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This entirely new collection of essays picks up from the 2005 Latin American Fashion Reader to explore ideas of rupture and repair in the past and present of Latin American fashion.

The New Latin American Fashion Reader

Figures Notes on Contributors Acknowledgments Introduction: Reimagining Rupture and Repair I: Archival Considerations 1. Archives Matter: Dress Histories, Buildings, and the Digital Era (Rita Morais de Andrade, Universidade Federal do Goiás, Brazil) 2. Catholic Reliquary Lockets in the Colonial Americas: Foreign Objects with Native Presence (Alison Napier, Independent Scholar, USA) 3. Manila Shawls, Trading Routes and Global Encounters (Inés Corujo Martín, CUNY New York City College of Technology, USA) 4. Decolonizing Fashion, Assembling a Ruana History. Genealogies of a Resisting and Undesirable Garment (Edward Salazar Celis, University of California at Santa Cruz, USA) 5. The Name of the Clothes: Cuban Fashion Brands, 1959-1989 (María A. Cabrera Arús, New York University, USA) II: Culture's Empowering Lens 6. Afro-Brazilian Styles: Dress, Race, and Coloniality in Nineteenth-Century Portraits (Alliny Cabral, Independent Scholar, Brazil) 7. Spotting Afro-Peruvian Women: A (Brief) Sartorial History in Polka Dots (Tamara Walker, Barnard College, USA) 8. "Are Feminists Elegant?": Shaping Gender and Literary Style Through Fashion (Alba Aragón, Bridgewater State University, USA) 9. Imagining through Images: Clothes and Family Memories in Afro-Brazilian Identity (Hanayrá Negreiros, Museu de Arte de São Paulo, Brazil) III: Social Unrest and Resistance 10. Skirting the Colonial Gaze: Indigenous Reconfigurations of Feminine Identity (María Claudia Andre, Hope College, USA) 11. Fashion, Performance, and Re-existing in Trans Representation (Stephanie N. Saunders, Lyon College, USA) 12. The Politics of Clothed Bodies in Chile's Social Outburst (Pía Montalva, Independent Scholar, Chile) 13. Fashion in Distress: Cultural Fragments and Recycled Identities in Contemporary Argentina (Regina A. Root, William &amp; Mary, USA) 14. From Low to High: Fashion, Reggaeton, and Latino Male Idols (William Cruz Bermeo, Universidad Pontificia Bolivariana, Colombia) IV: Creative and Collective Agency 15. The Fashion of Face Masks in Mexico: Protest, Culture, and Idnetity during the COVID-19 Pandemic (Andrea A. Gaytán Cuesta, University of North Florida, USA) 16. Transnational Experiences in Fashion: The Work of Equihua, Barragán and Ricardo Seco (Tanya Meléndez-Escalante, The Museum at the Fashion Institute of Technology, USA) 17. The National Movement of Maya Weavers and Neocolonialism in Fashion Intellectual Property (Kedron Thomas, University of Delaware, USA) 18. Design as a Natural Healer (Maria Carolina Garcia, Universitário Belas Artes de São Paulo, Brazil)

A key introduction to critical and speculative design practice

History, Theory, and Practices

Critical Design in Context

Vogue Goes Pop Colouring Book

The first publication dedicated to the house of Chanel and its creations as reported in Vogue, featuring iconic illustrations and photography from throughout the magazine's history and across its international editions. Vogue talent-spotted the work of a young Gabrielle Chanel as early as the 1910s and continued to report on the designer through the decades, from her seminal 'little black dress' to the most luxurious haute couture creations. From 1983, Karl Lagerfeld's re-imagining of the brand also found pride of place in the lauded magazine, inspiring some of the world's greatest stylists and photographers across the international editions of Vogue. Chanel in Vogue includes two volumes: the first volume is dedicated to the era of Gabrielle Chanel, and the second focuses on the work of her successors, Karl Lagerfeld and Virginie Viard, and up to the present day. This beautifully produced publication gathers together the inspirational editorials dreamt up by world-famous fashion illustrators and photographers of the twentieth and twenty-first centuries, from Edward Steichen, Horst P. Horst, George Hoyningen-Huene, Irving Penn and Helmut Newton, to Peter Lindbergh, Ellen von Unwerth, Annie Leibovitz, Steven Meisel and many more. Featuring iconic images as well as lesser-known photography and illustration, this book is a trove of stunning visual material, granting readers unparalleled access to the more than a century's worth of fashion imagery. Published as two volumes in a slipcase, this high-end, large-format package is the definitive book on the fashion of Chanel as seen through the pages of the world's most influential fashion magazine.

Chanel in Vogue

Classic Football Shirts

Refashioning Bill Gibb for the 21st Century

Fashion Destinations

There's nowhere quite like the French Riviera when it comes to style. With its reputation as the playground of the rich, famous and beautiful since the early twentieth century, the Riviera has always been a natural hotbed for new trends. Little Book of Riviera Style explores the signature styles and stylish visitors to the Côte d'Azur. From Coco Chanel in sporty jersey on the beach at Deauville to Jane Birkin sporting her favourite basket bag in Saint-Tropez, and from Bjork in pink organza at Cannes to Naomi Campbell in Breton stripes on a yacht, this is the coastline of 1,000 fashion moments. Bestselling author Emma Baxter-Wright introduces the key moments, looks, locations and pieces that define the Riviera in all its chic glory.

The fashion story of the iconic French region

Little Book of Riviera Style

Easy, uplifting dopamine designs you actually want to wear

Not Your Grandma's Crochet

Defines a unique period in British youth culture and lifestyle publishing, drawing on oral history, editorial analysis and existing fashion and subcultural theory to chart the emergence of the stylist in the 1980s, an ultimately postmodern role that became key to the production of fashion image.

Subculture, Style and the Fashion Image in London 1980–1990

The Rise of the Stylist

The story of Scottish knitting: the first critical history and analysis of a local craft turned international icon.

From Fair Isle patterning to Pringle jumpers, Scottish knitwear is internationally renowned and instantly recognisable. This open access study unpicks the distinctive place of knitting in the Scottish landscape, economy, and culture from the 19th century to today.

Recent reappraisals of the industrial revolution and traditional craft economies, and the recent revival of hobby knitting during the Covid-19 pandemic, have raised new questions about the roles of social communities, sustainability and women's domestic work in the textile industries. Tracing its story from raw material to final product, from home-spun clothes and crafts to luxury markets and industrial-scale production, Knitting in Scotland investigates the Scottish knitting trade's remarkable survival across two centuries of economic and cultural modernisation.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by UKRI.

Culture, Craft and Industry c.1880-2020

Knitting in Scotland

The Story of Fashion

From its debut in the 1920s to its reinvention on the runway, this timeless two-piece has come to define the effortless sophistication of the Chanel woman. This book traces the evolution of the Chanel suit through rare archival photography, detailed design analysis, and exclusive insights into the craftsmanship at the heart of the Chanel ateliers. It explores the suit's signature elements - the boxy jacket, braided trim, silk lining, and gilt buttons - and how each has been reinterpreted across decades by designers from Gabrielle 'Coco' Chanel to Karl Lagerfeld and Virginie Viard. Highlighting standout collections, collaborations, and couture creations, the book also celebrates the women who have worn the suit as a statement of power and poise - from Jackie Kennedy to Princess Diana, Kristen Stewart to Beyoncé. With chapters on tailoring techniques, styling tips, and the suit's lasting influence on fashion, feminism, and film, this is the ultimate homage to one of the most iconic garments in history.

The Story of the Chanel Suit

Fashion Auteurs

Explores how Ray Petri and the Buffalo collective revolutionized fashion photography in the 1980s by blending subcultural style, radical diversity, and gender politics to create a new cultural template still influential today

Scottish-born, visionary stylist Ray Petri (1948-1989) defined the look and feel of radical 1980s magazines such as The Face, i-D, and Arena. Founder of the maverick Buffalo collective, Petri styled kilts with MA-1 flight jackets and Armani suits with Dr. Martens boots to create genre-defying looks that shook up London's subcultural scene from grassroots to high fashion. Harnessing the power of street style, sportswear, club culture, new wave, and dandyism, Petri's vision took the sartorial vocabulary of the perpetually displaced into the mainstream. His radical casting of Black and multiracial models, styling of men in skirts, and women cast as men was a retort to the prevailing aesthetic in contemporary fashion. Moreover, it marked a culturally reflexive, implicitly political approach to the relationship between fashion and identity. Challenging the policing of masculinity and sexuality in particular, Petri's imagery boldly toyed with the iconography of homoeroticism, employing the language of fashion in the activism for gay liberation against the backdrop of the AIDS crisis. The eclectic Buffalo circle included fellow stylist Mitzi Lorenz; photographers Jamie Morgan, Mark Lebon and Jean-Baptiste Mondino; model-muses Nick and Barry Kamen and a young Naomi Campbell; and musicians such as Neneh Cherry. Shaped by Petri, the Buffalo attitude is intrinsic to style culture today having since inspired legions of photographers, stylists, and designers from Kim Jones to Ibrahim Kamara, Martine Rose, and Grace Wales Bonner. The spirit of Buffalo lives on in the countercultural references, cultural diversity, and post-gender conversation that underlies the most powerful of contemporary fashion imagery. This book traces how Ray Petri and Buffalo created the template for modern fashion photography by advocating not simply for a new aesthetic but for a new cultural order.

Ray Petri

A revised edition of this classic work, with fresh, original content for fashion design and illustration students of all levels and ability. Drawing is vitally important for the fashion industry. Fashion Illustration represents a designer's point of view and Anna Kiper's aim is to contribute to the revival of this unique art form. Every illustration lesson in the book presents a story with exciting design details and ideas to inspire designers to rediscover the art of hand drawing as a tool for creating vibrant and original work. Written for both newcomers and improvers, Fashion Illustration will help you to: achieve movement and attitude in figure drawing by following a few simple steps; develop striking and energetic page compositions; explore effortless ways to illustrate print, textures and embellishments; discover an exciting variety of media and techniques to enrich your individual drawing style. This beautifully illustrated and inspirational book is written by Anna Kiper, one of the world's leading fashion designers and illustrators.<ul><li>Updated sections reflect the different shapes, sizes and diversity of the modern fashion world</li><li>Revisions also include use of alternative and mixed media and rendering figures in a wider range of fabrics</li><li>Essential reading from Anna Kiper and a recommended reference for all those in the fashion industry</li></ul>Rediscover the art of drawing as a tool for creating vibrant, relevant and original work using a mix of both traditional - and now - with digital techniques

Inspirational Design and Expert Drawing Techniques

Fashion Illustration Revised Second Edition

The New Latin American Fashion Reader

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