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Outlaws in Literature, History, and Culture

Truesdale M: The King and Commoner
Tradition

The King and Commoner Tradition

Carnivalesque Politics in Medieval and Early Modern Literature

Introduction: "A rolle he had reading, / A bourde written therein he ffound" 1. Feasts and Surveillance in King Edward and the Shepherd: "Wode has erys; fylde has siȝt" 2. The Carnivalesque and Insurrection in John the Reeve: "I will cracke thy crowne!" 3. Hybridity and Transformation: Rauf Coilȝear, A Gest of Robin Hood, King Edward and the Hermit and The King and the Barker 4. Containment in the Early Modern Ballads: The King at the Keyhole. Conclusion. Appendix One: Early Analogues in Other Cultures, Chronicles, and Romance. Appendix Two: The King and Commoner Tradition on the Stage: "Mingling Kinges and Clownes". Appendix Three: Select King and Commoner Publication History

Who Was That Masked Woman?

Women Vigilantes and Outlaws in American Popular Media

In Food and Feast in Premodern Outlaw Tales editors Melissa Ridley Elmes and Kristin Bovaird-Abbo gather eleven original studies examining scenes of food and feasting in premodern outlaw texts ranging from the tenth through the seventeenth centuries and forward to their cinematic adaptations. Along with fresh insights into the popular Robin Hood legend, these essays investigate the intersections of outlawry, food studies, and feasting in Old English, Middle English, and French outlaw narratives, Anglo-Scottish border ballads, early modern ballads and dramatic works, and cinematic medievalism. The range of critical and disciplinary approaches employed, including history, literary studies, cultural studies, food studies, gender studies, and film studies, highlights the inherently interdisciplinary nature of outlaw narratives. The overall volume offers an example of the ways in which examining a subject through interdisciplinary, cross-geographic and cross-temporal lenses can yield fresh insights; places canonic and well-known works in conversation with lesser-known texts to showcase the dynamic nature and cultural influence and impact of premodern outlaw tales; and presents an introductory foray into the intersection of literary and food studies in premodern contexts which will be of value and interest to specialists and a general audience, alike.

Food and Feast in Premodern Outlaw Tales

Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood 'legend' has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of 'real' lives.

Media, Performance, and Other New Directions

Robin Hood in Outlaw/ed Spaces

This book argues that food and feasting moments in modern outlaw tales illuminate that which bonds all humans, and it examines ways in which food and feasting are often used to note difference, create discord, and manipulate power dynamics.

Food and Feast in Modern Outlaw Tales

This collection of scholarly essays presents new work from an emerging line of inquiry: modern outlaw narratives and the textual and cultural relevance of food and feasting. Food, its preparation and its consumption, is presented in outlaw narratives as central points of human interaction, community, conflict, and fellowship. Feast scenes perform a wide variety of functions, serving as cultural repositories of manners and behaviors, catalysts for adventure, or moments of regrouping and redirecting narratives. The book argues that modern outlaw narratives illuminate a potent cross-cultural need for freedom, solidarity, and justice, and it examines ways in which food and feasting are often used to legitimate difference, create discord, and manipulate power dynamics.

Robin Hood and the Outlaw/ed Literary Canon

Literary and Institutional Representations of Marginal Communities in Early Modern Madrid

Capturing the Pícaro in Words

Damian A. Carpenter traverses the unsettled American outlaw territory by examining outlaw myth, performance, and perception over time. Focusing on the works and guises of Lead Belly, Woody Guthrie, and Bob Dylan, Carpenter goes beyond the outlaw figure¿s heroic associations and expands on its historical, folk, and social forms.

Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance

Penguin Monarchs

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

The Afflicted King

Henry IV (Penguin Monarchs)

The volume explores the development of systems of social institutions in a variety of historical and regional contexts and traces the influence of certain key principles and common factors on social and political developments throughout human history.

Historical Contexts of Interaction

Principles and Forms of Sociocultural Organization

A History of the UK in Data

Sum of Us

How Greece Changed Me Forever

Dust and Pomegranates

The Lost Voices of Pompeii

Forms of Drama

China’s Classical Song-drama

Kunqu

The Best-Kept Secret of the Cold War

The CIA Book Club

Michael Mann Project 2

For fans of Ben Macintyre, the gripping story of the assassination of Soviet revolutionary Leon Trotsky and the deadly game of cat and mouse that preceded it On August 20, 1940, Leon Trotsky invited a man he knew only as Jacques Mornard into his study. Mornard waited for Trotsky to sit, then smashed an ice pick he had hidden in his raincoat into his skull. &nbsp; For over a decade, Trotsky’s greatest enemy, Joseph Stalin, had been trying to arrange his murder. His agents had hunted him across Europe and into a lonely, bitter exile in Mexico. He had liquidated Trotsky’s family and friends, and yet Trotsky had always escaped his clutches. The man who changed this all was Ramón Mercader, a minor Spanish aristocrat and Soviet agent who had posed as Mornard, a dissolute Belgian playboy, and infiltrated Trotsky’s inner circle.&nbsp; In The Death of Trotsky, Josh Ireland traces the separate paths walked by each of these protagonists as they steadily draw closer and closer to that fateful encounter on August 20. Blending intimate historical detail and thrilling historical narrative, swinging from Moscow to Paris to Mexico, and taking in a cast of morally conflicted Russian spies, fanatical Mexican painters, and innocent American idealists, The Death of Trotsky delves into the lives of two fascinating, complex men locked in a life-or-death struggle that will bend the course of history.

The True Story of the Plot to Kill Stalin's Greatest Enemy

The Death of Trotsky

Old Turns, New Encounters

Cultural History and the Anthropocene

A Journey on Foot Through England’s First National Park

Wild Peaks

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

The King and Commoner Tradition

Informations bibliographiques

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Autres titres de la collection: Outlaws in Literature, History, and Culture

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