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Munby Jonathan: Public Enemies, Public
Heroes

Public Enemies, Public Heroes

Screening the Gangster from Little Caesar to Touch of Evil

This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

Reading Joshua Oppenheimer’s Diptych: The Act of Killing and The Look of Silence

On the Act of Looking

Ethics, Information, and Technology

The 400-Year Fight to End Slavery in the Americas

The Great Resistance

Rewrites the history of the development of film and TV industries and cultures through questions of gender during the critical decade of the 1970s Spain.

Leading Women in Spanish Cinema and Television, 1970-1980

1820-2025

A History of Iran-US Relations

The Story of the American Indian

From the Past to the Present

The Story of the Crow Indians

Cinema Two

Hirokazu Koreeda

Histories of the Modern Nations

The History of the United States

The Lamar Series in Western History

How a generation of pioneers and their historians knowingly hid the violent history of Indigenous dispossession in the Pacific Northwest &nbsp; The small, mostly forgotten wars of the 1850s in the American Pacific Northwest were part of a broader genocidal war—the War on Illahee—to seize Native land for Euro-Americans. Illahee (a term for “homeland” in Chinook) was turned into the states of Oregon and Washington through the violence of invading soldiers, settlers, and serial killers. Clashes over the brutality of invasion—should it be celebrated, isolated, or erased?—left behind accidental archives of atrocity, as history writers disagreed over which stories they should tell and which stories they could sell. By the 1920s, the War on Illahee had been disappeared. &nbsp; Drawing on records from the perpetrators themselves, the papers of historians, and previously suppressed evidence from Indigenous survivors, Marc James Carpenter has written both a new history of pioneer atrocities within and beyond the wars on Native people in the American Pacific Northwest, and a new history of how these wars were remembered, commemorated, and forgotten. The overlapping distortions have embedded inaccuracies in our histories and textbooks all the way to the present. Beyond reshaping the history of the Pacific Northwest, this searing book opens broader conversations about settler colonialism, historical memory, problematic monuments, and the historical profession.

Public Enemies, Public Heroes

Informations bibliographiques

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Informations bibliographiques

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