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Lappan Verlag: I burn for you -
Romance-Postkartenkalender 2026

I burn for you - Romance-Postkartenkalender 2026

Wochenkalender mit Spiralbindung

Picador Collection

In his own inimitable style, Richard E. Grant documents what it is to become a film star.

In his own inimitable style, Richard E. Grant documents what it is to become a film star.

With Nails

BORN IN THE SHADOWS. LIVED FOR THE SPOTLIGHT. WAS SHE MURDERED? Before Marilyn Monroe, there was Norma Jeane. No one would have thought that the girl who spent her childhood between foster homes and orphanages would one day become a global star. The Last Days of Marilyn Monroe tells the extraordinary story of Marilyn Monroe's life - and the shocking circumstances of her death. For decades, fans have speculated about the truth of her final days. Was it suicide? A tragic accident? Murder? Drawn from rigorous research, this book seeks answers. Told in vivid, dramatic scenes, James Patterson and Imogen Edwards-Jones uncover the life and death of the remarkable woman who was Marilyn Monroe. __________________________________ PRAISE FOR JAMES PATTERSON 'It's no mystery why James Patterson is the world's most popular thriller writer ... Simply put: nobody does it better.' JEFFERY DEAVER 'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' LEE CHILD 'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' MICHAEL CONNELLY 'James Patterson is The Boss. End of.' IAN RANKIN 'The master storyteller of our times' HILLARY RODHAM CLINTON 'One of the greatest storytellers of all time' PATRICIA CORNWELL

BORN IN THE SHADOWS. LIVED FOR THE SPOTLIGHT. DIED AN ICON. Before Marilyn Monroe, there was Norma Jeane Baker. No one would have thought that the girl who spent her childhood between foster homes and orphanages would one day become a global star. The Last Days of Marilyn Monroe tells the extraordinary story of Marilyn Monroe’s life – and the shocking circumstances of her death. For decades, fans have speculated about the truth of her final days. Was it suicide? A tragic accident? Murder? Drawn from rigorous research, this book seeks answers. Told in vivid, dramatic scenes, James Patterson and Imogen Edwards-Jones uncover the life and death of remarkable woman who was Marilyn Monroe. __________________________________ PRAISE FOR JAMES PATTERSON 'It's no mystery why James Patterson is the world's most popular thriller writer ... Simply put: nobody does it better.' JEFFERY DEAVER 'No one gets this big without amazing natural storytelling talent - which is what Jim has, in spades.' LEE CHILD 'Patterson boils a scene down to the single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.' MICHAEL CONNELLY 'James Patterson is The Boss. End of.' IAN RANKIN 'The master storyteller of our times' HILLARY RODHAM CLINTON 'One of the greatest storytellers of all time' PATRICIA CORNWELL

The Last Days of Marilyn Monroe

BFI Screen Guides

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

100 Films to Watch Before You Grow Up

The Korean Cinema Book

World Cinema

In what innovative ways are women documentary filmmakers seeking to prioritize and promote political awareness, alternative modes of allyship, and advocacy for those most marginalized by patriarchy and global capitalism?Women and Global Documentary answers the urgent need to re-evaluate the significance of women's documentary practices, their contributions to feminist world-building, and to the state of documentary studies as a whole. Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.

In what innovative ways are women documentary filmmakers seeking to prioritize and promote political awareness, alternative modes of allyship, and advocacy for those most marginalized by patriarchy and global capitalism?

Women and Global Documentary answers the urgent need to re-evaluate the significance of women’s documentary practices, their contributions to feminist world-building, and to the state of documentary studies as a whole.
Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.

Practices and Perspectives in the 21st Century

Women and Global Documentary

Cinema Cultures in Contact

"After the 1973 coup that put an end to the socialist government of Salvador Allende, most Chilean filmmakers went into exile. Dispersed all over the world, they made more than two hundred fiction films, documentaries, animations, videos, and works for television. Josâe Miguel Palacios builds upon extensive archival research to trace a transnational history of this radical cinema, beginning with its emergence out of global solidarity networks in the 1970s. Chronicling the dangerous efforts to smuggle film reels out of Chile, the discourses of political cinema these films inspired as they traveled between film festivals, and these film prints' unfinished process of return to Chilean archives and museums over the last two decades, Transnational Cinema Solidarity offers a politicized understanding of world and transnational cinema that emphasizes geopolitical relations and cinematic alliances based on solidarity"--

Chilean Exile Film and Video after 1973

Transnational Cinema Solidarity

Cinema Two

Hirokazu Koreeda

BFI Film Classics

Laura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (played by Dinah Stabb), a white middle-class woman living in London in the 1970s who is transforming her place in patriarchal culture. The film is recognised as one of the most important avant-garde films to have emerged from Britain during the 1970s and a classic of feminist cinema.
 
 Kimberly Lamm's study of the film examines its kaleidoscopic array of cinematic strategies and poetic devices and how it explores issues of female representation, the place of motherhood within society and mother-daughter relationships. Lamm delves into the context of the film's production and reception, considering its significance as the second collaboration between Mulvey and Wollen, and the ways in which it was inspired by Mulvey's work on "the male gaze". 
 
 She goes on to position Riddles as an essay film, analysing its formal experimentations, including the use of direct address and found footage, the rejection of continuity editing and its groundbreaking, haunting electronic score by Mike Ratledge of Soft Machine. Finally, considering the voice of the Sphinx, Lamm highlights how Mulvey and Wollen work with sound and images to reconfigure visual pleasure and create conditions in which the full range of women's voices can be listened to, heard, and valued.

Laura Mulvey and Peter Wollen’s Riddles of the Sphinx (1977) follows the life of Louise (played by Dinah Stabb), a white middle-class woman living in London in the 1970s who is transforming her place in patriarchal culture. The film is recognised as one of the most important avant-garde films to have emerged from Britain during the 1970s and a classic of feminist cinema.
 
 Kimberly Lamm’s study of the film examines its kaleidoscopic array of cinematic strategies and poetic devices and how it explores issues of female representation, the place of motherhood within society and mother-daughter relationships. Lamm delves into the context of the film's production and reception, considering its significance as the second collaboration between Mulvey and Wollen, and the ways in which it was inspired by Mulvey's work on "the male gaze". 
 
 She goes on to position Riddles as an essay film, analysing its formal experimentations, including the use of direct address and found footage, the rejection of continuity editing and its groundbreaking, haunting electronic score by Mike Ratledge of Soft Machine. Finally, considering the voice of the Sphinx, Lamm highlights how Mulvey and Wollen work with sound and images to reconfigure visual pleasure and create conditions in which the full range of women’s voices can be listened to, heard, and valued.

Riddles of the Sphinx

Er gilt als DER Filmschurke schlechthin und kaum jemand hat die Popkultur mehr beeinflusst! Seit Darth Vaders erstem Auftritt im Jahre 1977 ist er die beständigste, populärste, beliebteste -und gefürchtetste- Figur der gesamten Saga! Dieser Band beleuchtet die Geschichte der Entstehung und dem Vermächtnis von Star Wars' ikonischster Figur - von seiner Erschaffung in George Lucas' ersten Star Wars Entwürfen über Anakin Skywalkers Fall auf die dunkle Seite in der Prequel-Trilogie, seinem Auftritt in Rogue One und darüber hinaus. Dieser Prachtband gewährt zudem detaillierte Blicke auf Vaders Rolle im sogenannten Erweiterten Star Wars Universum über die Kinofilme hinaus - wie in Romanen, Comics, Videospielen oder im Merchandise. Mit seltenen Aufnahmen an Originaldrehorten, atemberaubenden Konzeptzeichnungen, exklusiven Interviews mit den wichtigsten Kreativköpfen und vielem mehr.

Er gilt als DER Filmschurke schlechthin und kaum jemand hat die Popkultur mehr beeinflusst! Seit Darth Vaders erstem Auftritt im Jahre 1977 ist er die beständigste, populärste, beliebteste -und gefürchtetste- Figur der gesamten Saga! Dieser Band beleuchtet die Geschichte der Entstehung und dem Vermächtnis von Star Wars' ikonischster Figur - von seiner Erschaffung in George Lucas' ersten Star Wars Entwürfen über Anakin Skywalkers Fall auf die dunkle Seite in der Prequel-Trilogie, seinem Auftritt in Rogue One und darüber hinaus. Dieser Prachtband gewährt zudem detaillierte Blicke auf Vaders Rolle im sogenannten Erweiterten Star Wars Universum über die Kinofilme hinaus – wie in Romanen, Comics, Videospielen oder im Merchandise. Mit seltenen Aufnahmen an Originaldrehorten, atemberaubenden Konzeptzeichnungen, exklusiven Interviews mit den wichtigsten Kreativköpfen und vielem mehr.

Star Wars: Darth Vader - Alles über den Dunklen Lord der Sith

Library of Gender and Popular Culture

"Bad Sex examines the representation of sex and sexuality in Anglo-American drama and 'dramedy' shows like Fleabag (2019), Sex Education (2019-), I May Destroy You (2020) and Please Like Me (2013-16), arguing that TV is a key cultural site in which the politics of sexuality and gender are negotiated under contemporary conditions of neoliberalism"--

Bad Sex traces the evolution of representations of sex on screen, from earlier portrayals of sex as glamorous or taboo, to more complex depictions of often awkward or painful experiences and feelings.

Jacqueline Gibbs, Billy Holzberg, and Aura Lehtonen examine the representation of sex and sexuality in contemporary English language drama and ‘dramedy’ shows like Fleabag (2016, 2019), Sex Education (2019-23), I May Destroy You (2020) and Euphoria (2019-), arguing that TV is where the politics of sexuality and gender is negotiated under the contemporary conditions of neoliberalism.
 
 Through a cultural analysis of key television shows, they identify this shift as driven by the diversification of representations of sex and sexuality, as women, trans and non-binary, Black and minority ethnic, working-class and disabled TV professionals carve some space in a traditionally white, middle-class, cis male dominated industry. In doing so, they explore the affective potential and limits of ‘bad’ sex on our screens and what these representations can tell us about sexual politics and gender cultures today.

Sexuality, Gender and Affect in Contemporary TV

Bad Sex

"In Japanese Cinema and Punk, Mark Player explores how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a time of crisis and change for Japan's film industry. Analyzing key examples such as Burst City (1982), Robinson's Garden (1987) and Tetsuo: The Iron Man (1989), he traces the changing sociocultural position of Japan's punk movement throughout the 1980s, from its euphoric early-80s highpoint to a growing dysphoria brought about by its co-opting and convergence by the mainstream"--

In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan’s film industry.

Drawing on first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu, Yamamoto Masashi, Tsukamoto Shin’ya, and Fukui Shozin, Player explores how punk's bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by punk rock, graffiti art, street performance, animation, and evolving music technologies.

By considering the practical, phenomenological, and political ramifications of blending diverse media elements, Player offers in-depth analyses of films such as Burst City (1982), Robinson’s Garden (1987), and Tetsuo: The Iron Man (1989). He further traces the changing sociocultural position of Japan’s punk movement throughout the 1980s—from its euphoric early-80s peak to the growing disillusionment caused by its mainstream co-optation and convergence.

Intermedial Exchanges

Japanese Cinema and Punk

I burn for you - Romance-Postkartenkalender 2026

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Schlagworte

Bibliografische Angaben

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