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Girouard Blanche: Wrapped in Beauty

Wrapped in Beauty

Why Our Christian Cultural History Matters

Religion and Reason

A Sociological Outline

The Evolution of Religion

The book seeks to move forward debates on postsecularity as conceived by Habermas et.al. which recognise that, contrary to secular expectations, religion persists. The study is unique in exploring the irruptions (external breakthroughs) that unsettle secularisation and which give rise to postsecularisation. This shift has rendered sociology vulnerable to some unexpected theological considerations, some of which are explored in the study. Topics considered in the study, which make it accessible, include: dilemmas of naming; emotions and the visual; martyrdom and theodicy. Each of these has irruptive properties that force sociology to reconsider its theological debts. Postsecularity has become a fashionable term, but one which needs to be fleshed out and this study grasps a moment of opportunity to do so, which renders it original.

Postsecularity and Sociology

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Victims, Culture and Society

Criminalising Sex Outside Marriage

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

While Tÿbingen theologian Eberhard Jÿngel's theology remains broadly influential in Continental Europe, his work has largely been overlooked by Anglo-American readers interested in modern Protestantism. There are, however, signs that this trend is changing, as several dissertations, specialist monographs, and popular blog-sites have appeared recently that are devoted to Jÿngel's thought. There is thus a growing audience for the proposed study, which will be the first up-to-date, English-language, general introduction to Jÿngel's theology to appear in three decades. Nelson offers an interpretation of Jÿngel's theology that is unique.

Theologian of the Interruptive Word

Eberhard Jüngel

Ayurveda, Spirituality and Healing examines the changes undergone by the South Asian health-care tradition, Ayurveda, as a result of its assimilation into the Western holistic health milieu over the last four decades. It explores the ways in which the mind-body-spirit sector in the West, with its focus on seekership, spirituality, and self-empowerment through self-understanding, shapes Ayurveda's interpretation, promotion and practice in modern transnational Anglophone contexts. As with other Eastern traditions that have gained popularity in the West in recent times, 'globalised' Ayurveda has generated a host of competing discourses on what constitutes 'authentic' tradition, and whether Western forms of this tradition can be considered legitimate. This book makes a unique contribution to the scholarship on the subject by arguing that the new forms of Ayurveda in the Western holistic health milieu must be taken seriously, not dismissed as 'inauthentic', or measured against traditional South Asian forms of Ayurveda. These new manifestations reflect the particular concerns of 'alternative' health practitioners in late-capitalist contexts in the West, who draw upon this tradition in creative and expedient ways to address the perceived needs of their times.

The Globalisation of an Ancient Health Tradition

Ayurveda, Spirituality and Well-being

The first major biography on artist Louise Bourgeois brings the life and work of an iconic twentieth-century artist into sharp focus &nbsp; Louise Bourgeois (1911–2010) was one of the most important artists of the twentieth century. She is known for a body of work that spans sculpture, painting, and printmaking but eludes any aesthetic classification. Her life and art were so intertwined that it is often difficult to tell them apart. In her own words: “Sculpture is the body. My body is the sculpture.” &nbsp; Marie-Laure Bernadac’s biography of Bourgeois traces the career of a great artist, her training, and her influences, as it tells the story of an exceptional woman’s life. Featuring personal photographs as well as reproductions of her work, this landmark publication is the first major biography to draw on the artist’s unpublished personal archives, including diaries, correspondence, and psychoanalytic writings, as well as the many interviews she gave and the reminiscences of those who knew her. Bernadac elucidates Bourgeois’s friendships and rivalries with other major figures, including sculptor Louise Nevelson and Museum of Modern Art director Alfred H. Barr Jr. She also draws on Bourgeois’s well-known fascination with psychoanalysis to explore the deeply autobiographical nature of her artwork. This erudite and keenly insightful biography pays tribute to the talent of the artist and the complexity of the person.

The Life of Louise Bourgeois

Knife-Woman

Evangelical Religion and the Problem of Race in America, Second Edition

Divided by Faith

The Hossein Afshar Collection

This expansive book considers twelve centuries of Persian ceramics through the lens of the extraordinary Hossein Afshar Collection

Persian Ceramics from the Hossein Afshar Collection

Constant Splendor

A major reevaluation of a towering figure in twentieth-century art and the relationship of his sculpture to the crisis of nationalism in modern Europe &nbsp; Figures of Crisis examines the neglected decade of artwork that separates the surrealist experiments of Swiss artist Alberto Giacometti (1901–1966) from his iconic postwar sculptures, revealing the connection between a famous artistic crisis in modern art and the crisis of national identity in modern Europe. In 1935, Giacometti abruptly abandoned his early abstract objects and devoted himself to sculpting portrait busts and minuscule figurines, many no larger than a fingernail. Joanna Fiduccia reimagines this fragmentary and inconspicuous body of work as the pivotal phase in his career, which registered the erosion of interwar democratic values and the searching questions this period posed for the future of modern sculpture. &nbsp; Challenging previous explanations of Giacometti’s return to figuration, Fiduccia argues that his figures gave form to the experience of social breakdown during the rise of fascism through their turbulent surfaces, unsettling generality, dramatic reduction of scale, and compulsive repetition. This fresh account, told through the philosophical, political, and aesthetic thought of Giacometti’s time, shows how ideologies of nationalism generated the problems of selfhood at the heart of modernism.

Alberto Giacometti and the Myths of Nationalism

Figures of Crisis

Wrapped in Beauty

Informations bibliographiques

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