got its hands on me?” This question set Brandon on a mission to dropkick societal shackles by unlearning all the things he was told he should be in order to step into who he really is. It required him to reexamine messy but ultimately defining moments in his life—his first time being followed in a store, navigating his mother’s born-again Christianity, and regretfully using soap as lube (yes, you read that right!)—to find the lessons that would guide him to his most authentic self. &nbsp; Compassionate and soulful, funny and revealing, You Gotta Be You is an unapologetic call to self-freedom. It’s about turning rejection (from others and yourself) into a roadmap to self-love. It’s a guide to setting boundaries and fostering self-growth. And most importantly, it’s an affirmation that we are enough exactly as we are. </div><div> &nbsp; </div>
</div>

<div><div>Audible's Best of the Year in Well-Being YOU ARE ENOUGH EXACTLY AS YOU ARE. ​&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;From the time we’re born, a litany of do’s and don’ts are placed on us by our families, our communities, and society. We’re required to fit into boxes based on our race, gender, sexuality, and other parts of our identities, being told by others how we should behave, who we should date, or what we should be interested in. For so many of us, those boxes begin to feel like shackles when we realize they don’t fit our unique shape, yet we keep trying because we crave acceptance and validation. But is “fitting in” worth the time, energy, and suffering? Actor, writer, and activist Brandon Kyle Goodman says, Hell no it ain’t! &nbsp; As a Black nonbinary, queer person in a dark-skinned 6’1”, 180-pound male body born into a religious immigrant household, Brandon knows the pain of having to hide one’s true self, the work of learning to love that true self, and the freedom of finally being your true self. &nbsp; In You Gotta Be You, Brandon affectionately challenges you to consider, “Who would I be if society never got its hands on me?” This question set Brandon on a mission to dropkick societal shackles by unlearning all the things he was told he should be in order to step into who he really is. It required him to reexamine messy but ultimately defining moments in his life—his first time being followed in a store, navigating his mother’s born-again Christianity, and regretfully using soap as lube (yes, you read that right!)—to find the lessons that would guide him to his most authentic self. &nbsp; Compassionate and soulful, funny and revealing, You Gotta Be You is an unapologetic call to self-freedom. It’s about turning rejection (from others and yourself) into a roadmap to self-love. It’s a guide to setting boundaries and fostering self-growth. And most importantly, it’s an affirmation that we are enough exactly as we are. </div></div><div> &nbsp; </div>

How to Embrace This Messy Life and Step Into Who You Really Are

You Gotta Be You

In What We Do with God, Daniella Toosie-Watson collapses the divisions between humans, the natural world, and the divine, and between the intimacies of mercy and desire within ourselves. 
 
Daniella Toosie-Watson's debut poetry collection, What We Do with God, meditates on the politics of mental health, pleasure, and the natural world. In this book, the everyday miracles of insects are studied, celebrated, and made sacrosanct. Prayer and pleasure are two sides of the same coin. Social constructions of propriety have no bearing on sensual connection and exploration. As the speaker navigates these different worlds and their myriad questions-calling upon Puerto Rican, Iranian, and Russian inheritance to explore where, why, and how ancestral mysticism and Western pathology intersect and/or diverge-they find those questions mirrored back as they maneuver through the stark realities of the U.S. mental health care system. 

 Guided by curiosity, tenderness, stark clarity, and unapologetic impiety toward a binary of holiness and waywardness, What We Do with God invites readers to imagine a world where the "care" we choose to cultivate extends beyond the grace we give ourselves and those directly around us, but to the interconnecting ecosystems that hold the wider world together.

Poems

What We Do With God

I Think I Like Girls

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Bibliografische Angaben

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