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Oletha DeVane: Spectrum of Light and
Spirit

Oletha DeVane: Spectrum of Light and Spirit

<div>Ten beautifully illustrated essays tell the stories of handcrafted objects and their makers, providing inspiration and insight into Black history and craftsmanship.</div>

A Short History of Black Craft in Ten Objects

From his early self-portraits to his site-specific installations, this volume underscores Rashid Johnson's fearless engagement with the central themes, questions and aesthetics of the contemporary eraCo-organized by the Guggenheim New York and the Modern Art Museum of Fort Worth, A Poem for Deep Thinkers is a three-decade survey of Rashid Johnson's artistic career. It situates the artist within three interconnected spheres: as a scholar of art history; as a mediator of Black popular culture and its widespread commodification; and as an artist engaged with the globalization of contemporary art. The exhibition and accompanying catalog feature nearly 90 artworks, including early photographs, Cosmic Slops, spray-painted text works, collage paintings, Broken Men mosaics, film projects, and key sculptures and installations that incorporate materials such as shea butter, black soap, plants, ceramic vessels and wax. These explorations demonstrate Johnson's uncommon fluency with multiple materials and forms as well as a nuanced ability to synthesize the condition of the human psyche. Lavishly produced with gold block edges and illustrated with more than 200 images, the publication offers creative meditations on excerpts by literary icons Toni Morrison, Gwendolyn Brooks, Jean Genet, Paul Beatty and Amiri Baraka, interspersed among insightful essays and an interview that further illuminate Johnson's work. Born and raised in Chicago, Rashid Johnson (born 1977) received fine arts degrees from Columbia College Chicago and the School of the Art Institute of Chicago. At the age of 24, his work was included in Thelma Golden's 2001 exhibition Freestyle at the Studio Museum in Harlem. Johnson made his directorial debut with his 2019 adaptation of Richard Wright's Native Son.

Rashid Johnson: A Poem for Deep Thinkers

Phaidon Contemporary Artists Series

The first monograph on Jordan Casteel, one of the most critically acclaimed artists working today

Jordan Casteel

An exploration of the rich history of printmaking at Cleveland’s Karamu House, a center of Black arts, culture, and community since 1915

Printmaking, Race, and Community

Karamu Artists Inc

The first major and only available collection from John Farris, a seminal Black voice in downtown New York City poetry, featuring his final poems transcribed and in manuscript form, along with the self-portraits and drawings he made at the same time. "Here! This book proves it! John Farris reigns! All hail the Poet Laureate of the Lower East Side!" —BOB HOLMAN "John Farris' poetry masterfully demonstrates the unifying principles of jazz improvisation and poetic transcendence." —DAVID HENDERSON “The muses themselves draw inspiration from John Farris.” —DARIUS JAMES “There is a hidden blessing in knowing John Farris… deeply hidden.” —DAVID HAMMONS “I’ve only heard John Farris’ poems read to me by the poet himself, late at night, out on the street—poems pulled from his pockets and fresh from his head, dissolving beautifully into the darkness. And now I have them in my hands!” —JIM JARMUSCH John Farris (1940–2016) was the ultimate gadfly of the New York poetry scene, a universally known and revered genius. Author of the small press novel The Ass’s Tale (Autonomedia, 2010) and poetry collection It’s Not About Time (Fly By Night Press, 1993), these Last Poems are his first widely available works. A collection of drawings along with facsimile and transcribed poems from the end of his life, these documents were unearthed by AE founders Nicodemus Nicoludis and Chris Molnar (who lived next door to Farris during the last years of his life) along with the artist Andrew Castrucci, who co-founded the Bullet Space Urban Arts Collective. It’s a profound monument to a poet who resolutely lived on the margins, and whose voice is all the more important because of it. It’s some of his best work, short and elegiac but with the unexpected wit and sharpness and kaleidoscopic frame of reference typical of Farris. This is the first collection of many that doubtless will appear from his unpublished, uncollected work, a lifetime’s worth written in defiance of the bullshit, searching for the real unwritten truth—as one poem goes, in its entirety: some- thing’s out there- aft (her the uni- verse). The verse is yet.

Last Poems

A Hollywood history told from the perspective of those that fought for diversity, inclusion and acknowledgement.

The battle for recognition in a white Hollywood

Hollywood Blackout

The first survey of Joe Overstreet, abstract painter of the Black Arts Movement and forecaster of Afrofuturism

Taking Flight

Joe Overstreet

Unto Thee

Theaster Gates

Documents of Twentieth-Century Art

"Collectively, these texts open a lens to the artists' memories, artistic processes, travels, racial conflicts, artworld protests, organizational formations, feminist art histories, and philosophical orientations. Lisa Farrington has conceptualized an unprecedented anthology in the voices of Black artists and scholars who have made an impact in art, its history and criticism, and philosophical discourse worldwide."--Freida High Wasikhongo Tesfagiorgis, artist and art historian

Black Artists in Their Own Words

"Through paintings, sculptures, drawings and more, John Wilson's work foregrounds the human experience and refuses invisibility."--Provided by publisher.

John Wilson: Witnessing Humanity

A long-form collaborative exploration of images and their enduring traces on the American landscapeIn 2012, Leslie Hewitt (born 1977) and Bradford Young (born 1977) produced Untitled (Structures), a series of silent, nonlinear film vignettes that grew out of an invitation from the Menil Collection, Houston, to consider the museum's civil rights-era photograph collection. The invitation, which inspired years of research into the aftereffects of the Great Migration, the civil rights movement and the ongoing struggle for human rights, prompted Hewitt and Young to shoot new work in Chicago, Memphis and Arkansas in an array of important sites, found and not found in the museum's photographs. Exposing the tensions between still photography and moving images, Hewitt and Young's project interrogates the ways in which history is embedded in contemporary topographic, corporeal and psychological landscapes. Taking the film as its point of departure, this publication furthers the artists' inquiries into the project's poetic and political themes, including psychogeography, anti-monumentalism and the intersections of image, memory and architecture.

Leslie Hewitt and Bradford Young: Untitled (Structures)

An Encyclopedia of Arts, Culture, and History [2 volumes]

The Harlem Renaissance

Oletha DeVane: Spectrum of Light and Spirit

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