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From the Flag to the Cross

Fascism American Style

Vagabonds

A toolkit for self-organized, radical community safety

Community Safety in the Fourth World War

How U.S. Foreign Policy Endangers the World

The Myth of American Idealism

How the country that came to elect Obama could also elect Trump &nbsp; How did Americans come to elect Barack Obama twice—and then elect Donald Trump twice? Those choices capture what Paul Starr calls the American contradiction. &nbsp; The whole truth about America, Starr argues in this new history of the United States since the 1950s, has never been contained in one consistent set of values. Our nation was born in the contradiction between freedom and slavery. Today it is beset by a contradiction between a changing people and an old nation, a nation with entrenched institutions that have empowered those who fear the changes and look to restore an old America of their imagining.&nbsp; &nbsp; Starr tells this history from the dual standpoints of the progressive movements that changed the American people and of the movements reacting to them. Black Americans, he argues, served as a model minority, setting in motion America’s twentieth-century revolutions in gender as well as race and rights. With industry’s decline and the rise of economic inequality, millions of Americans have felt dispossessed and seek to bring the old America back. Trump is their revenge. American Contradiction explains how 1950s America became the almost unrecognizable America of the 2020s.

Revolution and Revenge from the 1950s to Now

American Contradiction

From Eugenics to Great Replacement

White Supremacy

An Untold Story

The First Fascist

Chicago Studies in American Politics

Has American democracy outstripped its constitutional accommodations? Faith in the resilience and adaptability of the US Constitution rests on a long history of finding new ways to make the system work. In The Adaptability Paradox, political scientist Stephen Skowronek examines the rearrangements that regenerated the American government in the past and brings that experience to bear on our current predicament. He shows how a constitution framed in writing some 230 years ago can run into serious difficulties directly related to its long and impressive history of adaptation. Skowronek connects questions about the Constitution's adaptability to the challenges of democratization. For most of American history, serial rearrangements of constitutional relationships widened the government's purview as a national democracy without giving either nationalism or democracy free rein. Skowronek argues that the politics of adaptation shifted fundamentally with the "Rights Revolution" of the 1960s and `70s when American national democracy approached the inclusion of all its citizens on equal footing. Since then, power and authority have been reconfigured in ways that have steadily magnified conflicts over the essentials of good order. Conservatives aim to dismantle a Constitution that progressives are intent on building upon, and the consensus necessary for a constitutional democracy to function effectively has all but evaporated. No longer a socially bound framework for national action, the Constitution has become an abstract matrix of possibilities, a disembodied opportunity structure open to starkly different, mutually unacceptable futures. Rather than being liberated by this unbound Constitution, the American people now appear entrapped by it. Is it possible that the development of American democracy has exhausted the adaptive capacities of the Constitution? A timely reminder that constitutional democracies do not survive on faith alone, The Adaptability Paradox is a sober appraisal of the unfamiliar ground on which we now tread.

Political Inclusion and Constitutional Resilience

The Adaptability Paradox

Twelve Warnings From History

The Nazi Mind

Elements in Experimental Political Science

This Element discusses the experiments with local politicians, state legislators, and the public to understand a self-serving majoritarianism. It also insists on the need for shifting focus from undemocratic attitudes to strengthening institutional restraints against majority abuses. This title is also available as Open Access on Cambridge Core.

Critics of populism and advocates of elitist democracy often place greater confidence in political elites than in the general public. However, this trust may be misplaced. In five experiments with local politicians, state legislators, and members of the public, the author finds a similar willingness across all groups to entrench their party's power when given the opportunity – a self-serving majoritarianism that transcends partisan lines. This tendency is strongest among committed ideologues, politicians running in highly competitive districts, and those who perceive opponents as especially threatening. Local elected officials even appear more focused on securing their party's next presidential victory than on opposing bans against their political rivals. These findings challenge the conventional mass/elite dichotomy, revealing little differences in undemocratic attitudes. Safeguarding democracy likely requires shifting focus from those individual attitudes to strengthening institutional restraints against majority abuses. This title is also available as Open Access on Cambridge Core.

Experiments on the Dual Threat to American Democracy

Elitism versus Populism

Democracy in Early Modern Philosophy

Machiavelli, Aristotle and Popular Republicanism

An explosive exhibition of art by a celebrated cartoonist chronicling America's march toward right-wing authoritarianism. Museum of Degenerates&nbsp;invites you to a delirious display of art by one of contemporary America's most original and incendiary political cartoonists. Eli Valley's extraordinary work is a scathing indictment of the entire American polity, with a particular focus on the issues of Israel and Judaism at a time when these have moved to the center of public debate and action. In these pages, Valley tips a homburg to German expressionists such as George Grosz and Otto Dix who featured in "The Exhibition of Degenerate Art," a 1937 Munich show that sought to ridicule the work of artists critical of Hitler's fascist regime. In an aesthetic that is strikingly original, Valley also draws on early twentieth-century American Yiddish cartoons and the work of artists who created the helter-skelter exuberance of&nbsp;MAD&nbsp;comics in the 1950s. Valley's own art, accompanied here by extensive descriptions of its genesis and context, is a howl of protest against the political, cultural and media elites driving America into an authoritarian abyss. Here is anger, pure and hot, expressed in exquisite detail and, often, disturbingly funny.

Museum of Degenerates is a lush showcase of Eli Valley’s critically-acclaimed art capturing America in a state of ongoing cataclysm and&nbsp;making the provocative case that the entire political class has been complicit in the reactionary waves currently overwhelming the country. Unlike&nbsp;most political cartoons, Valley’s art is a howl of rage against the political, cultural and media elites driving America into an authoritarian abyss.
Inspired in equal measure by early 20th&nbsp;century Yiddish cartoon art, Weimar-era expressionist woodcuts, and the free-for-all lunacy of early MAD comics, Valley’s distinctive style has energized the left and enraged the most worthy targets of our time. No single artist has captured our new era in all its horror and grotesquerie quite like Valley, whose comics have served as both mirror and lightning rod for a country in crisis.
Museum of Degenerates&nbsp;highlights Valley’s art, both black and white and full-color masterworks, from the past seven years of American strife. Including rare works and art appearing in print for the first time, the collection will be framed by notes on individual drawings as well as a lengthy introduction in which Valley explores his personal artistic vision in a time of unprecedented national crisis and links his work to earlier periods of antifascist art.&nbsp;Museum of Degenerates will feature some of the most indelible images from any artist working today, available in one place for the first time.

Portraits of the American Grotesque

Museum of Degenerates

One Man’s Battle to Bring Nazis to Justice

The Prosecutor

From the Flag to the Cross

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