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King M: Where Do We Go from Here / LF

Where Do We Go from Here

Chaos or Community?

Explores the increasing destitution of the human environment from a phenomenological perspective.

A Phenomenology of the Loss of the World

The Environmental Uncanny

You'll laugh, you'll scream, you'll never look at a spider the same way again

How to Survive Camping: The Lady in Chains: Volume 2

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

Brat Race

Governments around the world are privatizing everything, with dramatic but largely ignored negative consequences for human rights. This open access book outlines the response that is urgently needed. Corporations are being given control over water, healthcare, housing, public transportation, child welfare services, aged care, and much else. Privatization is promoted by international financial institutions, consulting firms, and development actors as the answer to public finances devastated by the very tax cuts insistently pushed by these groups. Their pitch is based upon a mythology that extols the virtues of an idealized market while ignoring the heavy human rights costs incurred. Building on the latest evidence and on specially commissioned case studies, this book shows how the touted 'efficiency' of the private sector is often predicated on higher charges and/or reduced services, destructive employment practices, and the highly predictable exclusion of many users. Privatization generally costs states more money, marginalizes democratic decision-making, and transforms citizens from rights-holders into customers while sidelining accountability. The authors develop an approach designed to enable human rights actors, including courts, UN treaty monitoring bodies, and NGOs to move beyond their longstanding agnosticism towards privatization. It starts with a presumption that privatization is inherently retrogressive in human rights terms. Whatever mix of public and private is reflected in any given arrangement, governments must retain the degree of control necessary to ensure respect for rights, and the legal, financial and administrative ability to do so. The book charts a new direction for responding to the ever-growing threat that privatization poses to human rights. The ebook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com.

Destroying the Social Contract and Empowering Corporate Actors

Privatizing Human Rights

The Battle That Turned World War II in the East

Burma '44

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

The Japanese Art of Good Listening

Kiku

In a little-known mountain range in southern New Mexico is an unremarkable mountain called Victorio Peak. In a cavern in that mountain, it is rumored that billions of dollars' worth of artifacts and thousands of gold and silver ingots and coins have been cached for decades, a treasure that dwarfs all others. The incredible treasure mystery associated with Victorio Peak is, in fact, one of the most bizarre and confounding mysteries in American history and involves what my well be the largest treasure cache known to man.

A Search for the Greatest Lost Treasure Cache in America

The Victorio Peak Mystery

The Untamed Women of Modern Dance

Wild Grace

A Revolutionary Emotion

A Philosophy of Shame

Winner of the 2024 National Book Critics Circle Award in Nonfiction • Winner of the 2024 Kirkus Nonfiction Prize • Shortlisted for the 2025 Andrew Carnegie Medal for Excellence in Nonfiction • A New York Times Notable Book of 2024 NEW YORK TIMES BESTSELLER • “Stunning…A heart-pounding thriller…Challenger is a remarkable book.” —The Atlantic • “Devastating…A universal story that transcends time.” —The New York Times • “Dramatic…a moving narrative.” —The Wall Street Journal From the New York Times bestselling author of Midnight in Chernobyl comes the definitive, “compelling, and exhaustively researched” (The Washington Post) minute-by-minute account of the Challenger disaster, based on fascinating and new archival research—a riveting history that reads like a thriller. On January 28, 1986, just seventy-three seconds into flight, the space shuttle Challenger broke apart over the Atlantic Ocean, killing all seven people on board. Millions of Americans witnessed the tragic deaths of the crew, which included New Hampshire schoolteacher Christa McAuliffe. Like the assassination of JFK, the Challenger disaster is a defining moment in 20th-century history—one that forever changed the way America thought of itself and its optimistic view of the future. Yet the full story of what happened, and why, has never been told. Based on extensive archival research and metic­ulous, original reporting, Challenger: A True Story of Heroism and Disaster on the Edge of Space follows a handful of central protagonists—including each of the seven members of the doomed crew—through the years leading up to the accident, and offers a detailed account of the tragedy itself and the inves­tigation afterward. It’s a compelling tale of ambition and ingenuity undermined by political cynicism and cost-cutting in the interests of burnishing national prestige; of hubris and heroism; and of an investigation driven by leakers and whistleblowers determined to bring the truth to light. Throughout, there are the ominous warning signs of a tragedy to come, recognized but then ignored, and later hidden from the public. Higginbotham reveals the history of the shuttle program and the lives of men and women whose stories have been overshadowed by the disaster, as well as the designers, engineers, and test pilots who struggled against the odds to get the first shuttle into space. A masterful blend of riveting human drama and fascinating and absorbing science, Challenger identifies a turning point in history—and brings to life an even more complex and astonishing story than we remember.

A True Story of Heroism and Disaster on the Edge of Space

Challenger

Where Do We Go from Here

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