Contenu
Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years, and are the questio
Informations bibliographiques
octobre 2024, 374 Pages, Ashgate Contemporary Thinkers on Critical Musicology Series, Anglais
Taylor and Francis
978-1-032-92091-7