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Berleant Arnold: The Social Aesthetics
of Human Environments

The Social Aesthetics of Human Environments

Critical Themes

In the 21st century, the old colonial attitude of terra nullius, meaning a vacant place free for the taking, still lurks behind the global economic expropriation of peoples' lands and bodies. Today, that theft is rationalised internationally by ecomodernist policy. This book engages with the patriarchal-colonial-capitalist mindset of the contemporary Androcene and its threats to Life-on-Earth, including global warming and nuclear risks, mining and the gene trade, the Fourth Industrial Revolution and digital coloniality.

Ariel Salleh spells out the social and ecological contradictions set in motion by neocolonialism. Inspired by decolonial thinkers from Arturo Escobar to Tyson Yunkaporta, and critics of technology like Vandana Shiva and Shoshana Zuboff, she argues that dispossession of First Nation peoples' livelihoods is not healed by consumerism in the name of 'development'. Breaking with ecomodernist policy such as 'the tech fix' of mainstream environmentalists, Salleh contests the patriarchal-colonial-capitalist imperium and its advocacy of Green New Deals, Earth Governance, Sustainable Development Goals, and Smart Futures.

Worldwide many decolonial activists see through the zero-sum imagination and its Earth Summits. Youth too, is defying the capitalist ruling class extinction trajectory, and some even challenge the fashionable post-human ideology circulating in high-tech quarters. Beyond 'exchange value', these Others of the Androcene are calling for self-governing bioregional futures, respectful of indigenous skills; they want local food sovereign economies, which meet people's needs while protecting nature's 'metabolic value'.

Spelling out the biopolitical violence of digitalization and genetic engineering, this book traces two decades of creative defiance by global peoples' movements against the contradictions of ecomodernist development and its ongoing imposition by nation states and international agencies.

DeColonize EcoModernism!

Original Sin

Has postmodernism really changed the way the artist relates to their art and environment? Addressing the delicate entanglements between the ethical and the material, this book explores how ethics have figured in the generation of art and images in the 21st century. 

Starting from the premise that in the Anthropocene the work cannot rest upon its separation from the world, this book develops new ethical thought that acknowledges art and film in their material and immaterial environment. In drawing on new materialism and continental philosophy, the chapters prove just how relative ethics become when applied to artistic creation. 

Questioning the ethicalities at play in the relations between the human artist, the art, non-human beings and the environment, practitioners contemplate the singular entanglements of relations and non-relations before, during or after a work of art or film comes into being.

Ethical Materialities in Art and Moving Images

Science historian Subhadra Das explores ten founding ideas of Western civilisation, uncovers their flaws and urges us to look at the world with fresh eyes

A science historian explores ten founding ideas of Western civilisation and unearths their flaws

Uncivilised

Philosophical Filmmakers

Throughout films and television series like The Piano, Bright Star, In the Cut and Top of the Lake, Jane Campion has constantly explored gender, subjectivity and narrative representation. In an intensive engagement with her cross-medium career, Bernadette Wegenstein examines how Campion gives a tangible and visible form to the female gaze in her exploration, deployment, and ultimately her subversion of highly formalized genres such as the period piece, the thriller, and the procedural drama. 
 
Keeping a strict focus on her directorial practice and specifically on the capacity of her cinematography to induce both empathy and estrangement, this vital new book shows how Campion is engaged in a permanent artistic and intuitive exposition of a profoundly feminist philosophical vision. Wegenstein's work will be invaluable to scholars and students in gender and women's studies, film studies and those on philosophy and film courses.

Filmmaker and Philosopher

Jane Campion

A Treatise on Luck

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

Routledge Innovations in Political Theory

Renate Holub provides a critical introduction to the philosophical foundations developed by the Italian philosopher Giambattista Vico and demonstrates the innovative principles he contributed to the study of non-violent global rights and justice.

Between Grotius and Kant

Vico and the Philosophical Foundations of Human Rights

De Gruyter Studies in Philosophy of Humor

Contrary to common opinion, philosophy's relations with the comic are profound and complex, yet surprisingly understudied. Amir conceptualizes the relations that philosophy entertains with the comic in ten traditions, eight dating from antiquity and two from modern and postmodern times. She explains how the view that philosophy is inimical to the comic originated and invites the reader to re-evaluate philosophy's attitude towards the comic.

Ten Traditions from Antiquity to Postmodernism

Philosophy and the Comic

"Following the narratives explored in Hominescence, Incandescent and The Bough, Michel Serres continues and concludes his 'grand story' of humanity and humanism. This book weaves together and condenses the overriding philosophical narratives of the previous books and reflects upon Serres' own humanist theoretical system. With characteristic breadth and imagination, in telling the story of humanity, Serres also tells us why Orpheus lost his friend Euridyce; why Eve was really tempted in the garden of Eden, the history of Fetishism and how human beings learned to think. The book offers a challenge to the reader: a challenge to live in the fullness of one's humanity"--

Humanistic Narratives

An accessible, powerful overview of Noam Chomsky's political thoughtIn sixteen extended talks with Alternative Radio's David Barsamian, Noam Chomsky explains why the 'war on drugs' is really a war on poor people; how attacks on political correctness are attacks on independent thought; how historical revisionism has recast the United States as the victim in the Vietnam War. Widely recognized as one of the most original and important thinkers of our age, Chomsky's trenchant analysis of current events is a breath of fresh air in a world more and more polluted by mainstream media.

Chronicles of Dissent

Wissenskultur und gesellschaftlicher Wandel

Der Band versammelt Studien zur Kulturgeschichte und Theorie der Wissenschaften in der 1. Hälfte des 20. Jahrhunderts. Vereinigt sind die Beiträge durch die Überzeugung, dass eine der folgenreichsten Interventionen der jüngeren Wissenschaftsgeschichte darin liegt, dass die Beziehungen zwischen Wissenschaft, Kultur und Gesellschaft auf reziproke Weise verstanden und untersucht werden müssen. Wissenschaftliche Praxis findet nicht nur stets unter sozial und kulturell geprägten Bedingungen statt, sie erzeugt und erfordert auch eigene, spezifische Muster kulturellen, sozialen und politischen Handelns. Die Wissenschaften, die zu sozialen Systemen bedeutender Größe angewachsen sind, schaffen ihre eigenen Kulturen und Politiken. Durch die Diskussion der gemeinsamen Entstehung wissenschaftlichen Wissens und der Kulturen und Politiken der Forschung leistet der Band einen Beitrag zu einem besseren Verständnis der Rollen wissenschaftlicher Forschung in den von dramatischen Umbrüchen geprägten ersten Jahrzehnten des vergangenen Jahrhunderts.

Vol. II: Modernism in the Sciences, ca. 1900-1940

Science as Cultural Practice

The Social Aesthetics of Human Environments

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

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