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Feldman Marian H.: Remembering and
Forgetting in Ancient Mesopotamia

Remembering and Forgetting in Ancient Mesopotamia

Ziggurats, Royal Sculpture, and the Shaping of the Akkadian Legacy During the Ur III Period

Fabrication, Forgery, and the Art of Islamic Ceramics

Invisible Hands

The Basics

Middle East Conflicts: The Basics is an accessible and balanced introduction to the various conflicts which have plagued the Middle East since the Second World War. It examines the cultural, social and geographical dimensions of the region to identify the fundamentals fuelling tension in the region to explain to start and evolution of its major conflicts. It examines such events as:<ul> <li>The Arab-Israeli Conflict</li> <li>Proxy wars between the United States and Soviet Union</li> <li>The invasion of Kuwait by Iraq</li> <li>The War on Terror</li> <li>The Arab Spring</li> </ul>With case studies of conflicts, maps of the region, a glossary of key terms and tables of comparative features, Middle East Conflicts: The Basics provides a firm foundation for all those approaching the study of conflicts in the Middle East for the first time.

Middle East Conflicts: The Basics

The Routledge Companion to Contemporary Art Histories and Globalisation

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

An indispensable guide to the major monuments of the period - earthen and stone castles, moated sites, villages, towns, cathedrals, churches, tower houses, pottery kilns and mills.

The Archaeology of Medieval Ireland

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Bollingen Series

Its Mythology and Transformations, Volume 1 (Text)

The Art of Indian Asia

Cities of the Ancient World

Cádiz presents a synthesis of the history of the city from its foundation by the Phoencians until the death of Franco in 1975, building upon recent developments in archaeological fieldwork and historical research. Two themes run through the book: the relationship of Cádiz to Andalucía, and its role as a nexus point between the Iberian Peninsula and the wider world, both the Mediterranean and Atlantic.Cádiz is the first full, scholarly treatment of the history of this fascinating city, from its origins as Gadir through to the 20th century.

Cádiz

The Lost Voices of Pompeii

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Its Mythology and Transformations, Volume 2 (Plates)

Remembering and Forgetting in Ancient Mesopotamia

Informations bibliographiques

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