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Madness in Print and Visual Culture

Contemporary Critical Approaches

Christopher Isherwood Inside Out

Bloomsbury Studies in the Humanities, Ageing and Later Life

Living Forever From the Fin de Siècle to the First World War

Fictions of Radical Life Extension

Jack Kerouac was one of America's great writers of the latter half of the 20th century, yet he endured a life characterized by persistent hardship and disillusion. Becoming Kerouac: A Writer In His Time affixes Kerouac's life and art in a fresh way, giving readers a rich perspective from which to understand this 20th-century literary genius.

A Writer in His Time

Becoming Kerouac

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

Feminist Media Histories

Archiving the Past&nbsp;uncovers&nbsp;the story of the women in&nbsp;France who, from the 1920s to the 1970s, played critical roles in the production of global cinema's history: as&nbsp;archivists&nbsp;charged with collecting films and other materials, as&nbsp;witnesses&nbsp;tasked with remembering their own film careers, and as&nbsp;activists&nbsp;committed to recovering women's contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiers&nbsp;recasts the film archive as a site of women's agency, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

Women's Film History in France, 1927–1978

Archiving the Past

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

The Time and Space of David Bowie

Far Above The World

A Rilke novel

The Cut Up

An Interdisciplinary Framework

Dreams, Narrative, and Liminal Cognition

Broad in its scope and forward-thinking in its approach, this book offers a wide-ranging thematic exploration of key debates on contemporary translation in Latin American literature and culture. Featuring 32 chapters, some of which have been translated themselves, from a variety of the field's leading authorities alongside up-and-coming voices from around the world, it is organized in nine sections that correspond to fundamental sets of political, literary, and cultural questions that have emerged throughout the continent's history. Sections focus on colonialism, race, gender, the archive, criticism, creation, authenticity, politics, and world literature to offer a broad and ambitious snapshot of where the field is now as well as where it is going. Each essay demonstrates a way of doing translation studies by looking closely at texts and moments, whilst simultaneously drawing larger conclusions that are applicable to other objects of study. Mapping emerging trends in this vibrant field, it provides specialists, researchers and students with an invaluable and expansive collection of current research on translation in Latin America.

Latin American Literature and Culture in Translation

Literatures as World Literature

Kazuo Ishiguro Against World Literature

Bloomsbury Studies in Digital Cultures

Bringing together book historians, textual editors, and new media theorists, this is an engaging and wide-ranging examination of the interactions between the history of the book and digital humanities.

Book History, Scholarly Editing and Curation in Conversation

New Directions in Digital Textual Studies

Madness in Print and Visual Culture

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