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Kanellou M: Greek Erotic Epigram

Greek Erotic Epigram

A Diachronic Approach

<ul><li>Preface</li> <li>Acknowledgments</li> <li>List of Abbreviations</li> <li>Introduction</li> <li>1. Why Write a Book on the Diachronic Study of Erotic Epigram?</li> <li>2. The Contents of the Book</li> <li>1: The Lamp as a Vehicle for Exploring the Lover's Emotions</li> <li>1. First Appearances of the Lamp Motif in Asclepiades</li> <li>2. The Development of the Motif in the Meleagrian Epigrams</li> <li>3. Outside the Melegrian Garland: Philodemus and Statyllius Flaccus</li> <li>4. Marcus Argentarius and the Lamp's Prophetic Abilities</li> <li>5. The Survival of the Lamp in the Cycle of Agathias</li> <li>6. Conclusions</li> <li>2: Unboxing Sea and Nautical Metaphors</li> <li>1.1 The Ship-Prostitute Epigrams and Their Intertextual Background</li> <li>1.2 Alcaeus and the Ship-Prostitute</li> <li>1.3 Theognis and Aristophanes: Ship Imagery and the Ambiguities of Control</li> <li>2.1 The Ship-Prostitute in Epigram: Hetaerae Described as Ships</li> <li>2.2 Ships Described in Language Applicable to Hetaerae</li> <li>3.1 Hellenistic Epigram and the Sea of Love</li> <li>3.2 The Heterosexual Epigrams</li> <li>3.3 The Homoerotic Epigrams</li> <li>4.1 The Survival of Sea and Nautical Metaphors after Meleager's Garland</li> <li>4.2 Sea Metaphors in Their Sexual Form: The Case Study of Automedon AP 11.29</li> <li>4.3 Further Examples of Sexual Sea Metaphors: The Anonymous AP 11.220 and Rufinus AP 5.35</li> <li>4.4 The Sea of Love in Macedonius Consul AP 5.235</li> <li>5. Conclusions</li> <li>3: Comparing the Beloved with the Supreme Goddess of Beauty</li> <li>1. The Beloved's Praise in the Poetic Tradition: The Limitations of Hyperbole</li> <li>2. Implied Comparison with Aphrodite: Nossis' Dedicatory Epigrams</li> <li>3. Hellenistic Queens and Aphrodite: Three Posidippean Epigrams and Asclepiades or Posidippus APl (A) 68</li> <li>4. Asclepiades or Posidippus AP 5.194: Indirect Links Between a Non-Royal Woman and Aphrodite</li> <li>5.1 Antipater of Sidon: Staying within Limits (AP 9.567 and 7.14)</li> <li>5.2 Antipater of Sidon: Stretching the Boundaries (AP 7.218)</li> <li>6. The 'Apotheosis' of the Motif in the Meleagrian Epigrams</li> <li>7. Comparing the Male Beloved with Eros</li> <li>8.1 The Motif after Meleager: Marcus Argentarius and Rufinus</li> <li>8.2 The Motif in the Cycle of Agathias</li> <li>9. Conclusions</li> <li>4: Eros and the Erotes: The Tormentors of Humans</li> <li>1.1 Eros' Disguises: Recollections of Lyric Poetry</li> <li>1.2 Eros the Crawling Creature</li> <li>2. Amalgamation of Different Portrayals of Eros in the Same Epigram</li> <li>3.1 From the Single Eros to the Erotes: The Motif's Literary Roots</li> <li>3.2 Multiple Erotes for Multiple Effects</li> <li>4. Conclusions</li> <li>Epilogue</li> <li>Bibliography</li> <li>General Index</li> <li>Index Locorum</li> </ul>

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Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

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You've heard all about the 'brilliant men' of ancient myth, but what about the scheming and scandalous women who were so often lost in their shadow?

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