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Harmon M: Ghosts of Sicily

Ghosts of Sicily

Charles “Lucky” Luciano, US Naval intelligence, and the Cloak of Secrecy that Forever Changed the Military, the Mafia, and the Course of War

Excelsior Editions

250 Years of Social Change

Revolutionary New York

Yiddish Voices

This book provides the first ever English translation of the Yiddish play, Mississippi. Penned in 1935 by Leyb Malakh, it was commissioned for production by a Warsaw-based experimental Yiddish theatre company and was focused on the racial injustice of the Scottsboro Boys case which began with the wrongful arrest of nine African-American youths in Alabama, 1931. The book includes a detailed, multifaceted scholarly introduction which ranges widely and effectively across the various historical and literary contexts in which the play can be appreciated.

As our volume shows, both the writer and the director, Michal Weichert, were keen to depict a dramatic episode from contemporary life that reflected the leftist goals and ideas to which they were devoted. Alyssa Quint examines the fact that while the plight of the Scottsboro Boys lasted throughout the 1930s and inspired works of Communist or leftist struggle by a substantial number of artists and writers in the United States, few beyond America took on the subject. She looks at how Malakh's drama reflects the influence of the African American writer Langston Hughes, who wrote Scottsboro Limited in 1931 after the Boys' first trial when they were sentenced to death. Writing in 1935, after a number of successful appeals, Malakh refers to the rallies that took place throughout Europe in protest of the Boys' arrest and sentencing. The introduction also shows how the play reflects the influence of 'synchronous theater' (akin to immersive theater) as well as other avant-garde theatrical strategies of the time. Quint goes on to consider the substantial success of Mississippi, which played on city stages at least one hundred times throughout Poland and attracted significant critical attention, and what this can tell us about the connection between the Jewish people of Europe and African-Americans around this time.

This book provides the first ever English translation of the Yiddish play, Mississippi. Penned in 1935 by Leyb Malakh, it was commissioned for production by a Warsaw-based experimental Yiddish theatre company and was focused on the racial injustice of the Scottsboro Boys case which began with the wrongful arrest of nine African-American youths in Alabama, 1931. The book includes a detailed, multifaceted scholarly introduction which ranges widely and effectively across the various historical and literary contexts in which the play can be appreciated.

As our volume shows, both the writer and the director, Michal Weichert, were keen to depict a dramatic episode from contemporary life that reflected the leftist goals and ideas to which they were devoted. Alyssa Quint examines the fact that while the plight of the Scottsboro Boys lasted throughout the 1930s and inspired works of Communist or leftist struggle by a substantial number of artists and writers in the United States, few beyond America took on the subject. She looks at how Malakh’s drama reflects the influence of the African American writer Langston Hughes, who wrote Scottsboro Limited in 1931 after the Boys’ first trial when they were sentenced to death. Writing in 1935, after a number of successful appeals, Malakh refers to the rallies that took place throughout Europe in protest of the Boys’ arrest and sentencing. The introduction also shows how the play reflects the influence of ‘synchronous theater’ (akin to immersive theater) as well as other avant-garde theatrical strategies of the time. Quint goes on to consider the substantial success of Mississippi, which played on city stages at least one hundred times throughout Poland and attracted significant critical attention, and what this can tell us about the connection between the Jewish people of Europe and African-Americans around this time.

A Yiddish Play about the Scottsboro Boys

Mississippi (1935) By Leyb Malakh

US Marines in World War II: Europe, the Caribbean, and South America

Overshadowed

America from 1876 to 1929

The Great Energy Transition

The F-14 Tomcat's final combat cruise

The Last Catfight

From New York Times reporter Jazmine Ulloa, a sweeping human history of El Paso, revealing violence, power, and privilege at play in America's most famous border town. El Paso has been called the “Ellis Island” of America’s southern border, a mountain pass cum border town cum bifurcated metropolis where past meets future, and disadvantage meets opportunity, or so the promise goes. El Paso is an extraordinary, can’t-look-away reported history; it uses deep research and dozens of new interviews to blow away the myth of this place, where Mexico’s Juarez and America’s El Paso intertwine. It charts the history of El Paso through five families. From the Mexican Revolution and the Mexican Repatriation, to the shifting immigration laws under Reagan and Trump and the violence and bloodshed brought on by the drug war, El Paso captures a place often misunderstood or forgotten by the rest of the country, and the world. El Paso is a brave new work of narrative nonfiction that gives new voice and perspective to history that has long been checked at the border, or told through the lens of white men alone. Ulloa draws upon meticulous research and reporting and stunning historical detail to craft the intimate narratives of an unforgettable cast of characters.

From New York Times reporter Jazmine Ulloa, a sweeping human history of El Paso, revealing violence, power, and privilege at play in America's most famous border town. El Paso has been called the “Ellis Island” of America’s southern border, a mountain pass cum border town cum bifurcated metropolis where past meets future, and disadvantage meets opportunity, or so the promise goes. El Paso is an extraordinary, can’t-look-away reported history; it uses deep research and dozens of new interviews to blow away the myth of this place, where Mexico’s Juarez and America’s El Paso intertwine. It charts the history of El Paso through five families. From the Mexican Revolution and the Mexican Repatriation, to the shifting immigration laws under Reagan and Trump and the violence and bloodshed brought on by the drug war, El Paso captures a place often misunderstood or forgotten by the rest of the country, and the world. El Paso is a brave new work of narrative nonfiction that gives new voice and perspective to history that has long been checked at the border, or told through the lens of white men alone. Ulloa draws upon meticulous research and reporting and stunning historical detail to craft the intimate narratives of an unforgettable cast of characters.

Ghosts of Sicily

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