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Nina Chanel Abney: Big Butch
Energy/Synergy

Nina Chanel Abney: Big Butch Energy/Synergy

world of art

Origins, Practice, Reception

Impressionism

A fascinating biography of the philanthropist Albert Barnes, whose pioneering collection of modern art was meant to transform America’s soulFrom prominent critic and biographer Blake Gopnik comes a compelling new portrait of America’s first great collector of modern art, Albert Coombs Barnes. Raised in a Philadelphia slum shortly after the Civil War, Barnes rose to earn a medical degree and then made a fortune from a pioneering antiseptic treatment for newborns. Never losing sight of the working-class neighbors of his youth, Barnes&nbsp;became a ruthless advocate for their rights and needs. His vast art collection—181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos—was dedicated to enriching their cultural lives. A miner was more likely to get access than a mine owner.Gopnik’s meticulous research reveals Barnes as a fierce advocate for the egalitarian ideals of his era’s progressive movement. But while his friends in the movement worked to reshape American society, Barnes wanted to transform the nation’s aesthetic life, taking art out of the hands of the elite and making it available to the average American.The Maverick’s Museum&nbsp;offers a vivid picture of one of America’s great eccentrics. The sheer ferocity of Barnes’s democratic ambitions left him with more enemies than allies among people of all classes, but for a circle of intimates, he was a model of intelligence, generosity, and loyalty. In this compelling portrait, Gopnik reveals a life shaped by contradictions, one that left a lasting impact.

Albert Barnes and His American Dream

The Maverick's Museum

A poignant new memoir from National Book Award–nominee Iliana Regan, author of Burn the Place and Fieldwork, and Michelin star–winning chef.

A Memoir

The Folklorists

Unheard Reciprocity, Resonant Relationality, and Aural Confluence

Sonic Perspectives from the Global Souths

A powerful graphic memoir about the year Alex London became a skeet shooting champion and nearly lost everything. This is a story of how we survive—together. Pull&nbsp;is for readers of&nbsp;Hey Kiddo&nbsp;by Jarrett Krosoczka,&nbsp;Ducks&nbsp;by Kate Beaton, and&nbsp;Flamer&nbsp;by Mike Curato.When he was fifteen, Alex London was keeping a secret. He kept it from his friends, from his conservative prep school, and from his family. Especially his dad, who tried so hard to connect with him, even as Alex pulled away. They seemed to have so little in common. Until his dad gave him a shotgun. On the skeet shooting range, that gun brought him closer to his dad, closer to feeling like a man, and to his first feelings of real excellence. But it didn’t make him brave enough to stop hiding who he really was. And it didn’t stop him from fearing what would happen if he was found out. His gun offered another solution. One that was irreversible, irrevocable, and terrifying, just a trigger pull away. A trigger pull he couldn’t stop thinking about.Pull&nbsp;is the memoir of acclaimed author Alex London, strikingly illustrated in an impactful two-color format by comic artist L. Fury, illustrator of Run by John Lewis.

A Memoir of a Boy, His Dad, and the Gun Between Them: A Graphic Memoir

Pull

Mark Klett and William L. Fox: Marshall Islands

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

Moving beyond his well-known monumental installations of tables and chairs, this tribute to Robert Therrien analyzes his understudied later worksThis book presents a fresh, accessible and dynamic look at the work of American artist Robert Therrien (1947-2019), surveying over 40 years of his influential work, notably his underseen and understudied late works. Organized chronologically and thematically, emphasizing Therrien's iterative artistic practice of exploring sets of themes over time, the volume speaks to the nature of memory and how it is shaped by space, time and materials, placing his practice within the history of recent sculpture in Los Angeles and elsewhere. The book showcases Therrien's personal vocabulary of forms as they become a personal language of continuous creation for the artist over time. A single Therrien gesture can expand, contract, change materially or seamlessly transform into other images entirely. At the heart of Therrien's practice is a sense of artistic animation, by turns fun, playful and serious. This book was published in association with The Broad.

Nina Chanel Abney: Big Butch Energy/Synergy

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