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Saunders B: Shut Out

Shut Out

The Game That Did Not Love Me Black

How Rogues, Geniuses, and Speed Freaks Reengineered F1 into the World's Fastest-Growing Sport

The Formula

"In this rich, intelligent, and witty memoir, the President and CEO of Essence Ventures-a woman with a defiant intuition who rejects cultural expectations and outside influence-tells how she charted her own destiny, offering inspiration and advice to help everyone on their own journey to becoming everything they were born to be. That confidence took her from interning at Target to becoming the company's Chief Diversity, Equity, and Inclusion Officer, and eventually to the top of Essence Ventures, where she has only magnified her reach. Oprah Winfrey once emotionally remarked that Wanga reminded her of the great Maya Angelou with the strength and clarity of her purpose and voice. But Wanga has faced challenges along the way, including losing her sense of identity and veering from living her purpose. Throughout the narrative, told in her raw, purposeful, yet humorous voice, she separates the person from the profession, to help us understand the sequence of all that transpired in her life and the lessons she discovered along the way"--

I'm Highly Percent Sure

NAMED A TOP BOOK OF 2024 BY AMAZON AND WASHINGTON POST“Hannah Durkin lets the enslaved speak for themselves, and they tell a story not only of unimaginable suffering but also of courage and survival.”—Wall Street Journal“The Survivors of the Clotilda, a comprehensive account of one of the most important parts of American history, is a triumph.”—Booklist (starred review)"A welcome history of defiance and survival."—Kirkus ReviewsJoining the ranks of Rebecca Skloot’s The Immortal Life of Henrietta Lacks and Zora Neale Hurston’s rediscovered classic Barracoon, an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil, told through the stories of its survivors—the last documented survivors of any slave ship—whose lives diverged and intersected in profound ways.The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860—more than half a century after the passage of a federal law banning the importation of captive Africans, and nine months before the beginning of the Civil War. The last of its survivors lived well into the twentieth century. They were the last witnesses to the final act of a terrible and significant period in world history.In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on her intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in what is modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile—an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston—to the foundation of the quilting community of Gee’s Bend—a Black artistic circle whose cultural influence remains enormous.An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.&nbsp;The Survivors of the Clotilda includes 30 artworks and photographs.

The Lost Stories of the Last Captives of the American Slave Trade

The Survivors of the Clotilda

Good Grief, Pass the Bread, Mom Is Dead

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

Five Extraordinary Black Men and the Worlds That Made Them

The Strangers

The incredible story of MOVE, the revolutionary Black civil liberties group that Philadelphia police bombed in 1985, killing 11 civilians—by one of the few people born into the organization, raised during the bombing's tumultuous aftermath, and entrusted with repairing what was left of his family."As necessary and powerful as it is captivating." –&nbsp;Michael Harriot,&nbsp;New York Times&nbsp;bestselling author of&nbsp;Black AF History"Searing and urgent." – Bakari Sellers, New York Times&nbsp;bestselling author of&nbsp;My Vanishing Country&nbsp;and&nbsp;The MomentBefore police dropped a bomb on a residential neighborhood on May 13, 1985, few people outside Philadelphia were aware that a Black-led civil liberties organization had taken root there. Founded in 1972 by a charismatic ideologue called John Africa, MOVE’s mission was to protect all forms of life from systemic oppression. They drew their ideology from the Black Panther Party and pre-dated animal and environmental rights groups like PETA and Earth First. MOVE emerged in an era when Black Philadelphians suffered under devastating policies brought by the long, doomed war in Vietnam, Mayor Frank Rizzo’s overtly racist police surveillance, and, eventually, President Ronald Reagan's War on Drugs. MOVE members lived together in a collection of West Philadelphia row houses and took the surname Africa out of admiration for the group's founder.But in MOVE's lifestyle, city officials saw threats to their status quo. Their bombing of MOVE homes shocked the nation and made international news. Eleven people were killed, including five children. And the City of Brotherly Love became known as the City That Bombed Itself.Among the children most affected by the bombing was Mike Africa Jr. Born in jail following a police attack on MOVE that led to his parents’ decades-long incarcerations, Mike was six years old and living with his grandmother when MOVE was bombed. In the ensuing years, Mike sought purpose in the ashes left behind. He began learning about the law as a teenager and became adept at speaking and inspiring public support with the help of other MOVE members. In 2018, at age 40, he finally succeeded in getting his parents released from prison.On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But it is not only one of tragedy. It is about coming-of-age for a young activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing personal account and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.

Philadelphia's Notorious Bombing and a Native Son's Lifelong Battle for Justice

On a Move

This Is Not About Running

Harnessing Resilience in the Face of Uncertainty

Faith Over Fear

How Uncovering My Family's History Set Me Free

I Am Nobody's Slave

A Memoir

Mainline Mama

The popular Washington Post contributing opinion columnist challenges readers to have uncomfortable conversations about race, drawing on the first-person perspectives of the author and Americans from diverse viewpoints and walks of life.“The United States claims to be a nation founded on an idea,” writes Theodore R. Johnson, “but Americans—even though we nod our heads to that assertion—do not agree on what that idea is, what it should do, or who it is for.” The reality is that America is facing an existential quandary. Its citizens do not share a common vision for a democratic system in action, and even worse, do not share a common vision for what the country should be. We use the same words, but do not speak the same language.If We Are Brave is a keen-eyed and sobering examination of this rift and how race exposes and challenges traditional conceptions of national identity, national mythology, and American democracy. It is both a cultural exploration and a consideration of the American experiment through the eyes and experiences of Americans of different generations that cuts across race, ethnicity, gender, region, religion, and class. Johnson reveals the subtle ways that racialized conceptions of the American identity and the imperfect culture of democracy have hindered our ability to connect with one another, carefully piecing together first-person accounts ranging from a Rust Belt diner to the back of a police car to a jail cell.A beautiful but harsh indictment of a nation that aspires to be a more perfect union yet has consistently and painfully fallen short, If We Were Brave is a portrait of a nation at the precipice. It is an eye-opening, essential resource in a pivotal election year which will define America’s future, and a much-needed beacon of truth that sheds a bright light on who we are.

Essays from Black Americana

If We Are Brave

Harper Perennial Olive Editions

“Superb. . . . A great American writer speaks with his own voice about matters that still resonate at the center of our lives.”—New York Times Book ReviewCelebrating its eightieth anniversary, Richard Wright’s eloquent autobiography about growing up in the Jim Crow South that gives unique voice to being Southern, black, and male in early 20th century America—now available as a special Harper Perennial Olive Edition.When Black Boy exploded onto the literary scene in 1945, it was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races,” and continues to remain controversial, coming under the scrutiny of censors today who are banning an alarming number of books.Wright’s celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive it while Black. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he made his way north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Eighty year later, his words continue to reverberate.One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a pioneering literary work that still illuminates our own time.Harper Perennial Olive Editions are exclusive small-format editions of some of our bestselling and celebrated titles, and feature unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only.

Black Boy

Shut Out

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