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Gesamtkatalog

Catalogue complet

Le Rythme Du Silence

Kaum zu glauben: am 18. März feiert Gitarren-Legende Bill Frisell seinen 75. Geburtstag. Das würdigt ein neues Blue-Note-Album mit Aufnahmen in ungewöhnlicher musikalischer Konstellation. Bill Frisells neuestes Projekt 'In My Dreams' könnte man als eine Art Familientreffen bezeichnen, das einige der engsten Freunde des Musikers in einem einzigartigen Sextett vereint: Thomas Morgan am Bass, Rudy Royston am Schlagzeug, Jenny Scheinman an der Violine, Eyvind Kang an der Bratsche und Hank Roberts am Cello. Ihre musikalische Geschichte reicht Jahrzehnte zurück, doch noch nie zuvor spielten sie in dieser gemeinsamen Konstellation. Zusammen erkunden sie die vielfältigen Facetten amerikanischer Musik, darunter Frisell-Originale sowie Klassiker des Jazz und der Americana.

In My Dreams

Over the last twenty-five years, the concept of per-sonhood has become central to many contentious debates. Corporations have won free speech protections, as if they were individuals. The right to life or freedom has been claimed on behalf of fetuses, trees, and elephants. The fund of human rights is spilling over into the nonhuman. The Problem of Personhood reveals the unsettling consequences of granting rights to imagined persons, such as Sophia the robot citizen or New Zealand’s Whanganui River. Synthesizing the political and phil­osophical debates on personhood and drawing on a varied cast of thinkers that includes Simone Weil, Hannah Arendt, and Dr. Seuss, Lisa Siraganian un­covers the disturbing impact of this contemporary development. Awarding rights to robots and rivers all too easily becomes a legal tool to turn people into capital. When robot Sophia is made a citizen, "she" is transformed into a subject in the law without the corre­sponding legal duties that protect us from her. At the root of this trend is the US Supreme Court’s Citizens United ruling that grants First Amendment rights to corporations as if they were individuals. The result has not been the transformation of things into humans so much as humans into things, when animals and the environment would be better protected with reference to our humanity rather than to theirs.

Giving Rights to Trees, Corporations and Robots

The Problem of Personhood

Biblische Motive macht Vibrafonist Joel Ross zum Thema seines fünften Blue-Note-Albums, mit einem erweiterten Set-Up seiner Band Good Vibes, feat. Josh Johnson (Alto-Sax), Maria Grand (Tenor-Sax), Jeremy Corren (Piano), Kanoa Mendenhall (Bass) und Jeremy Dutton (Drums). Die Botschaft von Liebe und Hoffnung vermitteln sie mit spirituellem, groovendem Jazz. Das Album vereint die Komplexität früherer Alben des Vibraphonisten mit der Direktheit und Zugänglichkeit seiner späteren Werke und kreiert so einen neuen, unverkennbaren 'Joel-Ross-Sound'. Es erscheint, nachdem er sich in den letzten Jahren intensiv mit den theologischen und historischen Dimensionen seines Glaubens auseinandergesetzt hat. Indem er einige seiner älteren, unveröffentlichten Kompositionen neu interpretiert und im Lichte neuer Erfahrungen betrachtet, schuf er ein Album, das mehr denn je von seiner Persönlichkeit offenbart. 'Dies ist wohl das bisher mutigste Beispiel dafür, wie ich versuche, die biblische Botschaft zu verkünden und gleichzeitig meinen Wurzeln Tribut zu zollen', erklärt er.

Gospel Music

An expert chef and the author of More Than Cake covers everything you need to know to make a dazzling hot pot feast—the ancient Chinese tradition that is both a meal and a celebration. Hot pot is the ancient East Asian cookery method of rapidly poaching bite-size morsels of fresh vegetables, meats, seafood, and tofu in a tableside broth. This communal way of eating is perfect for home dinner parties where guests become active participants in cooking the meal. Though the hot pot table symbolizes bounty and feasting, at its core is frugality and thrift and accessibility to anyone. Four-time James Beard Award nominated chef Natasha Pickowicz provides more than fifty recipes for the broths, dumplings, sides, desserts, and drinks, along with a guide to the essential hot pot ingredients, equipment and tools, plus an explanation on how to pull it all together. Recipes include essential hot pot accompaniments, such as: <ul><li> Not-Just-Scallion Pancakes </li><li> Toasted Cumin and White Sesame Sauce </li><li> Caramelized Mushroom and Cabbage Dumplings </li><li> Charred Tomato and Lemongrass Broth </li><li> Crunchy Seaweed Boats </li><li> Watermelon Shiso Slushie </li></ul> Through four distinctly unique hot pot menus, Pickowicz shows how to pull together this cozy tradition best enjoyed at home no matter where you are; everyone, hot pot!

Creating the Ultimate Meal for Gathering and Feasting

Everyone Hot Pot

St. Pauli 1951: Jazzpianistin Martha Kiesler, einst das Idol der von den Nazis verfemten Swing-Jugend, kommt in ihre alte Heimat zurück. Ihre Karriere in New York ist nicht so verlaufen, wie sie es sich erträumt hatte. Aber in der vom Krieg gezeichneten Stadt Fuß zu fassen ist schwer, jeder kämpft ums nackte Überleben, und die Nazis sind längst nicht verschwunden. Zunächst schlägt sie sich als Pianistin in einer Hotelbar durch. Als sie einen alten Freund wiedertrifft, der einen Jazzklub eröffnen will, schöpft sie Hoffnung, und in dem geheimnisvollen GI Paul meint sie, ihren Traum-Bassisten gefunden zu haben. Doch er verkehrt mit zwielichtigen Gestalten und muss immer wieder seinen Bass verpfänden. Zum Glück lernt sie auch die patente Blondie kennen, angehende Modedesignerin und unerwarteter weiblicher Beistand. Aber auch Grundstücksspekulanten, Drogenhändler und Rotlicht-Gangster kommen ihr in die Quere, alte Widersacher tauchen auf. Und die Erinnerung an einen mysteriösen Todesfall ...

Kriminalroman

Die nackte Haut

Santiago de Chile, San Pedro de Atacama, Valle de la Luna, Laura, Clara, Caro, Eva, Agus, Julian, Alice, Robert, Fridolin, Neuquén, Bariloche, El Bolsón, Ancud, Cinco Lagunas, Cinco Hermanos, Cerro Castillo, Fitz Roy, La Vuelta de Huemul, Höhenmeter, tausende Asphaltkilometer, 
Merino, Nylon, Stahl, Daune, Boombox, Zuneigung, Handgemenge, Tanzgelage, Wüste, Gletscher, Kitsch, Käsebrot-
klumpen, Nutella für 10 Euro, Sprit für 50 Cent, Schicksal, Schotter, Schneesturm, Schimmel, Sterne, Heimweh, Reisefieber, Freudentaumel, Feuerland, Tinder und Tango,...

Moment, Aufnahme, Sammlung Band I

La Vuelta

A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British. "I have been waiting for Nina McConigley's debut novel for years and it's even better than I could have imagined." —Celeste Ng “Spirited and witty, stylish and audacious...Its avid curiosity about the world, its alertness to history, and its enormously fun storytelling—with a twist at the end—held me in their spell.” —Megha Majumdar Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is:&nbsp; &nbsp; &nbsp;&nbsp;&nbsp;&nbsp;a)&nbsp; &nbsp; a vivid portrait of an extended family &nbsp;&nbsp;&nbsp;&nbsp;b)&nbsp; &nbsp; a moving story of sisterhood &nbsp;&nbsp;&nbsp;&nbsp;c)&nbsp;&nbsp;&nbsp;&nbsp;a playful ode to the 80s &nbsp;&nbsp;&nbsp;&nbsp;d)&nbsp;&nbsp;&nbsp;&nbsp;a murder&nbsp;mystery (of sorts) &nbsp;&nbsp;&nbsp;&nbsp;e)&nbsp;&nbsp;&nbsp;&nbsp;an unexpected and unwaveringly powerful meditation on history and language, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;trauma and healing, and the meaning of independence Or maybe it’s really: &nbsp;&nbsp;&nbsp;&nbsp;f)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; all of the above.

A Novel

How to Commit a Postcolonial Murder

Messenger Cat Café

Director’s Cut Kitchen

Immerse yourself in the wonderful world of Wes Anderson with 55+ recipes inspired by his films, characters, and signature aesthetic. In The Wes Anderson Cookbook—the debut title in the Director’s Cut Kitchen series—you’ll embark on a wondrous culinary adventure: an edible tribute to the charm, wit, and whimsy of filmmaker Wes Anderson’s inimitable creations, from his first film,&nbsp;Bottle Rocket, to his series of Netflix shorts, to his latest film, The Phoenician Scheme. While you can’t book a stay in one of the Grand Budapest Hotel’s timeworn rooms, buy a ticket for the Darjeeling Limited, or enroll in the fabled Rushmore Academy, you can experience all those places—and the memorable characters who inhabit them—through the foods and flavors that loom large in Anderson’s films as props, symbols, and uncredited&nbsp;dramatis personae. &nbsp; The Wes Anderson Cookbook is a carefully crafted homage to the director’s visual and narrative style, with vibrant design elements that echo his iconic aesthetics. With an introduction about the director, his oeuvre, and the role foods play in his films, the book contains 59 full-color, beautifully illustrated recipes, from main dishes and snacks to drinks and desserts; each explains its connection to a particular movie or scene, adding layers of storytelling and fun facts for film buffs.&nbsp; Enjoy recipes such as: <ul><li>Midge’s Dinette Waffles from Asteroid City</li><li>Private Compartment Savoury Snacks from The Darjeeling Limited</li><li>Purloined Chicken Salad from Fantastic Mr. Fox</li><li>The Royal Negroni from The Royal Tenenbaums</li><li>Grilled Jaguar Shark Steaks with Cream Sauce from The Life Aquatic with Steve Zissou</li><li>Mendl’s Courtesan au Chocolat from The Grand Budapest Hotel</li></ul> With menus for viewing parties, a complete filmography, and Easter eggs galore, this book is as much a visual feast as a literal one. More than just a collection of recipes, this is a collector’s item that celebrates the art of both cinema and cooking. With its unique premise of turning the lens on the director, rather than on a specific film, its visually stunning design appeals to both film fans and foodies alike. It’s an immersive journey through the cinematic world of Wes Anderson, bringing film scenes to life through food. Director’s Cut Kitchen is a series of unofficial cookbooks that explores the intersection of food, film, and creativity, focusing on the distinctive styles of celebrated film directors. Each book features newly created recipes inspired by a director’s unique cinematic universe, with dishes inspired by memorable scenes or conceptually linked to the films’ moods, aesthetics, and themes. The series brings together the best of food and film, offering fans a way to engage with their favorite directors in a fun, tangible—and delicious—way. The result is a playful and engaging collection that appeals to cinephiles, foodies, and pop culture enthusiasts alike.

Whimsical Recipes Inspired by the Director and His Films

The Wes Anderson Cookbook

Run For It

An unforgettable debut,&nbsp;For Human Use&nbsp;is a twisted tale of modern love that bends every genre, sears itself into your brain, and presents a horrific romantic comedy unlike anything you’ve ever read before. ★ "An utterly ingenious horror-romcom, darkly zeitgeisty, and unnervingly plausible—funny as&nbsp;hell, too. You will not forget this book." ―Heather Aimee O'Neill, author of Read With Jenna book club pick The Irish Goodbye Modern dating is dead. Finding a human connection online has become impossible. Enter Liv: a dating app that matches people with dead bodies. Somehow, it has taken the world by storm. Millions of users are convinced that life with a corpse presents a better alternative to conventional relationships.&nbsp; Flailing against Liv’s popularity, venture capital superstar Tom Williamson—whose company is funding Liv—isn’t buying it. Mostly because dating an embalmed cadaver, let alone monetizing it, is obscene. Believing that Liv is the future, Auden White, the insufferable “visionary” behind the app begins demanding more and more funding, quickly making enemies with Tom. It's no secret that Tom struggles with people, dead or alive, but when he has a chance meeting with the woman who knows Auden (and his secrets) best, Mara Reed, he realizes everything is about to change for all three of them. With Liv’s userbase growing by the day, the need for cadavers rapidly increases. Humanity might not want to connect with other living, breathing people anymore, but they do want to connect with&nbsp;something. What could go wrong? ★&nbsp;&nbsp;“A wildly entertaining debut. Sarah G. Pierce cleverly skewers our modern era of disconnection and corporate overreach. But amid the horror and humor there is a deeply human love story at the heart of this book.” ―E.K Sathue, author of Youthjuice ★ "A razor-sharp satire of venture capitalism, online influence culture, and The Discourse, Pierce holds a mirror to an all-too familiar reality where the unthinkable becomes thinkable if there's profit to be made and prestige to be gained. A human romance in a world gasping for human connection, this one goes places!" ―Bitter Karella, author of Moonflow

For Human Use

Elipsis

Von der Disco in den Jazz Club - Flore Benguigui ist zurück! 2024 platzte in der Welt des französischen Pop eine Bombe, als Flore Benguigui ihren Ausstieg aus der erfolgreichen Elektropop-Band L'Impératrice bekanntgab. Mit ihrem ersten Solo-Album ist sie jetzt in Bestform zurück und verbindet swingende Jazz-Songs mit Pop- und Elektro-Elementen. Die ausgebildete Sängerin und Pianistin hegte schon immer eine tiefe Liebe zu Evergreens und zu Unrecht vergessenen Klassikern von Nina Simone bis Chanson-Legende Barbara. Ihr erstes Album unter eigenem Namen greift diese Musik jetzt auf und transportiert sie ins Hier und Jetzt. Ihre unverwechselbare Stimme, flirrend und mädchenhaft, aber punktgenau und selbstbewusst, ist die Basis der Jazz-Ohrwürmer mit einer Dosis Indie-Pop, die sie mit ihrer Band The Sensible Notes erarbeitet hat. Für Pop- wie für Jazz-Fans ist ihr ein sehr hörenswertes Werk gelungen.

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Le Rythme Du Silence

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