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Pistorius J: Postcolonial Opera

Postcolonial Opera

William Kentridge and the Unbounded Work of Art

Mixing in Flow is a focused guide for mix engineers who are familiar with the basics of mixing and now seek greater consistency and refinement in their work. This book picks up where many mixers experience a plateau -when they know the mechanics but struggle with inconsistent or lacklustre results.

A Critical Approach to Mixing Sound

Mixing in Flow

The Music of Bob Dylan

What Did You Hear?

Ashgate Popular and Folk Music Series

Popular Music in Spanish Cinema analyses the aesthetics and stylistic development of soundtracks from national productions, considering how political instability and cultural diversity in Spain determined the ways of making art and managing culture.

Popular Music in Spanish Cinema

Pop Icons

The Life, Style and Music of Charli XCX

Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way. Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde. Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as The Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics makes complex demands of a Broadway audience, challenging its desire for escapist entertainment, devoid of critical self-reflection, to becomes complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.

The Theatre of Kander and Ebb

Planet Clash

33 1/3 Europe

Phaedra was the album that saw Tangerine Dream move from relative obscurity to mainstream success. Championed by broadcaster John Peel, they reached the attention of Richard Branson and signed a deal for five albums with the Virgin label. Phaedra, released in 1974, was the first of these. It still sounds startlingly innovative, fusing what were then the latest synthesizer technologies with instruments including a Mellotron, organ, electric piano, guitar and flute. The use of sequencers to create rhythmic patterns was a new sonic experience for most listeners, while the processing of all the instruments through reverb and delay helped to create a template for ambience and atmosphere that still continues to influence music today. This book explores Phaedra in the context of the wave of experimental creativity in German music in the 1970s and the part the album played in the emergence of Kosmiche Musik, cosmic music, in 1970s West Germany.

Tangerine Dream's Phaedra

Composers Across Cultures

This is the first major biography of African American composer, pianist, and activist Margaret Bonds. It draws on extensive archival research to correct numerous misconceptions large and small about her and offers an account of her life and work that is detailed, yet accessible to scholars and non-specialists alike. Author John Michael Cooper places emphasis on identifying the cultural, familial, political, and racial factors that motivated Bonds as she rose from being a child prodigy from Chicago's South side to international renown. Special features are new insights into the chronology and nature of Bonds's collaborative friendships with contemporary notables including Langston Hughes, and a concluding survey of her hundreds of works categorized by genre. 

In response to the increasing globalization of music, the Composers across Cultures series, formerly the Master Musicians series, seeks to explore the inexhaustible diversity of music, and its common links to our shared humanity.

Margaret Bonds

The AI Music Problem: Why Machine Learning Conflicts With Musical Creativity asks why producing and constructing music is difficult for AI, with an investigation that straddles the technical, the musical, and the aesthetic.

Why Machine Learning Conflicts With Musical Creativity

The AI Music Problem

New Approaches to Sound, Music, and Media

"An exploration of YouTube as a platform for remix, reuse, and sampling"--

Repeatable Culture, YouTube and Music

Remediating Sound

Cambridge Companions to Music

"A multi-disciplinary, contemporary analysis of one of the most important musicals of the twentieth century. Leading scholars in music, theatre, dance, literature, and performance introduce the history, creation, content, and legacy of West Side Story, and its cultural contexts and challenges, including class, colourism, and race"--

The Cambridge Companion to West Side Story

The Beatles are known for cheeky punchlines, but understanding their humor goes beyond laughing at John Lennon's memorable "rattle your jewelry" dig at the Royal Variety Performance in 1963. From the beginning, the Beatles' music was full of wordplay and winks, guided by comedic influences ranging from rhythm and blues, British radio, and the Liverpool pub scene. Gifted with timing and deadpan wit, the band habitually relied on irony, sarcasm, and nonsense. Early jokes revealed an aptitude for improvisation and self-awareness, techniques honed throughout the 1960s and into solo careers. Experts in the art of play, including musical experimentation, the Beatles' shared sense of humor is a key ingredient to their appeal during the 1960s-and to their endurance. The Beatles and Humour offers innovative takes on the serious art of Beatle fun, an instrument of social, political, and economic critique. Chapters also situate the band alongside British and non-British predecessors and collaborators, such as Billy Preston and Yoko Ono, uncovering diverse components and unexpected effects of the Beatles' output.

Mockers, Funny Papers, and Other Play

The Beatles and Humour

Postcolonial Opera

Informations bibliographiques

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Informations bibliographiques

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