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Glass Minds

33 1/3

With Universal Mother, Sinead O'Connor explores childhood trauma and her experiences as a woman, mother, target of scorn, and ultimate phoenix. Released in the winter of 1994, Universal Mother was the first recorded work from O'Connor since her duo of protests in 1992 (Saturday Night Live, Madison Square Garden). The sadistic blowback she faced for publicly outing the child abuse of the Catholic Church and its cover-up would have destroyed most. Where Sinead might go next, or if she'd ever record again, was the question. It's a testament to her integrity and extraordinary courage that she was able to resurrect with this extraordinary album. The album takes us on a deeply personal, yet universal journey of womanhood, from the archetypal bad mother to the good and the kind. A feminist statement from Germaine Greer sets the tone, followed by O'Connor letting loose a storm of rage against her abusive mother in "Fire on Bablyon"-a salvo so explosive, it need not be repeated. Other than a song called "Red Football" and a call-out of the truth behind the Irish potato famine, O'Connor is not interested in rage or revenge. With Universal Mother, she offers us a tender, evocative collection of grief and empathy in song. Her miraculous voice is the vessel-the broken, sacred voice of Mother Ireland.

With Universal Mother, Sinead O’Connor explores childhood trauma and her experiences as a woman, mother, target of scorn, and ultimate phoenix. 

Released in the winter of 1994, Universal Mother was the first recorded work from O’Connor since her duo of protests in 1992 (Saturday Night Live, Madison Square Garden). The sadistic blowback she faced for publicly outing the child abuse of the Catholic Church and its cover-up would have destroyed most. Where Sinead might go next, or if she’d ever record again, was the question. It’s a testament to her integrity and extraordinary courage that she was able to resurrect with this extraordinary album. 

The album takes us on a deeply personal, yet universal journey of womanhood, from the archetypal bad mother to the good and the kind. A feminist statement from Germaine Greer sets the tone, followed by O’Connor letting loose a storm of rage against her abusive mother in “Fire on Bablyon”—a salvo so explosive, it need not be repeated. Other than a song called “Red Football” and a call-out of the truth behind the Irish potato famine, O’Connor is not interested in rage or revenge. With Universal Mother, she offers us a tender, evocative collection of grief and empathy in song. Her miraculous voice is the vessel—the broken, sacred voice of Mother Ireland.

Sinead O’Connor's Universal Mother

The gorgeous, devastating must-read queer love story. 'It should be placed alongside modern love stories such as Gabrielle Zevin's Tomorrow, and Tomorrow, and Tomorrow'- Crack 'This book will make you cry' - Jonathan Safran Foer, author of Everything is Illuminated It took three car crashes to kill Jake . . . The first crash. New Hampshire. Teenagers Theron and Jake meet in the heat of the summer. Jake is everything Theron wants to be - hot, cool, interesting. Drunk in Jake's van on their last night together, they hurtle off a dirt road at 2am. The second crash. New York City. Jake and Theron have drifted apart, but when they are reunited in the midst of a hurricane, they are both forever changed. The third crash. Texas. Driving on a lonely highway, Jake finds the oblivion he has always been chasing in one final collision, and Theron is left to grapple with the ghosts of their past. August Thompson's debut Anyone's Ghost is: 'Genuinely powerful' - The Irish Times 'Electric' - Vogue 'A beautiful exploration of the all-encompassing nature of friendship, specifically male friendship, and the devastating speed at which grief can derail your life' - Service95

Anyone's Ghost

Da! So Seid Ihr!

Piss In The Wind

Die Grammy- und BRIT-Award-Gewinner Mumford &amp; Sons kehren mit ihrem sechsten Studioalbum 'Prizefighter' zurück, das am 13. Februar 2026 veröffentlicht wird. Ihr letztes Album 'Rushmere' erschien Anfang 2025 und landete in Großbritannien auf Patz #1 der Album Charts und bei uns in Deutschland auf Platz #5. 'Prizefighter' wurde von Mumford &amp; Sons und Aaron Dessner (The National) gemeinsam produziert und enthält unteranderem ihre Single mit Hozier 'Rubber Band Man' und weitere Features von Gracie Abrams, Gigi Perez und Chris Stapleton.

Prizefighter

Whatever happened to the weirdos? The rock'n'roll rebels? The children of The Revolution who not so much raged against The Man as barely acknowledged the concept of authority? Like vividly plumed birds of paradise whose habitat is gone, they're practically extinct. In their place? The communal voice of the on-trend musical activist, forever saying and doing The Right Thing. The opposite, in fact, of what we used to know as the free-wheelin' rock 'n' roll nutter... Sylvia Patterson remembers them. The freaks, geeks and oddballs who picked up microphones and instruments not to become rich or famous but because they were too mad (or unemployable) to do anything else. The true radicals and loose cannon lunatics who pandered to zero PC tropes, and even less societal rules, determined to live their&nbsp;worst&nbsp;lives. I'm Not With The Man&nbsp;is the freaky flipside to her award-winning memoir&nbsp;I'm Not With The Band, celebrating the era of 'the rock 'n' roll nutter' through her own encounters with some of music's most uncompromising mavericks. From a cursing Adam Ant to a formidable Chrissie Hynde, from a carousing Liam Gallagher to a coruscating Sinead O'Connor, from a comedy Wu Tang Clan to an unrepentant Marianne Faithfull, from a fragile Evan Dando to a furious Thom Yorke... and many, many more. Hilarious, revealing and poignant,&nbsp;I'm Not With The Man&nbsp;is a farewell fanfare to the heroically unhinged, who lived on the edge of not only society but their own precarious sanity. Deliberately. We will not see their like again.

From the Costa-shortlisted author of I'm Not with the Band, a collection of interviews with the weird and wonderful musicians who defined an iconic era

A Writer’s Life with the Music Mavericks

I'm Not With The Man

War of the Underhill

A Novel

Heartsong

SILOS

Idols (Ltd. Edt. Photo Box)

Edition Peters

The Faber Music Pop Piano Anthology is a timeless collection of some of the greatest pop, rock, indie, R&amp;B and soul songs ever written, specially arranged for intermediate solo piano. Beautifully presented with Malcolm English's 'A Carnaby Scene' on the cover, the collection features music from Amy Winehouse, George Michael, Radiohead, Chappell Roan, Sabrina Carpenter, and many more.&nbsp;

The Faber Music Piano Anthology series has been created for pianists to enjoy and return to again and again. All the pieces have been expertly arranged for piano solo and are presented in beautiful, sewn-bound books.

&nbsp;

50 best-loved Pop, Rock, Indie, R`n`B and Soul hits for solo piano

The Faber Music Pop Piano Anthology

MAN ON THE RUN stammt aus dem Amazon-MGM-Studios-Dokumentarfilm Man on the Run - The Story of Paul McCartney and Wings, inszeniert vom Oscar-Gewinner Morgan Neville. Die Musik spiegelt McCartneys Jahre nach den Beatles wider, in denen er sich zahlreichen Herausforderungen stellte und einen weiteren jahrzehnteprägenden Soundtrack schuf. Dieses Set enthält sowohl weniger bekannte als auch zeitlose Favoriten aus McCartneys Solokarriere - von seltenen Demos und unveröffentlichten Stücken bis hin zu obskuren Live-Aufnahmen. Dieses Album fasst viele der operativen Aufnahmen des Spielfilms erstmals auf Vinyl zusammen - darunter bisher unveröffentlichte Titel wie 'Live and Let Die (Rockshow)', 'Gotta Sing Gotta Dance' und 'Arrow Through Me (Rough Mix)'.

Man On The Run: Music From The Motion Picture Soundtrack (CD)

Love Crowns and Crucifies (Paul Simpson sleeve)

Glass Minds

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