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Cobb Rachel: Mistral

Mistral

The Legendary Wind of Provence

A stunningly romantic novel from number one bestselling author Cathy Kelly, set in magical Paris. When a young couple get engaged at the top of the Eiffel Tower, it changes everything - because the course of true love never did run smooth...

The heartwarming and romantic story of second chances from the number one bestselling author!

It Started With Paris

The Shankill, a roughly mile long road in Belfast Northern Ireland, is home to a working class, Protestant community. Their history is complex and troubled and yet they have survived with pride and resilience. During the thirty years of sectarian violence, many stories of this community have been told. A Peace Agreement was signed in 1998 and most journalists and photographers packed their bags and left before the ink had dried. But it is still a fragile peace that remains. The Shankill: A Portrait of Pride and Resilience depicts a proud community defined by their traditions, hoping to move beyond their past. It is a portrait of today.

A Portrait of Pride and Resiliance

The Shankill

Aperture Ideas

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

James Florio's exquisite black-and-white photography of sixteen important sculptural projects by Patrick Dougherty across the US. One of today’s most admired living sculptors, Patrick Dougherty composes with nature—wielding saplings and sticks to build monumental structures that echo, play, and tussle with&nbsp;the land.&nbsp;James Florio is a Montana-based photographer focused on the built environment&nbsp;and the life surrounding it. He works slowly, visiting a place repeatedly to gain a greater&nbsp;understanding of it, to ultimately deliver a thoughtful and profound interpretation. This project was inspired by Dougherty’s and Florio’s connection&nbsp;to Tippet Rise Art Center in Fishtail, Montana, where Dougherty has crafted sculptures&nbsp;from local willows, and where Florio has photographed the art and wild lands over&nbsp;many years. Dougherty’s first commission at Tippet Rise, Daydreams, was completed in 2015. He&nbsp;subsequently returned to the art center in 2022 to make a companion piece for this work.&nbsp;At the heart of both pieces is a nineteenth-century schoolhouse reproduction. The new&nbsp;work, Cursive Takes a Holiday (2022), adds an installation of intertwining branches to the&nbsp;outside of the schoolhouse, creating a series of circular spaces that visitors can step inside.&nbsp;Daydreams features woven branches that connect the indoors to the outdoors. In addition to thoughtful photographs, this book features information about the commission, creation, installation, and community&nbsp;engagement of Dougherty's work, along with essays about his practice, influence, and legacy.

Patrick Dougherty | James Florio: Sticks

In A Reprise, David Alekhuogie remixes Walker Evans's photographs of African art, provoking timely questions about authorship and authenticity. A Reprise, David Alekhuogie's first monograph, confronts the intriguing legacy of narrative and authorship behind Western presentations of African art, and poses timely questions about how Black aesthetics are circulated, accessed, valued, and interpreted today. In 1935, Walker Evans was commissioned by the Museum of Modern Art, New York, to photograph hundreds of African sculptures for the exhibition African Negro Art. Nearly ninety years later, Alekhuogie began investigating Evans's images, provocatively remixing them into his own vibrant and multilayered photographic collages. Transposing facsimiles of Evans's original images onto cardboard or paper structures of his own making, Alekhuogie rephotographs these image-sculptures against striking backdrops--often using East and West African textiles--thereby inviting multiple dimensions of viewership. Alekhuogie's images draw upon the musical idiom of the reprise--a performance of repetition--and stake a claim to crucial, restorative ideas around Black antiquity by questioning our relationship to what we consider fake or original, art or archive.

David Alekhuogie: A Reprise

The Lost Era of Club Fighting

Shadow Boxers

Icons, Legends, and Muses

Moments

Kinship and Community: Highlights from the Texas African American Photography Archive celebrates the rich history of photography created by and for Black communities in Texas. From eighteenth-century ambrotype portraits by unidentified photographers to the work of self-employed photographers serving segregated towns and neighborhoods in the mid-twentieth century, a rich body of photography was created by and for Black communities in Texas. The Texas African American Photography Archive (TAAP), founded in 1995 by Alan Govenar and Kaleta Doolin, contains more than sixty thousand negatives and prints from this history. Kinship and Community distills the archive's remarkable photographs into a moving testament to the medium and its transformative power. Filled with joy and pride, the images in this volume portray exemplary individuals and groups while documenting the parades, church services, graduations, and sporting events that punctuated everyday life. These positive depictions of Black life, by countering the mainstream media's racist stereotypes, played a quiet but powerful role in the struggle for civil rights.	Today, community photography provides a model for collaborative image-making, its vitality stemming from this union of ethics and aesthetics. Many of the photographers featured in Kinship and Community learned their trade in the military or from other Black photographers. As the civil rights era progressed, their aptitude and artistry enabled them to develop an affirmative vision for African American communities in a deeply segregated state. Decades later, the time has come to celebrate the accomplishments of these talented photographers, who include A. B. Bell, Marion Butts, Rodney Evans, Elnora Frazier, Alonzo Jordan, Benny Joseph, and Eugene Roquemore.Copublished by Aperture and Documentary Arts.

Kinship & Community: Highlights from the Texas African American Photography Archive

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

Longlisted for the 2024 André Simon AwardsIn A Cheesemonger's Tour de France, Ned Palmer wends his way around the country's regions, meeting the remarkable cheesemongers who carry the torch for France's oldest and most treasured traditions. Every French cheese carries an essence of the place where it's made - its history, identity and landscape. Sometimes that's a physical thing, as the hard texture of Comté echoes its mountainous home in the Jura. Other times it's about power and politics - Brie swelling to royal dimensions due to its proximity to the French court, or Camembert gaining national status after being supplied in patriotic boxes to First World War soldiers. Witty, fascinating and endlessly moreish, A Cheesemonger's Tour de France is the perfect guide to a French cheeseboard - and a terrific insight into la Belle République.

A Cheesemonger’s Tour de France

Seoul Days & Nights

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

Storytelling and Image Making From MTV to Movies, Madison Avenue to the New Digital Explosion

The Visualist

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