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Sŭnāō

Three songs on the power of listening and connection with original Hindi texts by Reena Bhansali

Dancing Tree

A lively cultural history of the Broadway Musical that for the first time explores and reveals how this uniquely American art form was created almost exclusively by people who were marginalized from almost all other aspects of mainstream society - especially Immigrant, Jewish, Queer, African American, and female artists.

How Immigrant, Jewish, Queer, and Black Artists invented the Broadway Musical

Broadway Nation

New Horizons

A Song for St Cecilia

Essential Musicals

What was Broadway's first Jukebox Musical?What does 42nd Street have in common with Moulin Rouge! and Mamma Mia! ?Will Broadway ever fall out of love with the Jukebox Musical form?Essential Musicals: Jukebox Musicals defines what is meant by this much over-used term whilst taking care to draw a distinction between it and a revue. Taking a historical, survey approach it looks at when these shows first appeared on Broadway and how they become a dominant genre, offering a critical approach as to how something that used to be an anomaly is now the norm. Through a chronological look at 10 case studies this book asks questions related to rising production costs through to audience appeal behind bringing well-known catalogs of music to the stage. It ponders the question: is there a shortage of original music being written for the musical genre or is there something else at play? Examining the origins, development and reception for each of these shows it offers an academic discussion of the most divisive sub-genres of the musical form. Published in Methuen Drama's Essential Musicals series, this book is perfect for students of Musical Theatre, drawing together different resources to dig into the backstories of Broadway's biggest hits and mining the historical record for nuggets of information that illuminate our understanding and enhance our enjoyment of musical theatre's unique brand of magic.

Crazy for You to MJ the Musical

Jukebox Musicals

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

Christian Gerhaher, one of the most import contemporary singers, writes vividly of his performing life and the experiences that he has had in over thirty years with the great works of the history of the Lied, from Beethoven's 'An die ferne Geliebte' via Schubert's great cycles, Schumann's varied Lieder, and art songs from Gustav Mahler to Othmar Schoeck and Wolfgang Rihm. He reflects on what these Lieder mean, what makes each of them unique and how they should be performed. An essential addition to the canon of writing on singing.

Lieder from Franz Schubert to Wolfgang Rihm

Lyrical Diary

365 Songs Annotated

This Year

Elements in the Gothic

Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book.

The Music of the Gothic 1789–1820

Reimagining the American Musical

Opening Doors

Voice Junction

Weaving

Topics in Musical Theatre

Latinidad in Musical Theatre

Dives into the development of key, or "essential," musicals, providing an understanding not only of the process of creating a musical but also preserving the histories of these landmark shows.

Sŭnāō

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres sur ce thème