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The 2014 National Poetry Series selection chosen by poet and novelist Charlie Smith

Dooley T: Trespass / LF

Trespass

Poems

Nikki Giovanni's extraordinary final collection-a landmark of American literature-speaks to the fury of our current political moment while reflecting on the tragedies and triumphs of her early life. For decades, Nikki Giovanni's poetry has been at the forefront of American culture. The New Book is a towering work of protest against the divisions of our time, leavened with moments of joy and reflection about her indelible legacy, her family history, and the small pleasures of her richly lived life. In&nbsp;The New Book,&nbsp;Nikki Giovanni slashes at the ridiculousness of our cultural and political climate: "We have no secrets/since the world shrunk/and the icebergs melted/and all the year books/are digitized./... and we press Like/or No Like/as if it mattered."She remembers 2020 and its cataclysmic reckoning with police brutality and white supremacy: "I do understand that republicans/Are cowards and so are those nazis/Cheering/And those kkk we now call police killing/Not to mention father and sons chasing unarmed Black men/and running their cars into crowds/Pretending they are brave or something/They are not only cowards/And nazis but evil fools/And who go to bed white/Wake up American/And hate themselves for having/To share this earth/They will not overcome/And we will not love them."But also in the same poem: "But what does 2020 mean to me/A chance to learn to open oysters/Talk to my friends/Catch up on my reading/Tell myself I am going to dust the house/Lie about it/...Enjoy my own company not to mention football/And remember there will be tomorrow/Because there will be/And evil will go and good will come/I am Black/We have seen much worse."With this collection, which includes brief letters and short prose from her life as well as poetry, Giovanni reaffirms her place as a giant of literature, a canny truth-teller, an indispensable radical orator, and one of America's preeminent cultural critics. It is a book to be savored, and shared. "If there was a need for poetry that galvanized and inspired, there was also a demand for poetry that comforted and unified - and Ms. Giovanni provided on both counts." -&nbsp;The Washington Post

Poems, Letters, Blurbs, and Things

The New Book

Fourteen Cities Seen Through the Eyes of Ian Fleming, the Creator of James Bond

Thrilling Cities

The first comprehensive English collection from one of the world's most influential mystics-Attar-the twelfth-century poet Rumi called his master. Twelfth-century Persian poet Attar (1145-1221) was revered by Rumi and though his work is beloved around the world, he is mostly unknown to English readers. Translated in simple, elegant language by award-winning poet Sholeh Wolpé-one among generations of poets influenced by Attar's poetry-The&nbsp;Invisible Sun&nbsp;is a beautiful treasury of Attar's most prescient poetry, offering comfort and inspiration. Attar was one of the most important mystic Sufi poets in the East, comparable in stature and influence to John Milton in the West. In Western thought there is a sharp separation between day-to-day human experience and the transcendence of religion and spirituality. But Sufi philosophy teaches that while the soul awaits its release from the confines of the body, it can experience the other world through mystic union achieved by an inward journey to purify the self. The Invisible Sun&nbsp;widely introduces the work of Attar-the master Rumi called "the spirit" and himself "its shadow"-to English-speaking readers as never before. Profound yet exquisite in its simplicity, bringing comfort and wisdom, Attar's poetry continues to resonate today:Everything, large and small, honors your existence,don't look at yourself with contempt. There is nothing greater than you.

A Guide for the Soul from Rumi's Master

The Invisible Sun

El extraordinario debut literario de Robin Wall Kimmerer, autora del bestseller internacional Una trenza de hierba sagradaViviendo en los límites de nuestra percepción ordinaria, los musgos son un elemento común del mundo natural, que sin embargo suele pasar desapercibido. Reserva de musgo es una fascinante mezcla de ciencia y reflexión personal que invita a los lectores a explorar y aprender de la vida elegante y sencilla de los musgos. En esta serie de ensayos personales encadenados entre sí, Robin Wall Kimmerer acompaña a sus lectores a comprender cómo viven los musgos y cómo sus vidas se entrelanzan con las de innumerables seres en el mundo natural, entre ellos, los seres humano. Con la precisión científica de su formación como botánica, Kimmerer explica la biología de los musgos con claridad y profundidad, al tiempo que, desde su experiencia como madre, maestra y mujer indígena, nos invita a reflexionar sobre lo que estos fascinantes y humildes organismos tienen para enseñarnos. Una historia natural y cultural que se convierte en una poderosa metáfora que nos ilumina otras maneras en las que podemos existir en el mundo.———The acclaimed literary debut of Robin Wall Kimmerer, author of the New York Times bestseller Braiding Sweetgrass.Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.Robin Wall Kimmerer's book is not an identification guide, nor is it a scientific treatise. Rather, it is a series of linked personal essays that will lead general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings, from salmon and hummingbirds to redwoods and rednecks. Kimmerer clearly and artfully explains the biology of mosses, while at the same time reflecting on what these fascinating organisms have to teach us.Drawing on her diverse experiences as a scientist, mother, teacher, and writer of Native American heritage, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.Gathering Moss will appeal to a wide range of readers, from bryologists to those interested in natural history and the environment, Native Americans, and contemporary nature and science writing.

Una historia natural y cultural de los musgos

Gathering Moss / Reserva de musgo (Spanish Edition)

New Poems

Monologue of a Dog

“Nervous takes the focus from the abstract and does what doctors (and historians) failed to do: makes her story, her pain, and her life as real as any history that proceeded. Nervous gives face and weight to those forgotten women whose suffering has become little more than anecdotal collections of stories, not real people. It’s seamless and powerful. Nervous is a masterful personal narrative, beautifully written and captivating. It should– and will– be placed alongside some of the best well-crafted and compelling contemporary memoirs of this era.”—Bassey Ikpi, New York Times bestselling author of I’m Telling the Truth but I’m LyingActivist Jen Soriano brings to light the lingering impacts of transgenerational trauma and uses science, history, and family stories to flow toward transformation in this powerful collection that brings together the lyric storytelling, cultural exploration, and thoughtful analysis of The Argonauts, The Woman Warrior, What My Bones Know, and Minor Feelings.The power of quiet can haunt us over generations, crystallizing in pain that Jen Soriano views as a form of embodied history. In this searing memoir in essays, Soriano, the daughter of a neurosurgeon, journeys to understand the origins of her chronic pain and mental health struggles. By the end, she finds both the source and the delta of what bodies impacted by trauma might need to thrive. In fourteen essays connected by theme and experience, Soriano traverses centuries and continents, weaving together memory and history, sociology and personal stories, neuroscience and public health, into a vivid tapestry of what it takes to transform trauma not just body by body, but through the body politic and ecosystems at large.Beginning with a shocking timeline juxtaposing Soriano’s medical history with the history of hysteria and witch hunts, Nervous navigates the human body—centering neurodiverse, disabled, and genderqueer bodies of color—within larger systems that have harmed and silenced Filipinos for generations. Soriano’s wide-ranging essays contemplate the Spanish-American War that ushered in United States colonization in the Philippines; the healing power of an inherited legacy of music; a chosen family of activists from the Bay Area to the Philippines; and how the fluidity of our nervous systems can teach us how to shape a trauma-wise future.With Nervous, Soriano boldly invites us along on a watershed journey toward healing, understanding, and communion.&nbsp;

Essays on Heritage and Healing

Nervous

Night Owl

Essays on Horror, Survival, and Love

Uncanny Valley Girls

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Truffle in the Whitman's Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone's favorites--and least favorites--are carefully considered, including Snickers and Trader Joe's Peanut Butter Cups, as well as the benighted Good n' Plenty and Werther's Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And how could Edmund sell out his siblings for, of all things, Turkish delight, in The Lion, the Witch and the Wardrobe? Meanwhile, she rejects the dreaded question posed to all candy connoisseurs: what is your favorite candy? The question itself is flawed--favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives. Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of "junk" food and posits taking pleasure seriously as a means of survival.Sarah Perry's pure love of candy weaves together elegiac glimpses of her 90s childhood--and the loss at its center--with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings is a tart and sweet ode to finding small joys where you can. Yes, even in black licorice.

Sweet Nothings

The acclaimed poetic force celebrates the practice of poetry as healing and prayer in this vital, life-affirming collection about surviving&nbsp;the void and touching the divine—the second book in a creative collaboration between Amistad and Moore Black Press.At age fifteen, Barbara Fant tragically lost her mother, and her world was suddenly upended. “I became an angry teenager. I was mad at the world.,” she recalls. “I even stopped praying, but I began to write. Poetry became my way of communication, my way of processing . . . it became my way to pray.”Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant,&nbsp;Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.”Steeped in a rich Black Christian tradition and drawing on Scripture for artistic inspiration, Fant’s verse offers solace and guidance for all, from the devout to the skeptical. In these poems Fant demands that we see her, and her community, throug more than our grief. As she closes this profound collection, Fant gently preaches that we choose life and reminds us that “wholeness is our birthright.”Joy in the Belly of a Riot is a healing balm in times of sustained uncertainty and a rock upon which we can build and sustain a foundation of joy. Fant’s essential message demands to be heard, now more than ever.

Poems, Prayers, Memories, and Meditations

Joy in the Belly of a Riot

In her first book, the popular From the Front Porch podcast host and independent bookstore owner challenges the idea that loud lives are the ones that matter most, reminding us that we don't have to leave the lives we have in order to have the lives of which we've always dreamed. Can life be an adventure, even when it’s just . . . ordinary?Annie Jones always assumed adulthood would mean adventure: a high-powered career; life in a big, bustling city; and travels to far-flung places she’d longed to see. But her reality turned out differently. As the years passed, Annie was still in the same small town running an independent bookstore —the kind of life Nora Ephron dreamed.During that time, she hosted friends’ goodbye parties and mailed parting gifts; wrote recommendation letters and wished former shop staffers well. She stayed in her small town, despite her love of big cities; stayed in her marriage to the guy she met when she was 18; and she stayed at her bookstore while the world outside shifted steadily toward digital retailers. And she stayed loyal to a faith she sometimes didn’t recognize.After ten years, Annie realized she might never leave. But instead of regret, she had an epiphany. She awakened to the gifts of a quiet life spent staying put.In Ordinary Time, Annie challenges the idea that loud lives matter most. Rummaging through her small-town existence, she finds hidden gifts of humor and hope from a life lived quietly. Staying, can itself be a radical act. It takes courage to stay in the places we’ve always called home, Jones argues, as she paints a portrait of possibility far away from thriving metropolises and Monica Gellar-inspired apartments.We’ve long been encouraged to follow our dreams, to pack up and move to new places and leave old lives—and past selves—behind. While there is beauty in these kinds of adventures, Ordinary Time helps us see ourselves right where we are: in the middle of messy, mundane lives, maybe not too far from where we grew up. We don’t have to leave to find what we yearn—we can choose to stay, celebrating and honoring our ordinary lives, which might turn out to be bigger and better than we ever imagined.&nbsp;

Lessons Learned While Staying Put

Ordinary Time

“Full of heart and wisdom, Daughters of Latin America sheds a brilliant light on Latine and Caribbean women writers across time, space, languages, and genres.”—World Literature TodaySpanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.Daughters of Latin America collects the intergenerational literary voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 sections representing the 13 holy moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón; lyric essays from New York Times bestselling author Elizabeth Acevedo, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.&nbsp;In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

An International Anthology of Writing by Latine Women

Daughters of Latin America

Trespass

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