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S&unāō

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

Works of Giuseppe Verdi, Series I: Operas

Opera in Four Acts by Salvadore Cammarano, French Translation by Émilien Pacini

Le Trouvère

Topics in Musical Theatre

Orchestration in Musical Theatre offers an analytic and critical overview of the practice, execution, and effects of orchestration in musical theatre since the time that rock music became significant in the genre. Broadly described as the art of arranging a piece of music for a particular musical ensemble, orchestration is a specific skill that few composers or songwriters possess. This volume helps the reader understand and appreciate the art of orchestration and traces how the incorporation of rock and other types of popular music into scores for musical theatre on Broadway and in the West End fundamentally changed the genre's sound. From discussions of specific instrumentation through to a brief history of the art, this book demystifies how different instrumentation contributes to a show's soundscape. Featuring case studies from shows such as Hair, The Phantom of the Opera, The Lion King, Wicked, and Hamilton, this accessible and engaging volume in the Topics in Musical Theatre series gives students the tools to identify and discuss how orchestration contributes to the drama, characterization and dramaturgy of the modern musical.

Orchestration in Musical Theatre

Voice Junction

Weaving

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

The Music of the Gothic 1789–1820

for upper voices, SATB, and piano or chamber ensemble This vibrant nine-movement work unites upper- and mixed-voice choirs in a multi-faceted exploration of colour. A richly scored instrumental accompaniment, which may alternatively be performed by piano, helps to characterize each colour within the over-arching narrative of the value of your own self-expression.

The Rainbow

Fingernail Moon

Abracadabra Woodwind

Learn to play the saxophone with popular pieces - lessons and sheet music for beginners

The Way to Learn Through Songs and Tunes

Abracadabra Saxophone

In the deep

In the Silence of the Night

His eye is on the sparrow

Welsh Vocal Music: A Guide to Lyric Diction and Repertoire introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.

A Guide to Lyric Diction and Repertoire

Welsh Vocal Music

In Let Every Little Thing Make You Happy, singer-songwriter and TikTok sensation, Peach Martine delivers her uplifting, refreshingly honest and magnetic poems and lyrics, which have caught the attention of millions of fans across the globe.

Let Every Little Thing Make You Happy

Wanderlust

S&unāō

Informations bibliographiques

Mots-clés

Informations bibliographiques

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