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F. J: Global Perspectives: Dress and
Fashion in the 20th and 21st Centuries

Global Perspectives: Dress and Fashion in the 20th and 21st Centuries

What can one city tell us about the global textile waste problem? This Open Access study is the first detailed ethnography of clothing waste infrastructures that starts where the problem starts - the Global North. Based on more than 100 interviews, cultural anthropologist Heike Derwanz follows the journey of fast fashion in Hamburg, Germany: starting with two women from different socio-economic backgrounds sorting through their wardrobes, travelling through local flea markets, eBay, church clothes banks, upcycling brands and recycling sites, only to end up in homes and waste heaps in the Global South. Bringing together human agents such as designers, social workers and vintage sellers with objects from containers, plastic sacks and internet platforms to piles of sorted textiles, this on-the-ground cultural study reveals how the global economic system of fast fashion shapes local infrastructures entangled in everyday lives. Combining material culture, waste studies and economic perspectives to scrutinize the so-called circular economy of today's global textile recycling market, Derwanz investigates what agency modern consumers really have in the lifecycle of their clothes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Bloomsbury Open Collections Library Collective.

The Circulation of Used Clothes in the Global North

Sorting Out Clothes

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Studies Book

Stickerbomb Sneakers

Studies in Design and Material Culture

Fashion as Dissent

Stiliagi and Soviet Masculinities, 1945–2010

Creative Careers

Whether your skills are in design, making, styling, illustration, textile arts or supervision - Get Into Costume helps you bridge the gap from costume education into that vital first job in the industry. You'll learn from the highs and lows of some of the most influential costume professionals working today, including Sandy Powell OBE (Shakespeare in Love, Mary Poppins Returns and The Favourite), Jenny Beavan OBE (Mad Max: Fury Road, Cruella and Furiosa: A Mad Max Saga), Zaldy Goco (RuPaul's Drag Race, Cirque du Soleil and The Little Mermaid), as well as Dance Costume Maker Amanda Barrow. There's also hands-on advice about collaborating with directors and producers to help bring their vision to life as well as how to break down a script and storyline to establish not just what a character should wear but how and why they wear it. With the collective insight of costume designer Vin Burnham and her fellow international costume professionals, you'll be armed and ready to enter the industry with a full understanding of the different career paths available to you - and what it takes to succeed.

Design, Make and Manage for the Stage and Screen

Get Into Costume

For students ready to think outside the lines of basic blocks, this modern update to the popular and inspirational sourcebook features a redesigned step-by-step layout, new chapters on current industry trends, and photographs of new work from over 20 exciting young designers.

Pattern Cutting: The Architecture of Fashion

Applying the methodology of 'reading-as-a-writer' to the craft of writing for young people, this critical and practical textbook combines close readings of contemporary middle-grade and YA literature with author interviews and writing exercises

Critical Readings and Discussions on Craft

Writing for Young People

Learn to create lasting impact for global fashion brands through branding, marketing and consumer engagement.

Strategic Management and Promotion for Global Fashion Brands

International Fashion Marketing

Louis-René Boquet Between Tradition and Reform

Performance Costume in 18th-Century France

Dress and Fashion Research

Sustainable Fashion, Migrants, Embroidery: Ateliers of 'Social Integration' tells of community-led 'solidarity ateliers' engaged in sewing and embroidery activities which, in the Global North and Global South, are providing a vital alternative to neoliberal and neo-colonial fashion paradigms. On encountering several ateliers solidaires/sartorie sociali during her immersive fieldwork, for which she travelled to Morocco and Southern Italy, and contrasting her findings with her knowledge of parallel and analogous initiatives in London, Alessandra Lopez y Royo suggests that despite their different outlook and approach these ateliers can be inscribed within an ever-growing economy of solidarity and sharing. With a uniquely combined focus on sustainability, fashion and migration, Lopez y Royo examines how the ateliers foreground a powerful social inclusion agenda, encouraging migrants (and refugees) to collaborate, exchange knowledge, and foster communities on a level playing field with locals. Questioning widely accepted notions of 'empowerment' and 'social integration', and drawing on her background in archaeology and material culture studies, Lopez y Royo uses micro-studies to illuminate a broader path to a more inclusive, sustainable, and socially conscious industry, presenting a fresh perspective on repurposing and upcycling. In a world grappling with the need to shift away from fast fashion's wasteful practices, this thought-provoking exploration shows how slow-growth 'solidarity ateliers' can challenge the widely accepted notions of both 'fashion' and 'social integration'.

Ateliers of 'Social Integration'

Sustainable Fashion, Migrants, Embroidery

An exploration of the rich creative influence of Italian Renaissance art on the designs of contemporary Italian fashion houses &nbsp; Successful Italian fashion houses such as Armani, Dolce &amp; Gabbana, and Versace are among the most high-profile and cutting-edge on the global fashion scene. Many of the innovative designs created by these and other major Italian houses draw on imagery from Italy’s rich cultural and artistic past. Weaving together insightful texts and vivid illustrations, this book explores the creative, cultural, and social dialogues between contemporary Italian fashion houses and the enduring legacy of Renaissance Italy. &nbsp; During the Renaissance, the Italian peninsula was dominated by powerful aristocratic families or “houses,” such as the Medici in Florence and the Sforza in Milan, whose members used fashion and art to communicate their power. Through essays by scholars and fashion industry professionals, including Luca Missoni of the House of Missoni and Stefania Ricci, director of the Ferragamo Museum, this book provides an insider look at the creative connections between Italian Renaissance “houses” and contemporary Italian fashion houses, and the design innovations that celebrate the vital legacy of Italian Renaissance imagery. Art directed by Luca Stoppini, former Vogue Italia creative director, this book features an inventive, oversize design reminiscent of Vogue magazine’s storied annual “September Issue,” conveying a gripping story about contemporary Italian fashion and enlivened with runway and art images, as well as original photography inspired by nostalgic glossy editorials. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 9, 2025–February 1, 2026)

The Enduring Italian Houses

Renaissance to Runway

Global Perspectives: Dress and Fashion in the 20th and 21st Centuries

Informations bibliographiques

Mots-clés

Informations bibliographiques

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