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Beethoven's life and legacy in 100 recordings

Lebrecht Norman: Why Beethoven / B

Why Beethoven

A Phenomenon in 100 Pieces

An unconventional, brilliant new biography of composer Claudio Monteverdi - from the bestselling biographer and acclaimed conductor John Eliot Gardiner.

Monteverdi and His Constellation

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

The Fleury Playbook in Context

Medieval Music-Drama

Routledge Methodist Studies Series

This book examines two main themes which had national significance in eighteenth-century British Methodism. First, the interaction between the two distinct theological expressions of Methodism; Calvinist and Arminian. The 'parting of the ways' marks the first major split in Methodism as the differences of theological understanding changed into the demarcation of religious organisations. The core of the book will feature a series of case-studies which explore Calvinist and Arminian Methodists in a number of key locations, where competition and even religious take-over bids were used by John Wesley's movement to gain religious dominance. Secondly, the book explores the nature of John Wesley's leadership of his movement, and especially how the competition between the Calvinist and Arminian strands of Methodism made it necessary for Wesley to change the way he exercised his leadership and authority. This will be examined through Wesley's role as connexional leader and his relationships with individual preachers and society members. Hart also explores both the reasons his leadership changed over the period of the study and the impact these changes had in the local context. The book will explore how these changes were made necessary by the increasing size of his 'Connexion' and the attendant changes in the application of Wesleyan discipline especially on the itinerant preachers. Whilst much has been written about Wesleyanism, and more specifically about John Wesley as a religious leader, and there is now an increase of interest in George Whitefield and the Calvinist branch of Methodism. This book is unique in examining how the two affected each other at the local level. The book shows that, however united were the leaders of early Methodism even in their theological diversity, in promoting evangelical revival their unity was not strong enough to hold together the religious movements they founded.

Calvinist and Arminian Theology in Eighteenth-century British Methodism

Charlie Chaplin rose from the hard streets of Edwardian London to worldwide fame. But his work and outlook were always shaped by the world he came from, a place of cheap entertainments and the threat of the workhouse, radical politics and desperate poverty. Framed through the life of this iconic success story, acclaimed historian Jacqueline Riding reveals working-class London at the turn of the twentieth century. Breathing life into forgotten stories of mothers and sons, labourers and actors, vagrants and sex workers, of suffering, survival and success against the odds, this compelling social history paints a striking portrait of a vanished city.

Working-Class Lives in Charlie Chaplin’s London, 1843-1913

Hard Streets

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Walking In The Footsteps Of David

BOWIELAND

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

The Norse Warrior's (Unofficial) Manual

Viking:The Norse Warrior's (Unofficial) Manual

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Why Beethoven

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