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O'Brien S: The Bonfire Party / LF

The Bonfire Party

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

Later Life Letter

Myth, the much-anticipated debut collection from the multi-talented Terese Mason Pierre, weaves between worlds ('real' and 'imaginary') unearthing the unsettling: our jaded and joyful relationships to land, ancestry, trauma, self, and future. In three movements and two interludes, the poems in Myth move symphonically from tropical islands to barren cities, from lucid dreams to the mysteries of reality, from the sea to the cosmos. A dynamic mix of speculative poetry and ecstatic lyricism, the otherworldly and the sublime, Pierre's poems never stray too long or too far from the spell of unspoiled nature: "The palm trees nod / at the ocean / the ocean does / what it always does / trusts the moon completely."
Friends 'with benefits' tour the wonders of Grenada's landscapes; extraterrestrials visit the Caribbean and the locals don't seem phased; red birds "saunter airily like tourists," La Diablesse lures helpless suitors to their dooms. This collection asks: How can myths manifest themselves in our daily lives? What do we actually mean when we say we love ourselves and others? And how do we pursue/create futures that honour our truths, histories and legacies?

Myth

This edition of Seamus Heaney's seminal fourth collection North, reproduced in its elegant first setting and in its original jacket, marks fifty years since first publication in 1975. By conjuring aspects of a shared Northern European experience - its peculiar landscapes and weathers, its sea-faring incursions, the vernaculars of its buried and living peoples - Heaney found a way of articulating a vision of Ireland in which the disruptions and violences of the Troubles could be reflected too. '. . . it's the brilliant reconciliation of art with politics that sets North apart from the rest of Heaney's oeuvre and gives it a kind of dark majesty.' Robert McCrum, Guardian'The seedtime of the soul and the dissolution of the flesh melt equally into history, exhumed only temporarily in Heaney's penetrating vision, where gravity and preservation unite.' Helen Vendler, New York Times

North

The Art of Falling in Love Again is the highly anticipated second collection from poet and internet personality Franny Arrieta that speaks on heartbreak and resurfacing after pain with vulnerably and unbreakable hope. Franny Arrieta has made a name for herself as a poet and creator who speaks openly on the universal experiences of heartbreak and the courage it takes to love in a world of opposition. Relatable in its vulnerability, and guided by Franny's gentle and soothing words, The Art of Falling in Love Again takes readers on a deep dive into the struggles of falling in love again--with someone new and with yourself--and the rollercoaster of emotions we all face along the way from heartbreak to healing. The Art of Falling in Love Again is an earnest reminder that it's okay to not be okay after experiencing deep pain; It's okay to have a heart half full or not full at all; It's okay to feel completely broken and unrecognizable. And even if it feels like it never will, love will find you, and you will fall again.

The Art of Falling in Love Again

PAPER CROWN combines the play and humour of Heather's earliest work with the emotional and autobiographical turn of THE CRYING BOOK. Christle explores familial relationships, the nature of memory, and the outer edges of imagination.

Paper Crown

As people, we are capable of both love and hate, amazement and disgust, fun and misery. So why do we live in a world that is constantly nudging us to hate both ourselves and others? In this brand-new collection, Hollie McNish brings her inimitable bled of poetry and prose to question all the warped and wily way we have been taught to hate, and if we might learn to love again. 'This book is so good . . . quietly heartbreaking, so full of love' Musa Okwonga 'Funny, so smart and refreshingly honest' Sarah Millican 'I love Hollie McNish!' Matt Haig 'I've loved her work for years' Jo Brand 'Earthy, angry and funny' Scotsman 'Hollie and her poems are a bold, funny, raw, rebellious delight' Liz Berry 'Poems to feed your soul' Stylist

and other things I’m learning to love: 'energising, fearless and joyful' Sara Pascoe

Lobster

Routledge Revivals

A Study of Scientific Ideas and Imagery in Eighteenth-Century English Poetry

The Rhetoric of Science

Routledge Studies in Literature and Health Humanities

Writing Out Personhood

Self-Literacy

Selected Shorter Writings of Ithell Colquhoun

Medea's Charms

A visionary anthology that examines and reimagines the archive as a form of collective&nbsp;record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices.Inspired by Naima Yael Tokunow’s research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring “possibilities for speculating beyond recorded multiplicity.”

Permanent Record

Originally published in 1973, this is foremost a study of Dryden as a writer, but, the author maintains, his ideas cannot be separated from his art. Dryden's concern with familiar 17th Century problems make him almost as important to the historian as to the student of English Literature.

Dryden

The Bonfire Party

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