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Ros Velasco J: The Disease of Boredom

The Disease of Boredom

Critical Approaches to Health

Critical Perspectives

Health Promotion to Children and Young People

This book brings together for the first time a wealth of information about the UK cultural. It explains how the whole UK cultural sector operates; exploring the contribution of both publicly funded cultural activity and the "creative industries".

A Guide to Organisations, Policy and Funding

Culture and Media in the UK

International Texts in Developmental Psychology

Global Perspectives

The Development of Ethnic Identity and Attitudes

Reflections on Empathy

How to Read Minds

Pornography: Anthropological Perspectives on the Manufacture of Intimacy shows how pornography functions as a cultural object.

Anthropological Perspectives on the Manufacture of Eroticism

Pornography

Is Europe a global actor? It all depends on which 'Europe', one means. There is no such thing as a European foreign, security or defence policy, in the sense of a coordinated ensemble of national, EU and NATO initiatives, only European foreign, security and defence policies, pursued by different actors, sometimes in coordination, sometimes alongside each other, sometimes in competition. National sovereignty prevails. Decisions are taken in the capitals and acting through the EU or NATO are just two options in addition to, and no more important than, the national option. The Ashgate Research Companion to the Foreign Policies of Europe starts its analysis then from the national level. Expert contributors consider the interests, policies and impact of the European states across regions, key issues and relationships and consider whether decisions made out of national interest can continue to meet the security, defence, economic and environmental challenges of Europe in the 21st century.

The Ashgate Research Companion to the Foreign Policies of Europe

Dream Literacy and Practice for Social Science Researchers

Gilles Deleuze considered 'assemblage' theory to be his most significant contribution to philosophy. It's a complex and nuanced concept and one that is central to how Deleuze and Guattari constructed their theoretical work. In Assemblage Theory and Affect Ian Buchanan continues his project of demystifying this key theory and introducing its primary qualities. Buchanan argues that assemblage theory, as conceived by Deleuze and Guattari, is primarily about desire. And, further to that, there is no greater manifestation of desire than 'affect'. Indeed, in order to understand assemblage you also need to understand affect and vice versa. In this first introduction to how assemblage and affect impact, shape and require each other, Buchanan outlines the meaning of both concepts for contemporary philosophy, art, cultural and critical theory and politics. In applying these theories to real life practices and experiences, the concepts are given clarity and force. An original, lucid and inventive work by one of the foremost Deleuzian thinkers in the world, Assemblage Theory and Affect proposes new avenues for thinking about the contemporary world.

Assemblage Theory and Affect

Focusing on the concept of slowness in Gilles Deleuze's philosophy, this book diverges from the conventional interpretation of Deleuze as a philosopher of speed or even accelerationism, instead delving into the minor but critical themes in his works, from idiocy to catatonia. Advocating for a pragmatic reading of its source material, it utilises Deleuze's thought to address the urgent challenges in contemporary political and social philosophy, particularly the issue of acceleration in its subjective, socio-political, and ecological dimensions. The first part discusses the significance of analysing "slowness" and introduces the problem of social acceleration, featuring also the relationship of Deleuze's thought with theorists rarely invoked in Deleuzian scholarship, such as Martha Nussbaum or Hartmut Rosa. Using a wide range of examples and sources such as the lesser explored Deleuzian literary inspiration Heinrich von Kleist and Madame de La Fayette, the second part of the book delves deeper into the three manifestations of slowness in Deleuze's philosophy: the conceptual personae of the idiot, the animal, and the catatonic. These personae and the concepts they help develop are explored as potential strategies of active resistance against the facets of social acceleration. With this book that radically opposes today's enamourment with speed and efficiency, Krzysztof Skonieczny shows how a Deleuzian theory of slowness can inspire productive resistance in the three areas that have been most vulnerable to omnipresent acceleration: our subjectivity, profoundly changed by the accelerating pace of life; our socio-political milieu, ruled by corporate efficiency; and our relationship to the environment, quickly heading towards catastrophe.

Deleuze and Slowness

Routledge Research in Museum Studies

Over the past few years an increasing number of museums have experimented with social media to demonstrate that they are listening and engaging in the world outside. While a number of new publications describe the rise of social media as a potential panacea for dwindling audiences, this book is unique in its recognition that participation has not, for the most part, affected the majority of museum practices. Using a number of global examples to describe and map the ways in which social media has been explored within communication programs, authors Russo and Kelly offer a window into the challenges which face future communication strategies and curatorial practices within museums. In this way new essential lessons for museum professionals, museum studies students, and potential collaborators are made accessible.

Museums, Social Inclusion, and Online Networks

The Disease of Boredom

Informations bibliographiques

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Informations bibliographiques

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