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Burnside J: The Empire of Forgetting

The Empire of Forgetting

The Magpie at Night

New Selected Poems

Ash Keys

'For intellectual range, emotional depth, and lexical shimmer, Crawford is unsurpassed among recent Scottish poets'Sunday HeraldWriting out of older Scottish traditions that are ludic, intellectually deft and linguistically complex, Robert Crawford also stands with fellow poets, Liz Lochhead, Douglas Dunn and Simon Armitage as a contemporary master. Nimbly traversing the globe, Old World is a generous, playful collection featuring the traditional forms of haiku and riddle, versions of Mexican, Chinese, Old English and Greek poems, a tincture of Scots work, and many pieces that present an ageing planet dealing with twenty-first-century issues from European war to climate change and AI. These poems speak both of the menaced plenitude of living beings, and of frailties associated with growing old. Part of the book is given over to voices of creatures from the non-human world, part to human voices, but boundaries between these categories become mischievously and disconcertingly unstable. Mixing lyricism, play, and a sense of vulnerable interdependence, Old World draws on both Western and Eastern cultures to articulate through sound, lineation, and silence a sense of the sacredness of life on earth.

Old World

Foretokens

The thrilling story of the healers, artists and prodigies once persecuted as witches - from the three-time T.S. Eliot Prize-shortlisted poetIn her thrilling fourth collection, Midden Witch, Fiona Benson enters the world of familiars, fables and hedge-magic and focuses on the persistent superstition - the fear and false knowledge - that was witchcraft. Telling tales of imagined transformations and spell-casting, these poems present a litany of artists, dreamers and outcasts and a study of their ostracisation. The poet looks at how gifted, sometimes troubled, individuals - generally healers, artists, prodigies and almost always women - became scapegoats, victims of societal paranoia and persecution, and were hounded for centuries, often to a gratuitously violent public execution. In Midden Witch, these women speak back to us with dark humour, insight and real herbal knowledge. Reckoning with middle age, marginalisation, perimenopause and a steady, unstoppable vanishing, this troubled codex of remedies, spells and stories speaks to human fear in the face of the unknown, and a drive to protect our loved ones that transcends all rational thought. At play in the language of archival accounts of witchcraft, this is a dark, eclectic spell-book that witnesses the end-days of magic.

Midden Witch

The Forward Book of Poetry 2026

Andrew Lang (1844-1912) made his name in the last quarter of the Victorian era in a remarkable number of literary and intellectual fields. This is the first annotated edition of Lang's poems, bringing together his books of verse and over 150 additional poems, many of them collected for the first time.

The Poems of Andrew Lang

Penguin Archive

I am a Bird from Paradise

The Costa Award-winning poet's ingenious collection of poems is an investigation and test of Wordsworth's famous adage: 'the Child is father of the Man'. In Christopher Reid's marvellous collection, a schoolboy furtively and thrillingly drops a marble through the top of his desk so that it makes its way in darkness along a complicated chute of books, rulers and rubbish, only to emerge from a hole in the base and be caught deftly in his other hand. The poem is titled 'Homeric' and might serve as a clue to the mood and construction of the collection in general, where the poet, now in his seventies, seeks to track down and commune with his much younger self. It is an investigation that tests Wordsworth's 'the Child is father of the Man' by contriving a series of transtemporal encounters between two selves who may now, conceivably, begin to understand each other. Reid was born in Hong Kong and, thanks to the roving nature of his father's employment, spent some of his childhood in foreign places. Most of the locations in this book, however, are the Britain of the 1950s and '60s - perhaps, at this distance in time, no less exotic. As the poems move from pre-verbal experience to adolescence, the younger self is captured in scenes that illuminate the steps by which a man - a poet - has been raised. Another poem conjures up the childhood of Henry James in order to reflect on 'the large part / mystery plays in both childhood and art', a proposition that the book as a whole may be said to endorse through both its wondering gaze and its ingenuity.

Toys / Tricks / Traps

Create your own silver linings.

Things No One Else Can Teach Us

Elements in Poetry and Poetics

On Louise Glück

About Suffering

Ecstasy is the major new collection from Alex Dimitrov whose poems such as 'The Years' and 'Someone in Paris, France is Thinking of You' in the New Yorker have gone viral. In Ecstasy, Dimitrov explores the sensation of ecstasy in all its forms: romantic, sexual, drug-induced and spiritual. Beginning in Manhattan and finally taking us across America, London and Paris, Ecstasy is a revelatory exploration of sex, God, parties, New York, drug culture, and old school Americana. Dimitrov is an iconographer of contemporary life, able to pin profound and timeless meaning to exact time and place, much in the way that religious imagery in churches tell of universal and placeless experience. These are poems that steal attention from their reader and hold it, with fierce and hypnotic possession.

Ecstasy

The Empire of Forgetting

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