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Kwon R: Untitled Essays / LF

Untitled Essays

Glenn C. Loury is often radically opposed to the political mainstream and delights in upending what's expected of a Black public figure. But more than the arguments themselves-on affirmative action, institutional racism, Trumpism-his public life has been characterised by fearlessness and a willingness to recalibrate strongly held and forcefully argued beliefs.
Loury grew up on the south side of Chicago, earned a PhD in MIT's economics programme and became the first Black tenured professor of economics at Harvard at the age of thirty-three. He has been, at turns, a young father, a drug addict, an adulterer, a psychiatric patient, a born-again Christian, a lapsed born-again Christian and a Black Reaganite. In Late Admissions, Loury examines what it means to chart a sense of self over the course of a tempestuous but well-considered, life.

Confessions of a Black Conservative

Late Admissions

"How do power and beauty join forces to determine who is considered ugly? What role does that ugliness play in fomenting hatred? Moshtari Hilal, an Afghan-born author and artist who lives in Germany, has written a touching, intimate, and highly political book. Dense body hair, crooked teeth, and big noses: Hilal uses a broad cultural lens to question norms of appearance -- ostensibly her own, but in fact everyone's. She writes about beauty salons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin's theory of evolution, Kim Kardashian, and a utopian place in the shadow of her nose. With a profound mix of essay, poetry, her own drawings, and cultural and social history of the body, Hilal explores notions of repulsion and attraction, taking the reader into the most personal of realms to put self-image to the test. Why are we afraid of ugliness?"--

Ugliness

This is a personal account of the being a lifeboat volunteer and an insight into the crews who keep it afloat.

Lifeboat at the End of the World

Irish Literature

Dead as Doornails, first published in 1976, brings back into print a true classic of Irish memoir.&nbsp;Anthony Cronin's account of life in post-war literary Dublin is as funny and colorful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh l, and Myles na Gopaleen (aka Flann O'Brien); but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today.&nbsp;Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin's years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh, and Myles.

Dead As Doornails

The Company of Owls

Fake News, True Story

And Other Male Failures

Broken Biscuits

In the aftermath of loss, a mother and her young son cross the ocean to a remote strip of land on the North Atlantic. Viewed from the edge, where land meets sea, coastlines become sites of constraint as well as of flux and change. Through art, philosophy, poetry, geology and Minecraft, Coutts starts to imagine new ways of being and a new existence for her small family. With the precision and clarity of the camera, Coutts combines the real with the fictional, interweaving folk song, maps and island lore to present a devastating and fierce reflection on intimacy and separation, parenthood, photography and the fragility and strangeness of our environment. What Did the Deep Sea Say? is a stunning meditation on how the physical world can bring us back to earth from the edge of grief.

What Did the Deep Sea Say?

A Story of Working-Class Solidarity from a Coal Miner's Daughter

Rednecks for Black Lives

Insomnia

An illuminating exploration of fashion philosophy told by the brilliant Alessandro Michele, Creative Director of Gucci, and Emanuele Coccia, one of the most distinguished contemporary philosophers.

Untitled

How Greece Changed Me Forever

Dust and Pomegranates

Untitled Essays

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