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Herbst J: Heaviness in Metal Music
Production, Volume II

Heaviness in Metal Music Production, Volume II

Learn from the Masters

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye’s earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust.

Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye’s fantasies, his engagement with Ernie Barnes’ painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

African American Covers of Country Music Before Ray Charles

Excelsior Editions

Chronicling Its Classic Jazz Recordings, 1949–1972

Listening to Prestige

One Hundred Lyrics and a Poem

For the Record: Studies in Rock and Popular Music

Popular Music, Ecology, and the Quest for Community

American Melodies

Unheard Reciprocity, Resonant Relationality, and Aural Confluence

Sonic Perspectives from the Global Souths

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

How We Can Harness Its Therapeutic Power

Music as Medicine

The Fast Life and Slow Death of Jerry Garcia

The Last American Bohemian

Bold, brilliant and always ahead of the curve, Charli XCX is one of pop's most fearless innovators. This pocket-sized celebration dives into the world of a music visionary - packed with punchy quotes, behind-the-scenes facts and unforgettable moments from her rise to fame and beyond. From underground mixtapes to chart-topping collaborations and experimental albums, Charli has consistently redefined what it means to be a pop star in the 21st century. Whether she's championing new sounds, challenging expectations or just being unapologetically herself, her influence is impossible to ignore. Charli's fierce individuality continues to inspire a new generation of music lovers. Perfect for fans and curious newcomers alike, this little guide offers a fabulous snapshot of a boundary-breaking icon. Sample content: Aged just 14, Charlie started sharing her own tracks on MySpace - the go-to spot for new music at the time. That early buzz helped her build a small but loyal fanbase and landed her gigs at underground and illegal raves in East London. It was all pretty DIY, but those raw beginnings kickstarted her fearless, rule-breaking career. "I used to worry about being cool. Now I realize that I genuinely don't care." Charli XCX "I see music in colours. I love music that's black, pink, purple or red - but I hate music that's green, yellow or brown." Charli XCX "I make pop music, but I do it on my own terms. I'll never play the game, so to speak, just for success. I'll always follow my heart and make the music I want to make." Charli XCX

I Don't Care: The Little Guide to Charli XCX

Studies in Metamodernism: Theory and Criticism across the Disciplines

The Metamodern Music of Sufjan Stevens

My Impossible Soul

Heaviness in Metal Music Production, Volume II

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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