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Routledge Performance Practitioners

Luis Valdez studies the life and work of this Chicano playwright, director, performer, and producer along with the implications of his legacy for Chicana/o/x communities and for all who engage with his work.

Huerta J: Luis Valdez

Luis Valdez

1. Social and Artistic Content: Introduction to the Man 2. Key Writings: Considering Valdezian Spaces: Taking Body, Heart, Mind, and Spirit to the People 3. Key Productions: From the Last Acto to the First Chicano Play on Broadway: Brown Men and State Violence in Soldado Razo and Zoot Suit 4. Practical Exercises: Valdezian Journeys—A Practical Means of Exploring Performance

Jatinder Verma has been a pioneering figure in the development of British South Asian theatre, and a prominent spokesperson for the importance of increased diversity amongst playwrights, actors, directors, designers, and producers on the mainstream British stage.

Jatinder Verma

Lauded as one of the most important poets and playwrights of the 20th Century, Federico Garcia Lorca was also an accomplished theatre director with a clear process and philosophy of how drama should be staged.

Federico García Lorca

Lauded as one of the most important poets and playwrights of the 20th Century, Federico Garcia Lorca was also an accomplished theatre director with a clear process and philosophy of how drama should be staged.

Luis Valdez studies the life and work of this Chicano playwright, director, performer, and producer along with the implications of his legacy for Chicana/o/x communities and for all who engage with his work.

Kristin Linklater is one of the most internationally recognised names in the field of voice training. This volume explores her work and life whilst also putting her work into practice, providing a comprehensive overview of one of the world¿s leading voice coaches.

Kristin Linklater

Kristin Linklater is one of the most internationally recognised names in the field of voice training, and this volume explores her work and life while also putting her work into practice. Charting the development of Linklater's process, including her work at LAMDA, the Lincoln Centre, NYU, Columbia, and the KLVC on Orkney, the book provides a comprehensive overview of one of the world's leading voice coaches. 

This book contains:

A detailed biography of Linklater's life, including her work with Iris Warren at LAMDA, as well as the founding of her own companies and the KLVC on Orkney

Detailed analysis of her key text, Freeing the Natural Voice, and her work with Carol Gilligan on The Company of Women, an all-female Shakespeare company they co-conceived

A comprehensive set of exercises - several of these previously unpublished



This book offers essential reading and an invaluable practice handbook to the contemporary performer, voice teacher, and actor trainer. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

Roy Hart's revolutionary work on the human voice through extended vocal technique and the Wolfsohn-Hart tradition has influenced several generations of practitioners. As a first step towards critical understanding, Routledge Performance Practitioners offer unbeatable value for today's student.

Roy Hart

Roy Hart's revolutionary work on the human voice through extended vocal technique and the Wolfsohn-Hart tradition has influenced several generations of practitioners. Hart's outstanding contribution to vocal research, practice and performance stretched over 20 years until his untimely death in 1975, and his vocal training produced performers with extraordinary and highly expressive vocal ranges. He founded a theatre company, Roy Hart Theatre, that brought his ideas to realisation in groundbreaking works. His influence, through his own use of the voice for theatre and music and its embodiment in his company, was widespread, attracting the interest of directors such as Peter Brook, Jerzy Grotowski and Jean-Louis Barrault. 



This book combines:





a detailed biography giving the social and artistic context of Hart's work and that of the early Roy Hart Theatre





an exploration of Hart's own writings on his work, combined with a review of articles by his wife Dorothy Hart and in-depth interviews





a stylistic analysis of his key works, including The Bacchae, and, L'Economiste and Biodrame, and their critical reception 





pathways into some of the practical exercises devised by close collaborators of Roy Hart and practitioners of the Roy Hart Theatre Tradition.







As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. 



Antonin Artaud was an active theatre-maker and theorist whose ideas reshaped contemporary approaches to performance. This is the first book to combine





an overview of Artaud's life with a focus on his work as an actor and director;

an analysis of his key theories, including the Theatre of Cruelty and the double;

a consideration of his work as a director at the Théâtre Alfred Jarry and his production of Strindberg's A Dream Play; and

a series of practical exercises to develop an approach to theatre based on Artaud's key ideas.







As a first step towards critical understanding and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student.

Antonin Artaud

Regarded by Augusto Boal as the international icon of his vision, Jana Sanskriti are the leading practitioners of Theatre of the Oppressed and Forum Theatre in India and the East.

The group has worked continuously with rural communities in West Bengal since its beginnings in 1985 to reconfigure social and political relationships through theatre, achieving both a solid regional presence and an international reputation.

This book combines:



a biography of the group, charting their history, methodology and modes of operation





an examination of Jana Sanskriti through the writings of their founder, Sanjoy Ganguly





a detailed analysis of their performance events and practices, including the plays collected in Ganguly's Where We Stand (2009)





practical exercises and games, taken from Jana Sanskriti's workshops and festivals.





As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

Jana Sanskriti

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

Focus on Dramaturgy

Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka's Chorus of Women, Complicite, Tan Dun, among others.

The Polyphony of Postdramatic Theatre

Sonorous Dramaturgy

Producing on Broadway: A Practical Guide to Modern Commercial Theater is the first ever in-depth guide to becoming a successful theatrical producer. This book provides a thorough and detailed examination of the various skillsets that must be developed in order to be competitive in the business, and explains how those skills are applied in real life situations. Grounded soundly in the theory, history, realities, and aesthetics of the business, two-time Tony Award winning author John Pinckard explains each aspect of making a Broadway show happen, coloring the text with personal anecdotes and case studies of successful producers.

A Practical Guide to Commercial Theater

Producing on Broadway

Modernist Latitudes

Aparna Bhargava Dharwadker develops a new framework for understanding non-Anglophone Indian modernisms, analyzing the writing, staging, and reception of major plays in multiple languages.

Writing and Staging Multilingual Modernisms

Cosmo-Modernism and Theater in India

Movement Training as a Catalyst for Change

Physicality and Acting

A Very British Comedy Institution

The Cambridge Footlights

Shakespeare and Adaptation

Jean-François Ducis and the First European Adaptations

Classicizing Shakespeare

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Luis Valdez

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