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Ramirez Mari Carmen: Frida

Frida

The Making of an Icon

This book is a groundbreaking interdisciplinary exploration of Mongolian Buddhism of the late nineteenth and early twentieth centuries, drawing on previously unexamined writings and artworks to shed new light on the intricate interrelationships that define this tradition.

Mongolian Buddhist Texts and Rituals

Art and Imagination

Instant New York Times BestsellerA searing, vital investigation of the Republican Party's dangerous campaign to rewrite recent history in real time, from the Emmy Award-winning&nbsp;Rachel Maddow Show&nbsp;producer and bestselling author of&nbsp;The Impostors. "There is nobody who is writing in an episodic way who has more influence on the way I think about politics than Steve Benen."&nbsp;-Rachel Maddow&nbsp;For as long as historical records have existed, authoritarian regimes have tried to rewrite history to suit their purposes, using their dictatorial powers to create myths, spread propaganda, justify decisions, erase opponents, and even dispose of crimes. As the Republican Party becomes increasingly radicalized, the GOP is putting their own twist on a similarly despotic script. Indeed, the party is taking dangerous, aggressive steps to rewrite history-and not just from generations past. Unable to put a positive spin on Trump-era scandals and fiascos, GOP voices and their allies have grown determined to rewrite the stories of the last few years-from the 2020 election results and the horror of January 6th&nbsp;to their own legislative record-treating the recent past as an enemy to be overpowered, crushed, and conquered. The consequences for our future, in turn, are dramatic. Extraordinarily timely and undeniably important, Steve Benen's new book tells the staggering chronicle of the Republican party's unsettling attempts at historical revisionism. It reveals not only how dependent they have grown on the tactic, but also how dangerous the consequences are if we allow the party to continue. The stakes, Benen argues, couldn't be higher: the future of democracy hinges on both our accurate understanding of events and the end of alternative narratives that challenge reality.

Instant New York Times BestsellerA searing, vital investigation of the Republican Party’s dangerous campaign to rewrite recent history in real time, from the Emmy Award-winning&nbsp;Rachel Maddow Show&nbsp;producer and bestselling author of&nbsp;The Impostors.“There is nobody who is writing in an episodic way who has more influence on the way I think about politics than Steve Benen.”&nbsp;—Rachel Maddow&nbsp;For as long as historical records have existed, authoritarian regimes have tried to rewrite history to suit their purposes, using their dictatorial powers to create myths, spread propaganda, justify decisions, erase opponents, and even dispose of crimes.As the Republican Party becomes increasingly radicalized, the GOP is putting their own twist on a similarly despotic script. Indeed, the party is taking dangerous, aggressive steps to rewrite history—and not just from generations past.Unable to put a positive spin on Trump-era scandals and fiascos, GOP voices and their allies have grown determined to rewrite the stories of the last few years—from the 2020 election results and the horror of January 6th&nbsp;to their own legislative record—treating the recent past as an enemy to be overpowered, crushed, and conquered. The consequences for our future, in turn, are dramatic.Extraordinarily timely and undeniably important, Steve Benen’s new book tells the staggering chronicle of the Republican party’s unsettling attempts at historical revisionism. It reveals not only how dependent they have grown on the tactic, but also how dangerous the consequences are if we allow the party to continue. The stakes, Benen argues, couldn’t be higher: the future of democracy hinges on both our accurate understanding of events and the end of alternative narratives that challenge reality.

Democracy, Reality, and the Republicans' War on the Recent Past

Ministry of Truth

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Cambridge Companions to History

The Cambridge Companion to the Spanish Inquisition

The Keystone State Decides

Pennsylvania's Debate to Ratify the Federal Constitution of 1787

*Longlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

Ahmed Amrani's Protesta, 1969

Resisting from Morocco's Margins

Routledge Research in Art History

Through a rereading of the available textual and visual sources of Symbolist theater and of the work of Nabi artists, as well as through an analysis of sources and paintings previously unexamined in the existing literature, this book rewrites the history of the cross-fertilization between Nabi art and Symbolist theater.

Through a rereading of the available textual and visual sources of Symbolist theater and of the work of Nabi artists, as well as through an analysis of sources and paintings previously unexamined in the existing literature, this book rewrites the history of the cross-fertilization between Nabi art and Symbolist theater.

Frida

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