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Lo, how a Rose e'er blooming

Oxford Studies in Music Theory

Seeing Voices explores the phenomenon of music created in a signed language and argues that music can exist beyond sound and the sense of hearing, instead involving all of our senses, including vision and touch. Using a blend of tools from music theory, cognitive science, musicology, and ethnography, author Anabel Maler presents the history of music in Deaf culture from the early nineteenth century, contextualizes contemporary Deaf music through ethnographic interviews with Deaf musicians, and provides detailed analyses of a wide variety of genres of sign language music.

Analyzing Sign Language Music

Seeing Voices

A queer scrapbook offers a treasure trove of LGBTIQ+ histories from across Britain and Ireland. Packed with materials, from interviews and newspaper articles to photographs and flyers, the book explores urban, rural and regional queer life since 1945. Commentaries and short essays introduce a changing queer landscape, spotlighting four broad themes: home and family, sex and socialising, arts and culture and politics and activism. The book delves into the meaning and experiences of domesticity and parenting and explores the sometimes unexpected places LGBTIQ+ people met to have fun. It examines the importance of creative work in forming community and identity and shows how people fought injustice and advocated for equal rights. Collecting has been a way for the marginalised to explore and assert identity and community. A queer scrapbook vividly illustrates the diversity of queer and trans lives across the British and Irish isles since the Second World War.

Britain and Ireland Since 1945

A Queer Scrapbook

Alan Ross biography

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

Great Theologians Series

Dietrich Bonhoeffer's theology emerged from the intersection of several contesting streams of the Protestant tradition: high theological liberalism, and the 'Luther renaissance' and 'dialectical theology' movements of the early decades of the 20th century. It is marked by consistent and intense engagement with the Bible read as Christian Scripture and so centred upon Jesus Christ. To appreciate Bonhoeffer's theology requires that we grasp his commitment to Christ as the self-communicative presence of the living God whose identity and agency determines not only Christian life and thought, but all of reality itself. Bonhoeffer's theology continues to influence the direction of contemporary Christian life as well as provoke serious theological reflection wherever it is engaged. Examining Bonhoeffer's theology as a whole, this book points readers to the essential concerns of Bonhoeffer's theology with an eye to the varied careers this theology has had since his death. Following an introductory discussion of his life and literary legacy, Part One considers Bonhoeffer's christology, arguing for its decisive significance to his vision of the nature and tasks of Christian theology. Part Two traverses Bonhoeffer's thought, treating in turn his ecclesiology, anthropology and ethics, and Christian politics. Exploration of each of these themes is deepened by examining the reception and impact Bonhoeffer's theology upon the intense church struggles of the last half of the 20th century, particularly those within the former East Germany, North America, and South Africa under apartheid

Theologian of the Word of God

Dietrich Bonhoeffer

Lindsay Gordon Crime Series

Final Edition

Booked for Murder

The Death of Stalin

Union Jack

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

The Fleury Playbook in Context

Medieval Music-Drama

Resistance

When the young Tunisian street vendor, Muhammad Bou Azizi, set himself alight in December 2010, he ignited a movement that in three weeks toppled the twenty-three year old dictatorship of President Ben Ali. Tunisia's 2011 uprising took experts by surprise. Few in the West looked to Tunisia's history of dissent and rebellion as a way to understand the present moment. However, in the country itself, headlines read "2011 revives the memory of 1864". 
 
This is the first work in English to address the significance of Tunisia's 1864 rebellion for understanding Tunisia's 2011 experience, and its reverberation across the Arab world. Using a variety of sources - from state archives and scholarly monographs, to poetry festivals, theater productions, radio and TV programs - the book reveals a documented history of political manipulation and popular resistance to it. Power and Protest in Tunisia traces the battle for the memory of the original anti-tax, anti-centre rebellion of 1864 that brought Tunisia's tribes into a fragile but year-long alliance with coastal town populations. It uniquely places the recent revolution in the context of past social struggles emerging from the same interior regions. 
 
The book demonstrates how and why various regimes used the 1864 revolt to justify political agendas across the longue durée, from the liberal 'reform' era of the beys (Ottoman provincial governors) to the postcolonial present. Successive regimes have used this history to instill fear and suppress dissent, but this book shows that popular memory has preserved the event as a powerful symbolic example of collective mobilization against injustice and corruption-one that nearly toppled a dynasty.

Remembering Revolution, Rebellion and Collective Dissent, 1864 -2011

Power and Protest in Tunisia

Lo, how a Rose e'er blooming

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