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"A beautiful love letter to Black joy, as a source of self-preservation and survival as well as a form of resistance"--

Cruz K: The Black Joy Project

The Black Joy Project

Class Pet Ghost Detective

An eight-year-old boy solves mysteries with the ghost of his former class pet, a naked mole rat, in this funny supernatural graphic novel series for early readers. The pet snake from the class next door is missing! Carter and his ghost detective sidekick, Mr. Pebbles, are back, and there’s a new mystery to solve at Creek Elementary. Carter’s older brother, JJ, reveals that his class pet, a skittish milk snake named Milkshake, is missing! Can Carter and Mr. Pebbles find her before they have another dead class pet on their hands?

Milkshake the Disappearing Milk Snake: A Graphic Novel

And Other Male Failures

Broken Biscuits

The (Hidden) Cost of Being a Black Writer

How to Sell Out

world of art

Origins, Practice, Reception

Impressionism

Transnational, Comparative, and Contemporary Approaches

Nation-Building and State-Making During the Filipino Third Republic, 1946-1960s

The 100-Year Struggle to Shape the American Economy

Marketcrafters

As an Irish-American family gathers for Thanksgiving weekend at their home on Long Island, they must confront the decades-old tragedy that haunts them all.

The Irish Goodbye

How a Nonbinary Minister Became America's Most Radical Revolutionary

Not Your Founding Father

The Monarch Files: A Monsterverse Manual

Biotechne: Interthinking Art, Science and Design

From the British Bauhaus to Cybernetics

Organic Modernism

Armenians in the Modern and Early Modern World

Armenians in Ethiopia

The Brass Band of the King

Scholars and contemporary artists reckon with decommissioned monuments, examining fraught narratives of the legacy of the Civil War and slavery as well as national identity in the United StatesThis volume features a selection of decommissioned monuments, many of them Confederate, presented alongside contemporary artworks that address American history and national identity. MONUMENTS, which accompanies the eponymous exhibition, marks the last several years of monument removals as a historic moment and aims to build a better understanding of our shared history and ideals, while holding the monuments accountable to the present. Featuring contributions by the exhibition curators, Bennett Simpson, Hamza Walker and Kara Walker, as well as scholars, poets and artists, the publication attends to the social, political, historical and art historical context of these monuments as well as the legacies of the people and events they commemorate. It includes additional essays by Sven Beckert, Emily Bingham, Thomas J. Brown, Karen Cox, Hilary N. Green, Grace Elizabeth Hale, Michael Lobel, Dani R. Merriman, Charmaine A. Nelson, Michael Ralph, Kirk Savage, Cherise Smith, Tsione Wolde-Michael and Dell Upton, and contributions by Derrick Austin, Mark Thomas Gibson, David Hartt, Ashley M. Jones, Melissa Lyttle and Kiki Petrosino. Artists include: Bethany Collins, Karon Davis, Abigail DeVille, Stan Douglas, Leonardo Drew, Torkwase Dyson, Kevin Jerome Everson, Nona Faustine, Jon Henry, Kahlil Robert Irving, Monument Lab, Walter Price, Martin Puryear, Andres Serrano, Cauleen Smith, Hank Willis Thomas, Davone Tines, Kara Walker. This book was published in association with The Museum of Contemporary Art, Los Angeles; The Brick.

MONUMENTS

The Black Joy Project

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