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Christopher Matthew: Nigel

Nigel

An anthology of poetry on Nikkei incarceration, written by descendants of the WWII prisons and camps 
A tribute to the 150,000 people harmed by the United States and Canada during WWII, this anthology is the first of its kind. The poetry expresses a range of experiences and perspectives from the afterlife of this historical yet enduring injustice. With a foreword by acclaimed poet, activist, and concentration camp survivor, Mitsuye Yamada, and an introduction by the editors, poets Brynn Saito and Brandon Shimoda, The Gate of Memory explores intergenerational trauma as the contributors, all of whom are descendants of those who were incarcerated, sift through an intimate record of wartime incarceration. 
Contributors to this anthology include poets of Japanese American, Japanese Canadian, Okinawan American, Okinawan Canadian, Japanese Hawaiian, Alaska Native, mixed race Nikkei, and Japanese descent. Their poems reimagine, reinhabit, and retell the story of incarceration while embodying its many legacies, through a diversity of modes and themes, creating a panoramic portrait of anti-Asian racism, assimilation, loyalty, resistance, and redemption. The anthology illuminates individual perspectives and reveals collective experience. It insists upon the imperative of poetry in the processes of solidarity and transgenerational healing.

Poems by Descendants of Nikkei Wartime Incarceration

The Gate of Memory

"In this book, Meredith Martin presents a historical account of prosodic criticism and, through the example of her own research path, argues for new scholarly practices in literary studies and the humanities more broadly. Challenging the common scholarly practice of emphasizing one critical narrative, one pathway through history or one author's reading, the book traces three arcs: the effects of the major shift in the late twentieth century from print-based to digital resources in scholarship with the emergence of the World Wide Web; Martin's experience as a scholar who coordinated a digital project about the history of the study of poetry, which led to the creation of the Princeton Prosody Archive and the founding of Princeton's Center for Digital Humanities (CDH); and the mix of computational and aesthetic elements in the study of prosody, including the study of versification and meter, in the broader context of English literary study as a discipline. Across these three arcs, Martin argues that scholars must take seriously the idea of digital media as mediation, through which textual forms are transformed into data and delivered to us via data structures, and that our reading of historical texts in digital forms must reckon with these mediations. She also demonstrates the connection between the intellectual labor of studying prosody-or any historical object-and the intellectual labor of fostering a collaborative research process. "This is a book," she writes, "about the shifting grounds of knowledge production in the digital age, and how we might situate ourselves amid these shifts by returning to, of all things, poetry.""--

Digital Humanities and the History of Prosody

Poetry's Data

A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine. 
Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the "power to narrate," as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation. 
HEAVEN LOOKS LIKE US is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.

Palestinian Poetry

HEAVEN LOOKS LIKE US

Christmas Poem 2025

**Winner of the Paterson Poetry Prize****Longlisted for the Griffin Prize and the Massachusetts Book Award****Soon to be adapted for screen by Lena Waithe and Warner Bros.**An award-winning collection and novella exploring the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthoodAcross three sequences, Joshua Bennett's new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, "The Book of Mycah," features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born. Praise for Joshua Bennett'One of the brightest intellectual and political thinkers of a new generation' Jesse McCarthy'Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic' New Yorker'Joshua Bennett's astounding, dolorous, rejoicing voice is indispensable' Tracy K Smith

The Study of Human Life

"A collection of poems by Traci Brimhall"--

Love Prodigal

A John Murray Original

No Obvious Distress

A visionary anthology that examines and reimagines the archive as a form of collective&nbsp;record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices.Inspired by Naima Yael Tokunow’s research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring “possibilities for speculating beyond recorded multiplicity.”

Permanent Record

'Powerful, capacious and profound' OCEAN VUONG'A book you won't soon forget' ILYA KAMINSKY'Astonishing' TERRANCE HAYESLONGLISTED FOR THE 2025 DYLAN THOMAS PRIZE

Forest of Noise

TERROR COUNTER is a debut collection of poems which acts against the many languages—interpersonal, legal, literary, rhetorical—constricting the lives and meanings of Palestinians.
It moves through sections of varying experimentalism, from an invented visual form (the Gazan Tunnel) to all-caps queer ecstatic, attempting to carve out a space for the negotiation of an alternative subjecthood.
The voices in this collection are driven by despair, futility, utopia, vulnerability and the spirit of a collective liberation; they move in search of a lyrical voice which can inhabit both the paranoid preservationist mode that facilitates Palestinian survival, and the imaginative possibilities that might make possible Palestinian life. TERROR COUNTER asks: where and how might a Palestinian subject escape the public consumption of American letters? And, ultimately, how can we continue to love each other amidst the endless terror of the colonial world?

TERROR COUNTER

'Gayl Jones's work represents a watershed in American literature . . . her truth-telling, filled with beauty, tragedy, humour and incisiveness, is unmatched' Imani Perry Two epic poems brimming with intimacy, history and revolution, from the acclaimed writer of Palmares and Corregidora. When the Portuguese attack Palmares, Brazil's last fugitive slave enclave, Almeyda and her husband are separated as they flee from the destruction. Amid the flight and re-enslavement of the inhabitants, their narrative emerges. Two powerful poems give voice to the lovers: Almeyda's passionate lament for Anninho, whom she believes has been killed, is combined with his response as he searches for her. Their story is one of longing - for each other, for freedom - and for revolution. 'A once-in-a-lifetime work of literature, the kind that changes your understanding of the world' Yara Rodrigues Fowler on Palmares 'Page after breathtaking page, her prose is intricate, mesmerizing, and endlessly inventive' Deesha Philyaw on Palmares 'Jones's writing powerfully blends narrative and lyricism' Margo Jefferson

Song for Almeyda and Song for Anninho

A piercing debut about how we are made, how we get lost and how we find new selves. Framed by the story of escape from a toxic marriage, Chaotic Good focuses on the incremental ways in which power accumulates, shifts and is relinquished within both home and community. Incisive, rigorous and artful, Isabelle Baafi reminds us of the importance of self-determination, and how, when we feel most eroded, we might discover what we need deep within ourselves: 'This time and every time, I was the code I needed to find my way back.''With sure formal dexterity and an exciting precision of lyrical imagining, Baafi explores the complicated pathways of suspicion and uncertainty, and - most vitally - the simultaneous possibilities of threat and beauty, mistrust and hope, darkness and joy. The knowing narrative detail is charged as strongly with ideas as with feeling, resulting in a highly original fusion of resistance and compassionate determination.' Jane Draycott'In this wise-hearted and deft debut, Baafi gets to the grain of family, inheritance, the grit of growing up and the grappling to become oneself.' Rachel Long'Isabelle Baafi's Chaotic Good is a debut of amazing endurance. Its formal pressures create a kind of kaleidoscopic intensity that - with each turn of the chamber - brings newly beautiful and painful shapes into focus.' Will Harris'Chaotic Good offers beautiful, urgent poems to remake our breaking world. From the playground all the way to the marriage bed, these redemption songs return to heal and emancipate.' alice hiller

Chaotic Good

Nigel

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