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Treister Suzanne: HEXEN 5.0 Tarot

HEXEN 5.0 Tarot

A transformative guide that seamlessly weaves together manifestation, tarot, and creative writing, by tarot expert and author of Guided Tarot Stefanie Caponi. Whether you''re a seasoned tarot enthusiast or a curious beginner, Tarot for Manifestation is a road map to a more vibrant and fulfilling existence, complete with practical tarot resources and insightful guidance. With a blend of practical advice and spiritual wisdom, Caponi demystifies manifestation and tarot, offering accessible techniques for readers of all levels. This book provides step-by-step guidance on harnessing the energy of the universe to manifest dreams. Through custom tarot spreads, creative exercises, and chapters on shadow work, declutter magic (Caponi's term for making space in your life to draw in what you want), and taking aligned action, readers are empowered to create a life filled with magic, abundance, and love.

Attract Your Dream Life through Shadow Work, Visualization and Writing Love Letters to the Universe

Tarot for Manifestation

Bollingen Series

The Archetypal World of Henry Moore

A richly illustrated account tracing the full arc of contemporary painter Suzanne Jackson's life and multifaceted artistic visionFirst and foremost a painter, Suzanne Jackson has worked for six decades in a dizzying array of genres, including drawing, printmaking, poetry, dance, and theater design. Suzanne Jackson: What Is Love reveals Jackson's achievements as a leading and influential artist who has been in dialogue with her contemporaries, from Betye Saar and Emory Douglas to Senga Nengudi and Mary Lovelace O'Neal. This wide-ranging book illuminates Jackson's work and its connections to nature, environmentalism, performance, feminism, and Black and Native traditions. It explores the way her innovative hanging acrylic works break the canvas; the role of dance and set design in Jackson's practice; and her trailblazing Los Angeles art space Gallery 32, which she ran from 1968 to 1970, and which became a focus for a circle of fellow emerging artists. The book also features artist dialogues between Jackson and Nengudi, Saar, Fred Eversley, and Richard Mayhew, as well as a conversation between Jackson and SFMOMA painting conservator Jennifer Hickey. Exhibition ScheduleSFMOMA, San FranciscoSeptember 27, 2025-March 1, 2026Walker Art Center, MinneapolisMay 14, 2026-August 23, 2026Museum of Fine Arts, BostonSeptember 26, 2026-February 7, 2027

What Is Love

Suzanne Jackson

A 13-card pocket-sized oracle deck that provides quick and direct answers about love, relationships, and all magical affairs of the heart. Could it be true love or a case of rose-colored glasses? Have you found The One or another unlucky red flag? This deck offers guidance for all your relationship queries. Featuring Athene's gorgeous, mystical illustrations and straightforward answers to questions about love. These cards are perfect for daily divination practice or as a tool to focus energy during rituals and ceremonies. Ask the cards for guidance, truth, and clarity in your love life. This pocket deck includes a helpful introductory guide to the cards and their interpretations. Small enough to fit in a purse or pocket, this compact deck can travel with you, offering divine relationship guidance wherever life may take you.

A 13-Card Deck and Guidebook

Fated: A Pocket Love Oracle

An 80-Card Deck & Guidebook

Mindscapes Tarot

45 Orakelkarten und ihre Botschaft für Verbindung und Heilung

Die Kraft von Mutter Erde

A monograph on one of the leading figures of German Expressionism, Erich Heckel and on artistic exchange in wartime Europe.

Erich Heckel in Flanders

Routledge Advances in Theatre & Performance Studies

This book is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective.

The Phenomenology of Blood in Performance Art is a major new publication that expands the philosophical contextualisation of blood, its presence and absence, across the practice of performance art from a phenomenological perspective.Edited by T J Bacon (she/they) and Dr Chelsea Coon (she/her) this book moves beyond an established cannon of artists to ensure an inclusive representation of practices from a wider range of practitioners. First hand interviews and conversations have been gathered from both canonical names as well as individuals who are prevalent in their communities and/or respective subcultures, but less represented within the frameworks of scholarly discourse. Each offers the opportunity to examine their experiences creating artworks and in turn contributes to the context of phenomenological examination within this publication through complementary scholarly texts from leading thinkers who frame phenomenological application to both visual art and transdisciplinary context. Contributions include articles and interview from names such as ORLAN, Marina Abramovic, Prof Robert Mock, Hermann Nitsch, Franko B, Prof Amber Mussar, Dr Lynn Lu, Ron Athey, Jelili Atiku, Paola Paz Yee, Mike Parr, Prof Stuart Grant, Poppy Jackson, Dr Raegan Truax, Niya B, Andre Molodkin, Dr Ernst Fischer, Dr T J Bacon, Victor Martinez Diaz, Dr Chelsea Coon, Rufus Elliot, Dr Mirabelle Jones, Louis Fleischauer, Dr Kelly Jordan and many more. Together they represent a significant exploration of intricate and dynamic responses to the cultural fabric of contemporary lived experiences across space and time through the medium of blood in performance art.This incredible analysis of this performance art will be of huge interest to students and practitioners of live art, performance art, phenomenology and performance philosophy.

The Phenomenology of Blood in Performance Art

A 44-Card Deck and Guidebook

Sisterhood of the Seers Oracle

"A beautifully produced, authoritative volume."--Kirkus Reviews Explores Wayne Thiebaud's career as a self-described "thief" who appropriated and reinterpreted old and new European and American artworks. Although artist Wayne Thiebaud (1920-2021) earned acclaim for his poetic renderings of the prosaic particulars of American life, he openly admitted that "it's hard for me to think of artists who weren't influential on me, because I'm such a blatant thief." Wayne Thiebaud: Art Comes from Art features the artist's virtuosic appropriations and reinterpretations of old and new European and American artworks, spanning from Andrea Mantegna to Édouard Manet, Henri Matisse to Richard Diebenkorn, offering crucial insights into his creative process. Thiebaud's exploration of art, artists, and art history--along with the practices of copying, appropriation, and reinterpretation--allowed him not only to see through the eyes of other artists but also to commune with them through their work, expanding his own vision. This career-long engagement with the concept of appropriation illustrates his perception of art history as an encyclopedic "bureau of standards"--a rich repository and resource that offers working artists community with their predecessors and communion with their artworks. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: Legion of Honor: March 22-August 17, 2025

Art Comes from Art

Wayne Thiebaud

A richly illustrated new exploration of the painting, photography, and illustration of the politically progressive American artist Ben Shahn, On Nonconformity offers a fresh and wide-ranging account of the work of Ben Shahn (1898-1969), a Jewish immigrant from Russian-controlled Lithuania who became one of America's most prominent and prolific "social viewpoint" artists from the Great Depression through the Vietnam War. Revealing why Shahn remains so relevant today, the book examines his commitment to progressive political causes, from combating fascism to fighting for civil rights. Incorporating international perspectives, it investigates his World War II poster art, labor-related work, and engagement in postwar artistic debates. It brings new insights to Shahn's social realist and documentary styles and their evolution into allegorical, lyrical, and often abstract idioms that embrace the philosophical and the spiritual. And it demonstrates the underappreciated complexity of Shahn's layered visual language and how he experimented with modernist conceptual strategies-often involving photography-to create his paintings, murals, drawings, prints, posters, illustrated books, and commercial designs. Shahn's guiding credo-formulated in the Cold War-asserted that nonconformity was the precondition for all significant art and great social change. Ben Shahn, On Nonconformity illuminates why the artist's work should be seen as a series of "nonconformities" driven by his steadfast dedication to social justice and humanistic values. Published by the Jewish Museum, New York and the Museo Nacional Centro de Arte Reina Sofía, Madrid, in association with Princeton University PressExhibition ScheduleThe Jewish Museum, New YorkMay 23-October 12, 2025

Ben Shahn, On Nonconformity

"An examination of the modern cultural mythology of Leonardo da Vinci that sheds light on the intersections of the academy, the commercial art world, and ideas about attribution and authorship"--

How our image of the Renaissance’s most famous artist is a modern myth Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value. In this original and provocative book, Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears.

An Untraceable Life

Leonardo da Vinci

HEXEN 5.0 Tarot

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