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"A collection of poems by Traci Brimhall"--

Brimhall T: Love Prodigal

Love Prodigal

A Poem

New and Collected Hell

Teaching Poetry in a Digital World supports ELA educators for grades 6-12 to incorporate digital literacy in their classroom through teaching the reading and writing of poetry.

Inspiring Poetry Writing through Technology in Grades 6-12

Teaching Poetry in a Digital World

Sometimes It's Heaven is an inspiring poetry collection from Grammy Award-winning singer-songwriter Judy Collins. Written with the bold vulnerability that folk singer Judy Collins is best known for, Sometimes It's Heaven: Poems of Love, Loss, and Redemption is an timeless collection that reaches audiences right where they are. Throughout her six-decade long career, Judy Collins has encouraged audiences with sublime vocals, personal life triumphs, and a firm commitment to social activism, this compilation of poetry captures the ethereal and inspiring nature of her artistry in an all-new way. Biographical and relatable, Sometimes It's Heaven is a must-read for fans of poetry and fans of Judy, old and new.

Poems of Love, Loss, and Redemption

Sometimes It's Heaven

Myth, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds ('real' and 'imaginary') unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in Myth move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre's poems never stray too long or too far from the spell of unspoiled nature: "The palm trees nod / at the ocean / the ocean does / what it always does / trusts the moon completely."
Friends 'with benefits' tour the wonders of Grenada's landscapes; extraterrestrials visit the Caribbean and the locals don't seem phased; red birds "saunter airily like tourists," La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue/create futures that honour our truths, histories and legacies?

Myth

"One of the most important and original poets of the twentieth century, May Swenson (1913-1989) was born in Utah to Swedish immigrant parents. After graduating from Utah State University and working briefly as a reporter, she moved to New York City in the mid-1930s and began her life as a poet. She took various office jobs to support herself, including time with the Federal Writers' Project and, later, as a manuscript reader for New Directions in the 1950s. Swenson went on to publish seven collections of poetry (with several more collections published posthumously), and three poetry books for children. Swenson's work is often compared to the poetry of E. E. Cummings and Elizabeth Bishop, with whom Swenson corresponded for decades. Her many awards include the Shelley Memorial Award, the Bollingen Prize, and the Award in Literature from the National Institute of Arts and Letters. She was a Chancellor of the Academy of American Poets from 1980 to 1989. This book provides an account of Swenson's life that draws on her extensive diaries, which have never been made available to the public. The narrative concentrates on Swenson's life from 1935 to 1959, a period that encompasses her departure from Utah, her personal and professional struggles before her first breakthrough publications, and her early years of literary success. The poet expresses her anxieties and aspirations as she experiments with her sexuality, extricates herself from a sheltered Mormon upbringing, and begins a new life in New York at the height of the Depression. The author traces Swenson's struggles with poverty, anonymity, and predatory men; her romantic relationships, primarily with women; the people she met, books she read, and the work she produced, offering a unique portrait of the times, the place, and a poet who resisted labels throughout her life"--

May Swenson, A Writer's Life

The Key to Everything

It's full. She saidI officially have no space left. All my heart is taken upWith love for you in my chest. From one of the UK's leading performance poets, this collection celebrates the very best types of mum, including mum as gamer, party animal, slob and free spirit.

My Mum and Other Poems

The Wickedest

A preeminent voice in contemporary literature, Major Jackson offers steady miracles of vision and celebrations of language in rapturous, sophisticated poems. Razzle Dazzle traces the evolution of Jackson's transformative imagination and fierce music through five acclaimed volumes: his Cave Canem Poetry Prize-winning debut, Leaving Saturn (2002), which captures the spirit of resilience in the Philadelphia neighborhoods of the poet's youth; Hoops (2006), which finds transcendence in the solemn marvels of ordinary lives; Holding Company (2010), which shifts away from narrative to explore the seductive force of art, literature, and music; Roll Deep (2015), which addresses human intimacy, war, and the spirit of aesthetic travel; and his vulnerable, philosophical latest, The Absurd Man (2020). The volume opens with over three dozen new poems that erupt into full-throated song in the face of indignity and invite us into a passionate experience of the world.
Taken together, these two decades of writing offer a sustained portrait of a poet "bound up in the ecstatic," whose buoyant lyricism confronts the social and political forces that would demean humanity. Equally attuned to sensuous connection, metaphysical inquiries, the natural world, and ever-changing urban landscapes, Jackson possesses a sensibility at once global and personal, driven by an enduring conviction in the possibilities of art and language to mark our lives with meaning.
Whether addressing racial conflict and the ongoing struggle for human dignity in America, bearing witness to the plight of refugees, or grieving the contradictory nature of humankind, these dexterous poems proclaim the remarkable power of renewal, justice, and accountability.

New and Selected Poems 2002-2022

Razzle Dazzle

"COVID Vortex Anxiety Opera Kitty Kaleidoscope Disco meditates on the extraordinary time of loss, isolation, and bizarre rituals of the Covid era and its aftermath. First performed at sold-out theaters in New York, where the Village Voice compared Karen Finley to Allen Ginsberg and Gregory Corso, this vivid suite of poems invokes a maelstrom of feelings that will make you laugh and cry, sometimes on the same page. In COVID Vortex Anxiety Opera Kitty Kaleidoscope Disco, Finley processes the pandemic in all its complexity-from the collective coping strategies during isolation and loss to the absurd new habits we acquired, from handwashing to wiping down groceries to decorative double masks and zoom dance parties. The New York City hotspot echoes an earlier AIDS era; that rage and sorrow remain part of the City's DNA. During COVID, tragic historic events such as the police murder of George Floyd and the continued brutality on Black and brown bodies, challenged the nation. Revolution took to the streets. The reversal of Roe v Wade and the criminalizing of trans peoples' bodies, mental health realities, houselessness, essential workers' rights, and social isolation brought desperate conditions. Finley reflects on these traumas, asking how do we employ love despite the hate, to encourage humanity despite proliferating violence? On the fifth anniversary of the pandemic lockdown, COVID Vortex Anxiety Opera Kitty Kaleidoscope Disco looks back while also looking forward, offering art as salvation, and the deep belief in the power of words, compassion, and humor to transcend the harsh realities of today"--

COVID Vortex Anxiety Opera Kitty Kaleidoscope Disco

Born in 1939, Stanley Plumly wrote poems that explored the deep interiors of the human heart and mind against a wide backdrop of cultural and historical events. Profoundly personal yet socially astute, his work is both descriptively exact and allusive, engaging nature and art as well as family and friendship.
Drawing on his existing work and including nine brilliant new poems, Collected Poems gathers the full range of Plumly's talent as it charts the development of his unique and enduring contribution to the American lyric. The volume stands as a tribute to Plumly's artistic vision and will be welcomed by his many readers now and in the generations to come.

Collected Poems of Stanley Plumly

"In this book, Meredith Martin presents a historical account of prosodic criticism and, through the example of her own research path, argues for new scholarly practices in literary studies and the humanities more broadly. Challenging the common scholarly practice of emphasizing one critical narrative, one pathway through history or one author's reading, the book traces three arcs: the effects of the major shift in the late twentieth century from print-based to digital resources in scholarship with the emergence of the World Wide Web; Martin's experience as a scholar who coordinated a digital project about the history of the study of poetry, which led to the creation of the Princeton Prosody Archive and the founding of Princeton's Center for Digital Humanities (CDH); and the mix of computational and aesthetic elements in the study of prosody, including the study of versification and meter, in the broader context of English literary study as a discipline. Across these three arcs, Martin argues that scholars must take seriously the idea of digital media as mediation, through which textual forms are transformed into data and delivered to us via data structures, and that our reading of historical texts in digital forms must reckon with these mediations. She also demonstrates the connection between the intellectual labor of studying prosody-or any historical object-and the intellectual labor of fostering a collaborative research process. "This is a book," she writes, "about the shifting grounds of knowledge production in the digital age, and how we might situate ourselves amid these shifts by returning to, of all things, poetry.""--

Digital Humanities and the History of Prosody

Poetry's Data

Like Emily Wilson's celebrated translations of Homer, this new Aeneid-the first collaborative translation of the poem in English-is rendered in an unrhymed iambic pentameter that engages modern readers while also preserving the epic dignity and pathos of the original. Scott McGill and Susannah Wright's version also faithfully conveys the poem's delicate balance between its triumphant celebration of the Roman Empire and its sensitivity to the human costs, for victors and vanquished alike, of antiquity's most powerful and influential society. The result is a poem in English every bit as complex, inviting, and affecting as the Latin original.
With a rich and informative introduction from Emily Wilson and the full complement of maps and other supporting material that have made Wilson's Homer translations the standard for our time, this gorgeous edition of Rome's founding epic will capture the imaginations and stir the souls of a new generation of readers.

The Aeneid

Love Prodigal

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