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Bradley uncovers a hidden side of operetta and musical theatre. He highlights the significant religious and spiritual influences which pervade the work of composers and librettists such as Offenbach, Lehár, Gilbert &amp; Sullivan, and Sondheim.

Bradley I: Music of the Night

Music of the Night

Religious Influences and Spiritual Resonances in Operetta and Musical Theatre

<ul><li>Introduction</li> <li>1: Jewish and Catholic influences in operetta</li> <li>2: A matter of life and death: Darkness and light in Gilbert and Sullivan</li> <li>3: The fatherhood of God and the brotherhood of man: Oscar Hammerstein II</li> <li>4: Nuns and menorahs: The Sound of Music and Fiddler on the Roof</li> <li>5: God dont answer prayers a lot: The secularism of Stephen Sondheim</li> <li>6: The reluctant pilgrim: Stephen Schwartz</li> <li>7: Spiritual yearning and High Church aesthetics: Andrew Lloyd Webber</li> <li>8: The two Jesuses: Godspell and Jesus Christ Superstar</li> <li>9: The road to Calvary and the circle of life: Les Misérables and The Lion King</li> <li>10: Mamma Mia! and The Book of Mormon: The spiritual show goes on</li> </ul>

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

A Critical Companion

Jason Robert Brown

Untitled 2 ML

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Elements in Musical Theatre

Gypsy, the groundbreaking 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, introduced the world of musical theater to one of the most formidable female characters ever to strut onto the stage: Madam (Momma) Rose. She embodies the archetypal "stage mother" whose lifelong journey to achieve fame, enacted vicariously through her daughters and their vagabond life across America, drives her to a "madness" akin to that of the quintessential operatic madwoman. Her famous mad scene, "Rose's Turn," demonstrates the many analytical possibilities intrinsic to this character definition. The creators of Gypsy's Rose thus showcased the "Broadway musical madwoman" type: a female character who, like her foremother the operatic madwoman, is rife with gendered complexity that creates a fascinating opportunity for feminist analytical study. This Element's two-pronged approach uses the frameworks of feminist theory and musicological analysis to consider the importance, legacy, and reception of Rose's journey.

A Feminist Analysis

Gypsy and the Broadway Musical Madwoman

Routledge Explorations in Environmental Studies

This book offers a series of thought-provoking essays about music and the performing arts viewed from current Anthropocene-aware perspectives. It will be of great interest to students and scholars in the humanities and social sciences, as well as a broader readership involved in art and environment policies.

Nature, Materialities and Ecological Transformation

Music and the Performing Arts in the Anthropocene

Oxford Music / Media

Korngold in America offers new ways of listening to Viennese composer Erich Wolfgang Korngold's scores to Warner Bros. films, exploring their relationship with his wider compositional output. Drawing on previously unpublished archival materials, the book provides a complete picture of Korngold's film-scoring activities and dismantles many of the myths about the composer. It argues for a reassessment of Korngold, and for a newfound significance for his film scores in twentieth-century music history.

Music, Myth, and Hollywood

Korngold in America

This book investigates the use of extended reality (XR) technologies to innovate the opera experience. It provides valuable contributions for undergraduate and postgraduate students, creative practice researchers, and professionals seeking to explore the intersections of technology, performance, and composition.

Creating Opera Utilising Augmented Reality and Virtual Reality Technologies

Forms of Drama

China’s Classical Song-drama

Kunqu

Reinventing the Broadway Musical

Opening Doors

New Cultural History of Music

Visions of the Village offers a new look at the cultural, social, and political context of operas by some of the most famous Czech composers in history. Beginning the study in the works of the 1860s, author Christopher Campo-Bowen analyzes the work of Bed%rich Smetana, Antonín Dvo%rák, and Leoš Janá¿ek, among others, demonstrating how Czech identity was constructed through reference to operatic representations of idealized village life.

Music of the Night

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