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Iesous ahatonnia'

Drei Weihnachtslieder (Three Christmas Carols)

Ankunft (Arrival)

Long, Long Ago

Chicago Studies in Ethnomusicology

Instruments, Theories, Technologies

Sikh Kirtan and Its Journeys

Voice Junction

Wanderlust

New Horizons

Tota pulchra es

Somehow not only for Christmas

Fingernail Moon

Author Derek L. Stauff offers a new look German Lutheran music of the 1620s and 1630s, showing how its composers carefully set biblical texts that resonated with the war and performed them in politically meaningful contexts. This book reveals to readers how their music became a representation of the Lutheran church, stoking fears about Catholic religious persecution, celebrating political alignments, critiquing controversial decrees, or lamenting the brutality of war.

Confession, Politics, Devotion

Lutheran Music and the Thirty Years War

Adam lay ybounden

"Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular 'visual music' of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time"--

George Herbert and Early Modern Musical Culture

The Pasture

Songbird

In the Silence of the Night

Iesous ahatonnia'

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