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Gabriel Fauré. Iconographie

Blue Period

Yatora ist als einer der Gewinner aus dem AOJ-Kunstwettbewerb hervorgegangen. Doch so recht freuen kann er sich darüber nicht. Denn als Inspiration diente ihm Sanadas tragische Geschichte - die er als Außenstehender für sich benutzt hat. Geplagt von seinem schlechten Gewissen fragt Yatora sich, ob er jemals "ehrliche" Kunst erschaffen kann ...

Blue Period 16

Digitalization implies a wide range of transformation processes at all levels of democratic societies. The political, public and academic debates about digitalization and democracy have always been controversial and still are today. Greatly intensified research activities in recent years have expanded our knowledge about the effects of digitalization, but show that debates still range from optimistic views to sceptic or even dystopian perspectives. The former emphasize the potential of the internet to drive innovation in society and to enhance democracy. Moreover, the expanding digitalization of everyday life seems as an opportunity for increasing individualism and free choice. From this perspective it is claimed that digital technologies, artificial intelligence (AI), robotics, and algorithms are to be seen as helpful tools in optimizing social life. In contrast, skeptical views highlighting the risks and even threats of digitalization for democratic values have increased recently. This finds expression in many well-researched aspects such as the growing relevance of fake news and “alternative facts” online. Algorithmic filtering promotes visibility of polarizing content and politically extreme positions. Furthermore, social media platforms can no longer be seen as neutral gathering places for rule-governed discourse. In addition, it is warned about digital technology and AI threatening autonomous decision making and the digitalization of everyday life is critically viewed as a misuse of data in terms of public surveillance and control.&nbsp;All of this makes it necessary to further research the role of digitization with regard to strengthening and preserving democracy in the digital age. This was precisely the main focus of the NRW Digital Society research network funded by the state of North Rhine-Westphalia from 2018 to 2022. The book is the central joint publication of the network and brings together the projects and disciplines of all universities and collegesparticipating in the network. The publication documents the most important project results that have not yet been published centrally and presents them for discussion not only to the academic public. At the same time, the book offers an insight into the interdisciplinary characteristics and challenges of the growing research field of digitization research.
This is an open access book.
The Editors
Mario Anastasiadis (PhD, born 1975)&nbsp;&nbsp;is managing director and scientific coordinator in the Research Program and Graduate School NRW “Digital Society” funded by the Ministry of Culture and Science of the German State of North Rhine-Westphalia. He works as research associate at the University of Bonn, Department of Media Studies, and is spokesperson of the Popular Culture and Media section of the German Media Studies Association (GfM). His main research interests include Mediatization, Online Communication, Political Communication, Digitization of the Music Industry and music related Practice in Social Media.

Digitalization implies a wide range of transformation processes at all levels of democratic societies. The political, public and academic debates about digitalization and democracy have always been controversial and still are today. Greatly intensified research activities in recent years have expanded our knowledge about the effects of digitalization, but show that debates still range from optimistic views to sceptic or even dystopian perspectives. The former emphasize the potential of the internet to drive innovation in society and to enhance democracy. Moreover, the expanding digitalization of everyday life seems as an opportunity for increasing individualism and free choice. From this perspective it is claimed that digital technologies, artificial intelligence (AI), robotics, and algorithms are to be seen as helpful tools in optimizing social life. In contrast, skeptical views highlighting the risks and even threats of digitalization for democratic values have increased recently. This finds expression in many well-researched aspects such as the growing relevance of fake news and “alternative facts” online. Algorithmic filtering promotes visibility of polarizing content and politically extreme positions. Furthermore, social media platforms can no longer be seen as neutral gathering places for rule-governed discourse. In addition, it is warned about digital technology and AI threatening autonomous decision making and the digitalization of everyday life is critically viewed as a misuse of data in terms of public surveillance and control. All of this makes it necessary to further research the role of digitization with regard to strengthening and preserving democracy in the digital age.This is an open access book.

Interdisciplinary digitization research on the question of strengthening and preserving democracy in the digital society

Digital Society

Secret Playlist

Die introvertierte Studentin Han-ju hat ein Geheimnis, von dem niemand erfahren darf: Als begnadete Hobby-Sängerin PLII verzaubert sie mit ihren gefühlvollen Cover-Songs regelmäßig die Online-Welt. Ihre Stimme zieht nicht nur eine wachsende Fangemeinde in ihren Bann, sondern weckt auch das Interesse des berühmten K-Pop-Idols Levi. In seiner wachsenden Faszination für die geheimnisvolle Sängerin setzt Levi alles daran, mit PLII in Kontakt zu treten und eine musikalische Zusammenarbeit zu erwirken. Doch Han-ju hat ihre ganz eigenen Gründe, sich von der glitzernden Welt der Musikindustrie fernzuhalten ...

Secret Playlist 2

Roman - Die generationenübergreifende Saga voller Sinnlichkeit, Abenteuer und Gefühl!

Der Gewürzgarten

Der dritte Fall von Detektivin Coco Chanel | Cozy Crime an der Côte d'Azur

Mademoiselle Coco und der Mord im Kleinen Schwarzen

Nada

Ekrem Yalcindag gehört zu den bedeutendsten türkischen Künstlern der Gegenwart. In seiner pastosen Malerei vereint er eine moderne, abstrakte Bildauffassung mit nicht-westlichen Kunsttraditionen. Für das Bank Austria Kunstforum in Wien kuratierte der renommierte Ausstellungsmacher Robert Fleck die bisher größte Einzelausstellung Yalcindags, in deren Zentrum drei neue, noch nie institutionell gezeigte Werkserien standen. Diese Publikation stellt sie erstmals vor: Monochrome Tondi, Infinity Paintings, in denen sich subtile, bisweilen magische Farbbildräume öffnen, sowie die großformatige Serie Natures. Eigens für die Ausstellung geschaffen, enthalten diese Bilder die für Yalcindag typische Struktur kleiner stilisierter Blüten ebenso wie überdimensionale florale Motive und Holzstrukturen, die der Künstler mittels Sieb- und Holzdruck auf die Leinwand aufbringt.Ekrem Yalcindag (*1964 in Gölbasi, Türkei) studierte ab 1985 Kunst an der Dokuz EylülUniversität in Izmir. 1994 zog er nach Deutschland, wo er an der Städelschule bei Thomas Bayrle und Hermann Nitsch seine Studien fortsetzte und schließlich Meisterschüler wurde. Yalcindags Werke wurden weltweit in zahlreichen Ausstellungen gezeigt und befinden sich in bedeutenden Sammlungen wie dem Kunstmuseum Stuttgart, dem Istanbul Modern, dem Zürcher Museum Haus Konstruktiv, der Sammlung Goetz in München u.a. Er lebt und arbeitet in Istanbul und Frankfurt/M.

Ekrem Yalcindag gehört zu den bedeutendsten türkischen Künstlern der Gegenwart. In seiner pastosen Malerei vereint er eine moderne, abstrakte Bildauffassung mit nicht-westlichen Kunsttraditionen. Für das Bank Austria Kunstforum in Wien kuratierte der renommierte Ausstellungsmacher Robert Fleck die bisher größte Einzelausstellung Yalcindags, in deren Zentrum drei neue, noch nie institutionell gezeigte Werkserien standen. Diese Publikation stellt sie erstmals vor: Monochrome Tondi, Infinity Paintings, in denen sich subtile, bisweilen magische Farbbildräume öffnen, sowie die großformatige Serie Natures. Eigens für die Ausstellung geschaffen, enthalten diese Bilder die für Yalcindag typische Struktur kleiner stilisierter Blüten ebenso wie überdimensionale florale Motive und Holzstrukturen, die der Künstler mittels Sieb- und Holzdruck auf die Leinwand aufbringt.Ekrem Yalcindag (*1964 in Gölbasi, Türkei) studierte ab 1985 Kunst an der Dokuz EylülUniversität in Izmir. 1994 zog er nach Deutschland, wo er an der Städelschule bei Thomas Bayrle und Hermann Nitsch seine Studien fortsetzte und schließlich Meisterschüler wurde. Yalcindags Werke wurden weltweit in zahlreichen Ausstellungen gezeigt und befinden sich in bedeutenden Sammlungen wie dem Kunstmuseum Stuttgart, dem Istanbul Modern, dem Zürcher Museum Haus Konstruktiv, der Sammlung Goetz in München u.a. Er lebt und arbeitet in Istanbul und Frankfurt/M.

Ekrem Yalcindag. Seeing the World Anew

Cultural Economics & the Creative Economy

“This impressive book gives contemporary academic and multidisciplinary insights into the complex topic of funding and financing of art and culture. It covers a broad range of funding opportunities, from traditional funding models to new and fully digital models, leveraged by new technologies. I highly recommend the book for scholars and practitioners in the cultural and creative sectors.” Trine Bille, Professor of Cultural Economics, Copenhagen Business School, Denmark “This timely collection of essays by a number of distinguished contributors will fill a significant gap in the cultural economics literature. The volume will provide essential guidance to artists, cultural organisations and policymakers in their efforts to deal with rapid changes in the arts funding landscape in the contemporary world.” Professor David Throsby, Distinguished Professor of Economics, Macquarie Business School, Macquarie University, Australia “What makes this book stand out is its insistence on bridging traditional and emerging models—philanthropy, public subsidy, crowdfunding, online patronage, and more—while resisting simplistic narratives of innovation or decline. The editors bring together a remarkable range of scholars who ground their chapters in conceptual clarity, empirical rigor, and an interdisciplinary sensibility that reflects the real complexity of cultural production today. For researchers, policymakers, and practitioners alike, this collection is an indispensable guide to the shifting terrain of cultural finance.” Joanna Woronkowicz, Associate Professor, O'Neill School of Public and Environmental Affairs, Indiana University, USThis edited open access volume offers a comprehensive analysis of new and traditional funding models for the arts and culture. In the economic and political contexts of reduced art funding, the book takes an objective, pragmatic and heterodox approach to demonstrate how financial sustainability in the arts can be achieved via a range of top-down and bottom-up mechanisms which are valued either in terms of institutional or crowd-based legitimacy.&nbsp;The book aims to offer both a scholarly interpretation of funding and financing practices, as well as guidance for artists, creators, and cultural programmers.Carolina Dalla Chiesa is an Assistant Professor of Cultural Economics at the Department of Arts and Culture, Erasmus University, The Netherlands. Anders Rykkja is a Lecturer in Arts and Cultural Industries Management at Queen’s University Belfast, Northern Ireland.

This edited open access volume offers a comprehensive analysis of new and traditional funding models for the arts and culture. In the economic and political contexts of reduced art funding, the book takes an objective, pragmatic and heterodox approach to demonstrate how financial sustainability in the arts can be achieved via a range of top-down and bottom-up mechanisms which are valued either in terms of institutional or crowd-based legitimacy. &nbsp;The book aims to offer both a scholarly interpretation of established and emerging funding and financing practices within the cultural and creative sector, as well as guidance for artists, creators, and cultural programmers through various case studies and multiple examples of current practices. Contributions are divided into three sections. Section one outlines the most important traditional tools and models, while the second part covers the key contemporary practices premised on the use of digital platforms, and the final part introduces several case studies. The objective of this volume is to demonstrate that while traditional models show no signs of being supplanted, digitalisation has facilitated the emergence of new forms. Such an evolution has consequences for creators of works as well as those willing to support them. The contributions address these issues by investigating and analysing the individual or combined adoption of traditional and new funding and financing models in a post-digital context.

A Guide to New and Traditional Models in the Arts and Culture

Cultural Funding and Financing

Roman

Der Zauberberg

Diversity and Inclusion Research

This volume presents interdisciplinary and intersectional contributions that outline the state of the art in the field of intercultural dialogue and diversity management. It discusses traditional and modern practices, as well as notions related to interculturalism and diversity, such as intercultural mediation, religious and non-confessional dialogue, cultural capitalism, and cultural pluralism. The book aims at stimulating the dialogue in academia and to foster interculturalism and tolerance of social diversity by sharing good practices and tools, especially through education, in overcoming any barriers that different cultures might pose to everyday affairs. The book will appeal to students, researchers, and scholars of political science, law, sociology, education, and business and management, as well as policy-makers and practitioners interested in a better understanding of intercultural dialogue and diversity management.&nbsp;

This volume presents interdisciplinary and intersectional contributions that outline the state of the art in the field of intercultural dialogue and diversity management. It discusses traditional and modern practices, as well as notions related to interculturalism and diversity, such as intercultural mediation, religious and non-confessional dialogue, cultural capitalism, and cultural pluralism. The book aims at stimulating the dialogue in academia and to foster interculturalism and tolerance of social diversity by sharing good practices and tools, especially through education, in overcoming any barriers that different cultures might pose to everyday affairs. The book will appeal to students, researchers, and scholars of political science, law, sociology, education, and business and management, as well as policy-makers and practitioners interested in a better understanding of intercultural dialogue and diversity management.&nbsp;

Valuing Europe’s Diversity

Fundamental Rights and Intercultural Dialogue

... für Dummies

Avengers für Dummies

A father and daughter are caught in a deadly game of 'Eye Spy' in this brand-new claustrophobic thriller from C. M. Ewan, acclaimed author of The House Hunt and Strangers in the Car.

An addictive and emotionally-charged thriller that will have you searching for the emergency exit

Eye Spy

Gabriel Fauré. Iconographie

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