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Chihuly Workshop: Chihuly 2026 Wall
Calendar

Chihuly 2026 Wall Calendar

An illustrated anthology of texts on artist Amanda Williams, edited in collaboration with Camille Bacon. What Black Is This You Say?, by Amanda Williams, convenes a broad set of contributors to respond to her own eponymous public artwork at Storefront for Art and Architecture in New York City (2021–2023). In this collection, the 17 colors and captions that appeared on the facade of Storefront—the project began as a series of Instagram posts of different hues of black, paired with witty and incisive comments on the multiplicity of Black culture—are expounded upon in poems, essays, and prose. With this anthology, Williams deliberately departs from traditional art criticism by gathering an intimate ensemble of her peers, friends, and collaborators, including Roxane Gay, Corinne Bailey Rae, and J Wortham, to comment on her work. What Black Is This You Say? is the first title in a new series titled Groundworks, produced in conjunction with Storefront for Art and Architecture. Storefront, founded in 1982, is known for its commitment to challenging and reframing the relationship between public and private space. In 1993, the gallery commissioned a project by the artist Vito Acconci and architect Steven Holl that replaced the exterior façade with a series of 12 movable panels that open the entire length of the gallery to the street, enabling endless possibilities of entry, navigation, and absorption into the gallery space.

What Black Is This You Say?

Isms

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

Routledge Advances in Film Studies

This book examines the theme of political collapse in select contemporary Eastern European and Balkan art cinema and documentaries from the late eighties to the present. It will interest scholars of film theory, global art cinema aesthetics, regional studies of Eastern Europe and the Balkans, and political science.

Negative Aesthetics and Political Collapse in Eastern European and Balkan Cinema

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

Art and Life

Derwent Lees

Delightful paper-based works featuring characters both familiar and new, animal-like and otherworldlyFor several decades, American artist Wes Lang (born 1972) has been honing his craft and mining the iconography of a post-pop Americana. This book is dedicated entirely to Lang's prolific output in drawing, featuring 96 works crafted using acrylic, crayon and pencil. The dark, otherworldly characters from his paintings--skeletons and disembodied skulls--remain, but now inhabit blank white spaces, intricately inscribed with playful expressions and phrases that echo Taoist philosophy, reflecting the spiritual foundations of Lang's practice. More than just companions to his immense paintings, the drawings stand as a significant body of work, continuing to demonstrate the breadth of Lang's influences--ranging from fine art icons such as Francis Bacon, James Ensor and Francisco Goya to the kitsch imagery of his childhood. Lang effortlessly metabolizes these disparate inspirations, creating a distinctive style that expresses a deeply personal artistic voice.

Works on Paper

Wes Lang; The Black Drawings

Innovation in Screenprinting

Brand X Editions

British Art: Global Contexts

A skillful reevaluation of the marginalized genre of marine painting, this study considers the production, reception, and institutions of marine imagery through the critical lens of the social history of eighteenth-century British art. The sea piece,? long regarded as of little scholarly importance, is read in the light of politics, patronage, display culture, and the practices of maritime commerce and warfare. Sarah Monks examines the history of British marine art from the arrival in England of Willem van de Velde to the death of J.M.W. Turner - the period in which British art? coalesced as an identifiable and increasingly self-conscious category of artistic production. This book therefore describes the trajectory of marine art as it emerged and proliferated within the culture with which, from the 1650s, it was most associated: Britain, the dominant maritime power. Informed by eighteenth-century British art's relation to the histories of empire and colonialism, the volume looks closely at the varied ways in which artists attempted to represent maritime space and the forms of commercial, naval, imperial and artistic power with which it was associated. Extensive use of primary sources, particularly exhibition reviews, provides a rich repository of archival sources for other scholars of the period.

Framing Space, Power and Modernity

Marine Painting in Britain, 1650–1850

New Directions in Contemporary Art

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual's capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

AI Art, Machine Learning and the Stakes for Art Criticism

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Surveying Hasper's joyously chromatic abstract paintings and works for public sitesArgentinian artist Graciela Hasper's (born 1966) brightly colored geometric abstract paintings, made over the last three decades, are a means to bring people together and to build bridges between audiences, which is precisely what she does with her large-scale public projects. This is the artist's first English-language monograph.

Graciela Hasper

This book examines the longstanding, yet ambiguous and deeply complex, relationship between law and aesthetics.

The Troubled Relationship Between Law and Aesthetics

The Law of Beauty

Chihuly 2026 Wall Calendar

Informations bibliographiques

Mots-clés

Informations bibliographiques

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