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Merskin Debra L.: Media, Minorities, and
Meaning

Media, Minorities, and Meaning

A Critical Introduction

The Dialectic of Cosmopolitan Time

Offers an arts-based, storying, textual and visual lens on gender-based violence in the UK and Mexico. This book is a unique image-based bilingual (English and Spanish) book of textual and visual narratives of gender-based violence (GBV) in the UK and Mexico, framed with a critical commentary that sets these stories in the context of GBV in both countries. Visual and textual stories convey the 'felt' experience of GBV, engaging readers and audiences in the apparently mundane as well as the shocking. Such stories help contest the prominence of crime statistics in evidencing GBV, statistics which often distort experience and reflect and maintain exclusionary policies and practices, particularly for minoritised communities. The transnational project on which this book is based invited artists and creative writers from diverse backgrounds in the UK and Mexico to respond to lived accounts of GBV in comic stories, short stories, poems, 3D installations, fine art photography, painting and film. This book brings together these visual and textual stories and sets out a series of readings and analyses that seek to further knowledge on GBV in different cultural contexts. This book is open access under a CC BY licence.

Storying the Immobilities of Gender Violence in the UK and Mexico

A Memoir

Say Everything

Resistance

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

The Science of How We Achieve Big Change with Small Acts

Ordinary Magic

A Biography

Yoko

The body riddle-What if the body you fought for no longer fits the life you built before it?
 

When Lex finally receives a date for their chest surgery, they're not sure if they want to go through with it. But it's been a year since they've had sex with their cis partner, Ada, who believes Lex's surgery will rekindle their kinky dynamic.
When surgery doesn't have the outcome either expects, Lex, in the spirit of their non-monogamous relationship, tries to support Ada's new romance with Noah, a cis man. But Lex's jealousy spirals-Is Ada replacing them? And does she prefer cis masculinity after all?
Then Lex meets Sadie, a magnetic nonbinary coworker who awakens a new attraction. Lex thought they were only attracted to women and has never dated another trans person. Unsure about their changing sexuality, Lex hides the budding romance from Ada. As secrets build, Lex must decide what kind of love-and life-they really want.
Sharp, intimate, and tender, The Body Riddle is about queer longing, identity, and the messy beauty of reconfiguring desire on your own terms.

The Body Riddle

Contemporary Critical Perspectives

Rachel Cusk is one of the most critically acclaimed and controversial contemporary British authors. Her diverse body of work offers a striking portrait of trends in 21st-century literature, and the history of Cusk's literary output is one of experimentation and a desire to push against established cultural models. Rachel Cusk: Contemporary Critical Perspectives is the first critical guide to Cusk's work, spanning novels including Saving Agnes, A Country Life, and Second Place, her 'autofictional' Outline trilogy, and her nonfiction A Life's Work, The Last Supper, Aftermath and the Coventry essays. Rigorous and wide-ranging, this book provides an accessible and lucid introduction to Cusk's work, exploring themes of gender relations, class dynamics, maternal identity and creative freedom. The collection concludes with an in-depth interview with Cusk, conducted by Merve Emre, reflecting on her influences, writing and experiences. Mapping the formal and stylistic shift across her career and locating them within their specific contexts, this collection provides a crucial analysis of Cusk's influences, politics, and literary techniques that speak to many of the most pressing issues in contemporary literature.

Rachel Cusk

This handbook introduces Human Nature and Conduct, John Dewey's groundbreaking book about moral psychology and moral philosophy, to a new generation. In his classic work, Dewey redefined impulse, habit, and intelligence: not as isolated individual traits, but as socially conditioned factors shaping human thought and action. His ultimate insight is that growth is the only moral good, and that morality is, at its core, a matter of education. Featuring contributions by leading international scholars, this volume presents expert insights into Dewey's unique psychological framework and its far-reaching impact on moral philosophy and education. The book also tackles contemporary moral dilemmas, from environmental protection and healthcare rationing to sexual liberation and religious transformation, demonstrating how Dewey's thought remains as vital today as ever.

A Centennial Handbook

John Dewey's Human Nature and Conduct

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Of Beasts

Media, Minorities, and Meaning

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