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Oyasumi Tokyo

Yoshida A: Gute Nacht, Tokio

Gute Nacht, Tokio

The first effort to reconstruct the history of the Pacific War exclusively from internal Japanese sources, from the renowned historiansA magisterial work of political, social, and military history,&nbsp;Sacred War&nbsp;sets a new standard for understanding the events that forever transformed America, Japan, and the world. Celebrated historians Theodore F. and Haruko Taya Cook, whose oral history of the Pacific war was called "one of the essential books about World War II" (Philadelphia Inquirer), now offer a shattering new history of Japan's long war in the Pacific, told exclusively from the perspective of the Japanese.&nbsp;Sacred War&nbsp;draws on a rich trove of documents, much of it first-person and almost all of it previously inaccessible to Western scholars. Based on painstaking research, here is World War II through the eyes of the Japanese themselves: ordinary people on the home front, soldiers on the front lines, and the military and political leadership who drove Japan to near annihilation by 1945. Sacred War&nbsp;reveals both the internal logic of an authoritarian society bent on victory at all costs-including, in the final twelve months of the war, over one million civilian deaths-as well as heartrending accounts of the unfolding conflict, from the disease-ridden beaches on Guadalcanal to the burnt-out streets of Hiroshima, following the nuclear attacks by the United States that brought the war to its devastating end.

Inside the Japanese Experience, 19371945

"Sacred War"

The Serpent Bride 02

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Shakespeare and Adaptation

Gender, Sexuality, Race and Politics on Stage

Shakespeare and Ballet

Die Blütenfreundinnen

Roman | Band 3 I Vier Frauen, die Mitten im Leben und doch an Scheidewegen stehen I Wunderbare Feel-Good-Momente garantiert

Die Blütenfreundinnen - Orangenglück

Hollow Inside

Saturn Return

Saturn Return 9

Süße Bisse

Romantasy-Komödie über ein Vampire-Geek-Girl und ihren Anime hassenden Nachbarn

Süße Bisse 06

Murciélago

Murciélago 23

After a long life with a loving human family, tabby cat Fuuta has passed into the afterlife - but he is not as far from his owner as it seems. Slight openings bridge the divide between the lands of the living and the dead, and they can be traversed. But returning to the land of the living so soon can warp the earth, and there are rules to keep the worlds in proper balance. Alongside his new friend Natsuki, a timid black cat with far too many emotional support toys, Fuuta must learn how to 'live' by these new rules. Fuuta interviews for a position at Café Pont, a café that exists in the liminal space between the two worlds. Nijiko, the café manager, explains their unique message delivery service: customers leave request cards with their name and the name of the person they wish to meet. Nijiko chooses requests with the most sentimental value, then assigns a messenger cat to arrange the 'meeting'. Meetings cannot happen directly: the cats must deliver the soul of the deceased to speak through another person in the land of the living, without causing panic, or worse: upseting the balance of the universe itself. It is a weighty task, but Fuuta rises to the challenge. After all, the job offers a special reward: the right to see his owner again. Each successful meeting earns Fuuta a pawprint-shaped stamp, and five stamps will prove he can be trusted to uphold the balance of the universe and complete his mission.

Gute Nacht, Tokio

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