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Orcutt Kimberly: Power and Posterity

Power and Posterity

American Art at Philadelphia’s 1876 Centennial Exhibition

Perspectives in Economic and Social History

Prostitution in Los Angeles has a long history. The story of its evolution from a red-light district run by women to a corporate vice industry dominated by men tells us much about the development of urban America. Kooistra examines race and gender dynamics alongside issues of government and police corruption, commerce and larger changes in society.

Gender and the Business of Prostitution in Los Angeles, 1850–1940

The Hossein Afshar Collection

This expansive book considers twelve centuries of Persian ceramics through the lens of the extraordinary Hossein Afshar Collection

Persian Ceramics from the Hossein Afshar Collection

Constant Splendor

Hart Studies in Information Law and Regulation

Provides a clear understanding of data protection and privacy and examines their social value amid political struggles and the AI revolution.

Legal and Philosophical Perspectives

Conceptions of Data Protection and Privacy

Art as worldmaking is both a tribute to the distinguished art historian Alex Potts and a searching response to his important work on realism as a critical aesthetic, most notably the 2013 book Experiments in modern realism. The collection comprises twenty original essays by leading scholars in the field, written from a variety of theoretical and critical perspectives. They test Potts's recasting of realism, developed primarily through interpretations of European and American postwar art, against art produced in different media, places and periods, from eighth-century Chinese gardens to twenty-first-century video work by the Russian collective Radek Community. Individual chapters offer novel readings of classic instances of pictorial realism by Menzel and Eakins, and reconsider the question of nineteenth-century realism's historical antecedents. Overall, though, the volume has a contemporary orientation, in that it is concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. Featuring contributions from T. J. Clark, Thomas Crow, Briony Fer, Tamar Garb, Lisa Tickner and Anne M. Wagner, along with other established and emerging scholars, Art as worldmaking is a bold contribution to a central question in art theory and history. It is compelling reading for anyone concerned with art's truth value, or more broadly with conceptual problems of representation and the intersections of art and politics.

Critical Essays on Realism and Naturalism

Art as Worldmaking

New Directions in Critical Criminology

Drawing on a range of approaches including conflict, critical race, and social control theories, this book provides a comprehensive theoretical review of the need for a critical historical intersectional theory of policing and race.

Policing and Race

The Achilles Trap masterfully untangles the people, ploys of power and geopolitics that led to America's disastrous war with Iraq and, for the first time, details America's fundamental miscalculations during its ruinous, decades-long relationship with Saddam Hussein. Beginning with Saddam's rise to power in 1979 and the birth of Iraq's secret nuclear weapons programme, Steve Coll traces Saddam's motives through understanding his inner circle. He brings to life the diplomats, scientists, family members and generals who had no choice but to defer to their leader - a leader directly responsible for the deaths of hundreds of thousands of Iraqis, as well as the torture or imprisonment of many more. This was a man whose reasoning was impossible to reduce to a simple explanation, and the CIA and successive presidential administrations failed to grasp critical nuances in his paranoia, resentments and inconsistencies - even when the stakes were incredibly high. Using unpublished and underreported sources, interviews with surviving participants, and Saddam's own transcripts and audio files, The Achilles Trap is a remarkable picture of a dictator who was convinced the world was out to get him and acted accordingly. A work of great historical significance, it is the definitive account of how corruptions of power, lies of diplomacy and vanity - on both sides - led to avoidable errors of statecraft: ones that would enact immeasurable human suffering and forever change our political landscape.

Saddam Hussein, the United States and the Middle East, 1979-2003

The Achilles Trap

A definitive six-volume catalogue raisonné documenting the entire body of paintings made by Amedeo Modigliani

Catalogue Raisonne of Painting

Amedeo Modigliani

Why Our Christian Cultural History Matters

Wrapped in Beauty

Routledge New Religions

A Companion to Adidam brings together a half-dozen scholars of New Religious Movements (NRMs) with a half-dozen of the many academic followers of Adi Da to produce a comprehensive study of a highly creative alternative spiritual group. Though new religion specialists have been aware of this group for decades, and though Adi Da and his organization are generally acknowledged to be important, there have been no prior book-length treatments of this group, and few articles. This is the first published research on the current organization, its membership and the extensive corpus of literary and artistic works that Adi Da created over the past two dozen years.

Perspectives on a New Spiritual Tradition

A Companion to Adidam

Where slaves became drag queens - and changed the world

The House of Swann

The Lamar Series in Western History

How a generation of pioneers and their historians knowingly hid the violent history of Indigenous dispossession in the Pacific Northwest &nbsp; The small, mostly forgotten wars of the 1850s in the American Pacific Northwest were part of a broader genocidal war—the War on Illahee—to seize Native land for Euro-Americans. Illahee (a term for “homeland” in Chinook) was turned into the states of Oregon and Washington through the violence of invading soldiers, settlers, and serial killers. Clashes over the brutality of invasion—should it be celebrated, isolated, or erased?—left behind accidental archives of atrocity, as history writers disagreed over which stories they should tell and which stories they could sell. By the 1920s, the War on Illahee had been disappeared. &nbsp; Drawing on records from the perpetrators themselves, the papers of historians, and previously suppressed evidence from Indigenous survivors, Marc James Carpenter has written both a new history of pioneer atrocities within and beyond the wars on Native people in the American Pacific Northwest, and a new history of how these wars were remembered, commemorated, and forgotten. The overlapping distortions have embedded inaccuracies in our histories and textbooks all the way to the present. Beyond reshaping the history of the Pacific Northwest, this searing book opens broader conversations about settler colonialism, historical memory, problematic monuments, and the historical profession.

Genocide, Complicity, and Cover-Ups in the Pioneer Northwest

The War on Illahee

Michael Mann Project 2

Power and Posterity

Informations bibliographiques

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