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Examining the Italian artist’s career-long exploration of the human figure, this book offers new perspectives on the history of postwar and contemporary art

Bick T: Michelangelo Pistoletto

Michelangelo Pistoletto

Figuration and Cultural Politics

Der praktische Monats-Kalender von Flame Tree Publishing ist zum Aufklappen (30,5 x 30,5 cm, aufgeklappt 30,5 x 61 cm). Er bietet 12 verschiedene, sorgfältig ausgewählte Bilder mit meist kurzen Textinformationen zu den Bildern. Das große Kalendarium (in Englischer Sprache) lässt viel Platz für Notizen. Eine günstige Geschenkidee für alle, die Kalender lieben - oder schenken Sie ihn sich doch einfach selbst!

Annie Soudain Wall Calendar 2026 (Art Calendar)

An examination of how immersive colonial revival projects contributed to the formation of a White nationalist identity by inviting viewers to step into the past &nbsp; From 1930 to 1950, a number of design projects in the United States appeared to bring early American history to life. Sites and artworks such as Colonial Williamsburg, the Winterthur Museum, the Index of American Design, and Narcissa Niblack Thorne’s miniature period rooms created immersive fantasies in which visitors seemed to learn about the past through direct contact with the look and feel of history. Accessible and entertaining for general audiences, these popular projects also had the unsettling effect of naturalizing political ideologies of racial inequality. &nbsp; K.&nbsp;L.&nbsp;H. Wells examines the ways that colonial revival design produced new racial identifications in which the nation’s European immigrant communities and “old stock” Americans transformed from being seen as individual groups differentiated by region, ethnicity, and class to a White race with shared ties to early American history. Drawing on an astonishing breadth of archival sources—including letters from designers and audiences, working drawings and documentary photographs, government and corporate reports, magazine articles and newspaper reviews, and exhibition catalogues and guidebooks—Wells offers a revelatory look at how the affective dimensions of visual and material cultures in colonial revival design contributed to the making of twentieth-century American whiteness.

Designing an American Identity

Uncanny Revivals

"Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism-including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman-behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement-and in some cases replace-the aesthetic quality of artworks"--

Downplaying Art Since California Conceptualism

The Casual

Documents of Twentieth-Century Art

"This much-anticipated volume is exactly what we need to incorporate Latinx art as a key, required component in the curriculum. Authored by two of the most recognized intellectual leaders in the field, this project is an essential resource for scholars working across the fields of art history and visual culture studies and could not come at a better time."—Arlene Dávila, author of Latinx Art "In their&nbsp;Handbook of Latinx Art, Rocío Aranda-Alvarado and Debroah Cullen-Morales highlight for us the voices of artists and critics, along with the possibilities within exhibition making encompassed under the rubric of Latinx creativity. In these expansive discussions of art of the last century we uncover ever more of the Americanness in American art. A&nbsp;Handbook of Latinx Art&nbsp;is a stellar compilation that comes at the right time. It is a much-needed volume that helps us continue writing and imagining the ongoing story of American art through a generous Latinx lens."—Kellie Jones, author of&nbsp;South of Pico: African American Artists in Los Angeles in the 1960s and 1970s "This collection is an invaluable resource that positions 'Latinx art' as a complex and diverse practice at the intersections of American, Caribbean, and Latin American art. Drawing on key works, it introduces readers to an eye-opening critical dialogue taking place in the United States since the 1970s among artists, curators, and scholars."—Chon Noriega, coauthor of&nbsp;Home—So Different, So Appealing

A Handbook of Latinx Art

New Directions in Contemporary Art

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual's capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

AI Art and the Stakes for Art Criticism

The Wonder of George Orwell

A Bright Cold Day

The Summer of 1976 – Britain at Boiling Point

Heatwave

Chihuly 2026 Wall Calendar

Political Struggle and Activist Art in the Uk, 1960-Present

Grassroots Artmaking

Routledge Research in Art History

Through a rereading of the available textual and visual sources of Symbolist theater and of the work of Nabi artists, as well as through an analysis of sources and paintings previously unexamined in the existing literature, this book rewrites the history of the cross-fertilization between Nabi art and Symbolist theater.

The Nabis and Symbolist Theater

The Orient Within

Art and Identity in Spain, 1833–1956

Joseph Beuys and History

Michelangelo Pistoletto

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