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Commentaires

"Winner of the Jake Adam York Prize, this collection of poems seeks answers about how to live meaningfully in a world saturated by white noise"--

Schweig Sarah V.: The Ocean in the Next
Room

The Ocean in the Next Room

Poems

1.Toward the Great Unity 1The Tower 3Poem on My Birthday 8Tractatus 102.Five Skeins 19Meanwhile in our City of Abandon 24Contingencies (III) 27Theory of Ash 293.Unaccompanied Human Voice 32Waves 63The Blue House 70Longest Night 71Notes 73Acknowledgments 75

Girl, Swooning

Foretokens

"Majestic, playful, brainy, heart-wrenching, Katharine Coles's tenth collection of poems at once celebrates and elegizes: her teachers and parents-both dead at ninety-who still issue advice (some good, some not) from beyond the grave; the creatures who pass through her canyon quarter-acre; the moon as it rises and sets; even her Levi's shrink-to-fits, when she realizes she'll never wear out another pair. The poems "guide us with their empathy, sometimes yoked with a wry irony, around the physics of interactions." [John Kinsella] More than anything, this is a book about presence: haunted by the past yet firmly rooted in the also-haunting now, Coles keeps spinning, finding herself in words, in her body, in time"--

Time and Chance

Ariel

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

"A collection of poems and translations drawn from C.D. Wright's archives and from her previous books"--

The Essential C.D. Wright

Collected Poems

Birthstones in the Province of Mercy

"A collection of poems by Yuki Tanaka"--

Chronicle of Drifting

'Vivid ... A memoir of queer love, loss and migration ... dazzling' Karen McCarthy Woolf, author of Top Doll 'It all happened a long time ago, no one now remembers this story let me tell you how it all happened, how we turned unholy.' In Southernmost, Leo Boix takes us on a spellbinding voyage through time and imagination, from the Argentina of his birth - 'the end of the world, the antipode' - to a new life in England. Unearthing an old grief, the poet embarks on a glittering, encyclopaedic exploration of his own past and the Latin America he left behind: a continent haunted by the Europeans who once fixed their telescopes on its shores. Southernmost reveals truths hidden in plain sight: colonialism's violent legacies; dissidents disappeared by the junta; a young mother's mysterious decline; the clarifying sexuality of a boy whose father can't bear to acknowledge it. At the same time, it tells a story - as sonnets have often done - about love, through Boix's intimate and original evocation of gay marriage. Restlessly intelligent, intoxicated by Latin America's landscapes and rich folklore, this virtuosic net of sonnets offers a glimpse of our world's interconnecting threads. 'In this thrilling collection of sonnets, Leo Boix maps a personal geography out of dynamic encounters between the Old World and the New' Chloe Aridjis, author of Sea Monsters 'As sinuous and expansive as the ocean between us' Urayoán Noel, author of Transversal

Southernmost: Sonnets

Afterburn

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselvesfrom U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

The Hurting Kind

The Ocean in the Next Room

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